CHAPTER 14: PRINCIPLES OF HAIR DESIGN Flashcards

1
Q

Chemically infused services that make changes in the natural texture, curl, or _________ in the hair are considered permanent and will never revert back to the original pattern.

a. thickness
b. wave pattern
c. elasticity
d. hair color

A

b. wave pattern

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2
Q

For a client with gold skin tones, ________ haircolors are more flattering.

a. contrasting
b. toned
c. warm
d. cool

A

c. warm

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3
Q

When designing a style for a woman with large hips or broad shoulders, the stylist would normally create a style with __________.

a. more volume
b. less volume
c. more length
d. darker colors

A

a. more volume

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4
Q

Balance is described as establishing equal or appropriate proportions to create ______________.

a. width
b. symmetry
c. structure
d. space

A

b. symmetry

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5
Q

When the two imaginary halves of a hairstyle have an equal visual weight but are positioned unevenly, the hairstyle is considered to have ___________ balance.

a. horizontal
b. diagonal
c. symmetrical
d. asymmetrical

A

d. asymmetrical

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6
Q

A regular pulsation or recurrent pattern of movement in a design is referred to as _____________.

a. rhythm
b. harmony
c. focus
d. balance

A

a. rhythm

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7
Q

The area in a design where the eye is drawn first before traveling to the rest of the design is called the __________.

a. balance
b. axis
c. emphasis
d. apex

A

c. emphasis

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8
Q

To offset or round out the features of a square facial shape, the styling choice is to ____________.

a. create the illusion of width in the forehead
b. add volume to the sides
c. make the face seem shorter
d. create volume between the temples and jaw

A

d. create volume between the temples and jaw

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9
Q

The ________ profile has a receding forehead and chin.

a. concave
b. circular
c. straight
d. convex

A

d. convex

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10
Q

The triangular section that begins at the apex, or high point of the head, and ends at the front corners is called the _____.

a. crown area
b. bang area
c. line area
d. convex area

A

b. bang area

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11
Q

Design texture can be created temporarily with the use of _____________.

a. heat and/or wet styling techniques
b. cold and/or wet styling techniques
c. heat and/or dry styling techniques
d. cold and/or dry styling techniques

A

a. heat and/or wet styling techniques

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12
Q

Which of these is not a physical characteristics taken into account when designing an artistic and suitable hairstyle?

a. body posture
b. facial features
c. natural hair color
d. head shape

A

c. natural hair color

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13
Q

Left natural, _________ hair may not support many styling options.

a. straight, medium
b. straight, coarse
c. straight, fine
d. wavy, fine

A

c. straight, fine

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14
Q

Which type of hair offers the most versatility in styling?

a. wavy, medium hair
b. straight, coarse hair
c. wavy, fine hair
d. straight, fine hair

A

a. wavy, medium hair

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15
Q

For ease of styling, _______ hair is generally best cut short.

a. curly, medium
b. curly, coarse
c. extremely curly, coarse
d. very curly, fine

A

d. very curly, fine

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16
Q

The _______ profile has a prominent forehead and chin.

a. concave
b. convex
c. straight
d. wavy

A

a. concave

17
Q

For a client with _______, you should direct the hair back and away from the face at the temples.

a. close-set eyes
b. a large forehead
c. a crooked nose
d. wide-set eyes

A

a. close-set eyes

18
Q

For a client with a ________, the hair should be directed forward in the chin area.

a. round jaw
b. receding chin
c. small chin
d. large chin

A

b. receding chin

19
Q

For a client with a _________ nose, bring hair forward at the forehead with softness around the face.

a. wide, flat
b. long, narrow
c. small
d. prominent

A

d. prominent

20
Q

If a male client has _______, a fairly close-trimmed beard or even faded beard and mustache would be beneficial to the overall appearance.

a. darker hair
b. light hair
c. a wide face and a large jaw
d. a wide face and full cheeks

A

d. a wide face and full cheeks

21
Q

To create length and height in hair design, use _______ lines.

a. vertical
b. horizontal
c. transitional
d. single

A

a. vertical

22
Q

To create width in hair design, use ________ lines.

a. contrasting
b. horizontal
c. diagonal
d. directional

A

b. horizontal

23
Q

Lines that may move in a clockwise or counter-clockwise direction to create the illusion of movement are ________ lines.

a. curved
b. horizontal
c. single
d. parallel

A

a. curved

24
Q

Repeating lines, known as _________ lines, can be straight or curved.

a. single
b. vertical
c. directional
d. parallel

A

d. parallel

25
Q

Lines with a definite forward or backward movement are _______ lines.

a. transitional
b. contrasting
c. directional
d. diagonal

A

c. directional

26
Q

The square face shape __________.

a. is narrow at the temples
b. has hollow cheeks
c. is rounded at the jaw
d. is narrow at the middle third of the face

A

d. is narrow at the middle third of the face

27
Q

The face shape featuring a narrow forehead, extreme width through the cheekbones, and a narrow chin is the _____.

a. inverted-triangle
b. diamond
c. hart-shaped
d. pear-shaped

A

b. diamond

28
Q

The ______ face shape featured a narrow forehead, wide jaw, and wide chin line.

a. triangular
b. oblong
c. round
d. square

A

a. triangular

29
Q

The face shape featuring a wide forehead and narrow chin line is the ________.

a. triangular
b. inverted triangle
c. oblong
d. diamond

A

b. inverted triangle

30
Q

Which parting is used to create the illusion of width or height in a hairstyle?

a. side
b. center
c. diagonal
d. zigzag

A

c. diagonal

31
Q

The contour and proportions of the _________ face shape form the basis and ideals for evaluating and modifying all other face shapes.

a. oblong
b. heart-shaped
c. round
d. oval

A

d. oval

32
Q

Color acts as an illusion and helps to create lines of __________.

a. direction
b. attention
c. light
d. subtlety

A

b. attention

33
Q

Depending on ________, color can accent or de-emphasize a particular part of a style or client feature.

a. placement
b. level
c. hair length
d. hair texture

A

a. placement

34
Q

In hair design, the stylist follows five key strategies for successful end results including having a vision, following a plan, working at the plan, trying again and again, and ____________.

a. organizing your thoughts
b. developing a strong foundation
c. taking calculated risks
d. looking to the past

A

c. taking calculated risks

35
Q

The __________ face shape featured a long, narrow face with hollow cheeks.

a. square
b. triangular
c. oblong
d. round

A

c. oblong