chapter 6 video questions Flashcards

(40 cards)

1
Q

Depending upon their medium, artists begin in different ways. What are they? What are they drawing their inspiration from?

A

They can use their background, music, movements, traditions, or their surroundings. Inspired to create their choreography. The dance maker’s medium is the “human body,” like other artists; for example, a painter needs a blank canvas and a brush, and a sculptor needs fresh clay, rock, stone, and metal.

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2
Q

What is the first habit we acquire?

A

How to control our movements, no matter what they are, walking, crawling, or controlling an arm, we learn how to control our movements first.

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3
Q

Why did Twyla Tharp begin to choreograph?

A

She wanted to move, and since no one could tolerate her, so had to make up her dance if she wanted to dance. There was no cultural reason behind her want, but she still found it a priority.

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4
Q

Who is Twyla Tharp, and what is her medium?

A

She is one of America’s foremost choreographers and uses the medium of movement in her choreography.

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5
Q

What is the difference between dance today and 100 years ago?

A

100 years ago dance was shaped around court dances that did not push traditional boundaries and had the purpose of enforcing order ,while today dance pushes lots of boundaries and is not about order as much anymore.

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6
Q

Who lead the dance revolution in the 20th Century?

A

Big-time choreographers reshaped dance by leading the dance revolution such as Garth Fagan.

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7
Q

According to Garth Fagan, what did 20th-century modern choreographers try to put in dance?

A

Use more of passion and the pains experienced to see the feeling through the shapes and dynamics made by the choreographers.

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8
Q

According to Sardono Kusumo, what is it to dance?

A

He believes that to dance is to study human feelings and he uses life as his inspiration.

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9
Q

According to Eiko and Koma, how does the contemporary choreographer approach dance?

A

They approach dance by defining how the mind and body works allowing the dancer to dig deep into their own bodies and mind in the contemporary world. They tend to push boundaries and use experiences to shape their choreography.

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10
Q

What did Isadora Duncan introduce to the public?

A

She introduce that dance is art and a form of self expression through movement which helped dance gain more value than what it before when it was basically held on the same level of strippers.

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11
Q

How did Duncan see dance?

A

As a political statement for women that could not move freely, but saw how dance had free movement and free flowing clothing. Because of this see saw dance as the art of liberation.

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12
Q

What was Isadora Duncan’s real contribution to the art of dance?

A

She constructed dance into a new form that was less formal as it was traditionally as she made up the first modern dance language.

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13
Q

What did Anna Pavlova attribute to Isadora Duncan?

A

That she brought freedom to everyone in Russia as she performed in her own way of dance. Dance had changed from the center of classical ballet and evolved.

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14
Q

What happened at the premier of ‘Rite of Spring” and why?

A

Because of the less classical approach to the show that had a unqiue spin of dance and music the audience begun to riot

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15
Q

How did most modern artists of the 20’s and 30’s feel about their work?

A

Their work was more put into political ideas and the time of war for the period along with the harsh truths to express feelings and what was happening the world. Many such as Graham felt as though they were individualists that had to find their own language and the world was against them.

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16
Q

What did Martha Graham’s father tell her about movement?

A

He told his daughter that “movements never lies.” This is validated through his work of being a physiatrist, and he analyzed his patients movements to help them.

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17
Q

What is a contraction in the Graham technique?

A

Using the weight of the core against the floor through movements that were emphasized and not ignoring the gravity used in the weight of the body.

18
Q

What is it that, as a Graham dancer, you do not try to deny?

A

The weight of the body through gravitiy was not denied and was used to space the floor as aid.

19
Q

What became the imperative for the modern dancer?

A

The idea of choreographers making up their own language through the dance they put out which each one being unqiue to the certain choreographer

20
Q

Who is Katherine Dunham and what was the result of her background?

A

She had the roots of African culture which shaped her in modern dance. She was a dancer and anthropologist that studied social and ritual dance at the Caribbean that helped her expand the idea of modern dance.

21
Q

What is significant about the contribution of Katherine Dunham?

A

Connected her backgrounds and made a new fusion of a dance form. She found a culture present that was outside of what her background looked like as she was raised in cuture. She particulary added to the dance vocabulary for the accented torso instead of the normal straight torso seen in dance. the articulated torso

22
Q

How does Twyla Tharp view classical ballet?

A

She sees classical ballet as archaic and far in the past sense it does not have contemporary usefulness but yet is still beautiful.

23
Q

What does African-based dance do with the body?

A

It plays one part of the body against the other that was turned to be brought into modern choreography by Dunham

24
Q

What were Balanchine contributions and deletions to classical ballet?

A

He used the ballet vocabulary in a tangible way, but still captures the essence of contemporary time. He basically combined both vocabularies.

25
What do we see when we look at Balanchine’s choreography?
His choreography is expressive and flexible with no end to the possibilities. He used metaphors for represent the timeframe they were in and used syncopation with hard edges and took out exaggerated gentility of the movements within his choreopgrahy. he reveals everything about himself – about his understanding of life.
25
How does Twyla Tharp characterize Balanchine?
As a father figure of God, of perfection, extreme cynicism and practicality that she uses as guide in her corner.
26
What did Merce Cunningham do to dance?
As a groundbreaking choreographer she stripped dance of its original meaning. He thought dance did not have to have a relationship to the music nor a story, all it had to do was occupy space.
27
What do many choreographers do in the process of creating a work?
They are reinventing dance through distinctive styles and use movemetns that have been picked up through their unique life experiences.
28
What did Twyla Tharp’s mother instill in her?
To find relevance in all things guiding her to go out on her own and study new things allowing her to prepare herself.
29
What did Tharp’s preparing quality her for?
It helped her in the creative anarchy in the 60s
30
What was Twyla Tharp’s initial credo?
That she was not dancing to entertain the audience or used to serve them. Artists do what they believe in and what they must do while thinking dance was for the sake of dance.
31
What was the message in dance in the 60’s?
Dance was past its original traditional court dances, and they wanted the people to not have special powers; instead everyone was the same. Everyone can move since everyone has a body.
32
What did Twyla come out of in the dance world?
That everyone can move and every movement is a form of dance, no matter what it is or portraying.
33
What were the two opposing camps in the dance world of 60’s?
One was ballet and one was modern, neither were of the same universe or same art
34
How would Twyla Tharp unify the two camps?
She used her dances to create the message of unification, such as when using one white sneaker and glove, then the other foot being bare, being represented through both camps by being divided down the middle. She found to work with all the languages of dance opposed to eliminating them.
35
What is post-modernism?
In other arts there is a clear meaning and divide, but in dance, there are a variety of styles used and mushed them together. Different languages could speak together and create different forms or styles
36
What is Twyla Tharp’s view on what a contemporary dancer needs to be able to do?
To be able to use their bodies and think modern is not less, but instead it is more, because of the positions that are used by them, and they need to move quickly but in more intricate movements.
37
What has become the tradition of dance in the 20th Century around the world?
To borrow, invent new forms, combine languages, mash together old forms, and reinvent them became a tradition around the world in the 20th century.
38
What is Garth Fagan’s take on the choreographer solving problems in dance?
It is not a matter of trashing the previous traditional dance form, but it is taking it and transforming it into a new life where the choreographer can take new meaning and portray new thoughts and ideas into the movements.
39
Sardono Kusumo includes two elements in each of his works, what are they?
Something old and something new, which is implemented by not looking for anything new but using the old thing and using it in a relevant form, while making the new ones in the back of his mind.