Chapter 20 Flashcards

(12 cards)

1
Q

Claude Debussy

A
  • wrote Prelude a l’Apres-midi d’un faune
  • impressionist
  • piano “instrument without hammers”
  • wrote Voiles (use of WT and Pentatonic scales)
  • absence of style
  • regarded as the first great composer of the 20th century
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2
Q

Whole Tone

A
  • six notes

- succession of whole steps

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3
Q

Octatonic

A
  • succession of notes that follow the half-whole pattern or the whole-half pattern
  • example found in Bela Bartok’s Diminished Fifth from Mikrokosmos Book 4
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4
Q

Pentatonic

A
  • series of five notes that can be found in any Western “folk” songs and associated with East Asian music
  • example found in Voiles (Debussy)
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5
Q

Quartal Harmonies

A
  • chords built on the interval of a fourth rather than a third
  • example can be found in Charles Ives “The Cage” (1906)
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6
Q

Bela Bartok

A
  • set out to collect folk songs by Hungarian peasants. Believed folk music was “pure”
  • Mikrokosmos, Book 6: Incorporates the irregular meters of eastern Europe
  • primitivism
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7
Q

Charles Ives

A
  • “The Cage” (chords built on fourths instead of thirds known as Quartal Harmony)
  • “The Unanswered Question” (juxtaposition of tonal and atonal)
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8
Q

Primitivism

A
  • rejection of the self-imposed, arbitrary conventions of Western culture
  • role of rhythm elevated
  • abandoned traditional rules of voice-leading and harmony
  • example “Le Sacre du printemps” Stravinsky (1913) which also had use of polytonality
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9
Q

Igor Stravinsky

A
  • wrote Le Sacre du printemps
  • elevated rhythm abandoned voice- leading, triadic Harmony and major/minor
  • primitivism
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10
Q

Polytonality

A
  • two distinct triads sounding on top of each other

- exhibited in Le Sacre du printemps (The Rite of Spring)

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11
Q

Henry Cowell

A
  • American composer
  • “The Banshee” which involves direct contact with the strings of a piano to simulate the screaming of a Banshee
  • pioneered tone cluster
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12
Q

Impressionism

A
  • first used to categorize painters who used short brush strokes and emphasized color above all else
  • Claude Debussy and Ravel
  • timbre (color) over melody
  • blurring of distinct harmonies (9,10,13, WT, Oct. and Pent.) rhythms (avoids definite meter) and forms (not goal oriented)
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