Chapter 20 Flashcards
(12 cards)
1
Q
Claude Debussy
A
- wrote Prelude a l’Apres-midi d’un faune
- impressionist
- piano “instrument without hammers”
- wrote Voiles (use of WT and Pentatonic scales)
- absence of style
- regarded as the first great composer of the 20th century
2
Q
Whole Tone
A
- six notes
- succession of whole steps
3
Q
Octatonic
A
- succession of notes that follow the half-whole pattern or the whole-half pattern
- example found in Bela Bartok’s Diminished Fifth from Mikrokosmos Book 4
4
Q
Pentatonic
A
- series of five notes that can be found in any Western “folk” songs and associated with East Asian music
- example found in Voiles (Debussy)
5
Q
Quartal Harmonies
A
- chords built on the interval of a fourth rather than a third
- example can be found in Charles Ives “The Cage” (1906)
6
Q
Bela Bartok
A
- set out to collect folk songs by Hungarian peasants. Believed folk music was “pure”
- Mikrokosmos, Book 6: Incorporates the irregular meters of eastern Europe
- primitivism
7
Q
Charles Ives
A
- “The Cage” (chords built on fourths instead of thirds known as Quartal Harmony)
- “The Unanswered Question” (juxtaposition of tonal and atonal)
8
Q
Primitivism
A
- rejection of the self-imposed, arbitrary conventions of Western culture
- role of rhythm elevated
- abandoned traditional rules of voice-leading and harmony
- example “Le Sacre du printemps” Stravinsky (1913) which also had use of polytonality
9
Q
Igor Stravinsky
A
- wrote Le Sacre du printemps
- elevated rhythm abandoned voice- leading, triadic Harmony and major/minor
- primitivism
10
Q
Polytonality
A
- two distinct triads sounding on top of each other
- exhibited in Le Sacre du printemps (The Rite of Spring)
11
Q
Henry Cowell
A
- American composer
- “The Banshee” which involves direct contact with the strings of a piano to simulate the screaming of a Banshee
- pioneered tone cluster
12
Q
Impressionism
A
- first used to categorize painters who used short brush strokes and emphasized color above all else
- Claude Debussy and Ravel
- timbre (color) over melody
- blurring of distinct harmonies (9,10,13, WT, Oct. and Pent.) rhythms (avoids definite meter) and forms (not goal oriented)