Circulation Flashcards

(47 cards)

1
Q

The path of our movement can be conceived as the perpetual thread that links the spaces of a building, or any series of interior or exterior spaces together

A

Circulation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Circulation elements

A

Approach, Entrance, Configuration of the path, Path-Space relationships, and Form of the Circulation Space

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

The Distant View

A

Approach

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

From the outside to inside

A

Entrance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Configuration of the path

A

The sequence of spaces

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Edges, nodes and terminations of the path

A

Path-space relationships

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Corridors, halls, galleries, stairways and rooms

A

Form of the Circulation space

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

The first phase of the circulation system

A

Approach

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

An Approach that leads directly to the entrance of a building along a straight, axial path

A

Frontal

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

An approach that enhances the effects of perspective on the front facade and form pf a building

A

Oblique

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

An approach of a spiral path prolongs the sequence of the approach and emphasizes the three dimensional form of a building as we move around it’s perimeter

A

Spiral

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Entering a building, a room within a building, or a defined field of
exterior space, involves the act of penetrating a vertical plane that
distinguishes one space from another and separates ”here” from
“there

A

Entrance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

It may be a passage through an implied plane established by two
pillars or an overhead beam.

In situations where greater visual and spatial continuity between
two spaces is desired, even a change in level can establish a
threshold and mark the passage from one place to another

A

Entrance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

entrance maintains the continuity of the surface of a wall and
can be, if desired, deliberately obscured.

A

flush entrance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

entrance forms a transitional space, announces its function
to the approach, and provides overhead shelter

A

projected entrance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

entrance also provides shelter and receives a portion of
exterior space into the realm of the building

A

A recessed entrance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

All paths of movement, whether of people, cars, goods, or services,
are linear in nature.

A

CONFIGURATION OF THE
PATH

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

And all paths have a starting point, from which we are taken
through a sequence of spaces to our destination.

A

CONFIGURATION OF THE
PATH

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

The contour of a path depends on our mode of transportation.

A

CONFIGURATION OF THE
PATH

20
Q

A straight path, however, can be the primary
organizing element for a series of spaces. In addition, it can be
curvilinear or segmented, intersect other paths, have branches,
or form a loop

21
Q

configuration has linear paths extending from or
terminating at a central, common point

22
Q

configuration is a single, continuous path that originates
from a central point, revolves around it, and becomes
increasingly distant from it

23
Q

configuration consists of two sets of parallel paths that
intersect at regular intervals and create square or rectangular
fields of spac

24
Q

A network configuration consists of paths that connect
established points in space

25
In reality, a building normally employs a combination of the preceding patterns.
Composite
26
Important points in any pattern are centers of activity, entrances to rooms and halls, and places for vertical circulation provided by stairways, ramps, and elevators.
Composite
27
To avoid the creation of a disorienting maze, a hierarchical order among the paths and nodes of a building should be established by differentiating their scale, form, length, and placement.
Composite
28
A circulation space may be
Enclosed * Open on One Side * Open on Both Sides
29
* Pass by Spaces * Pass through Spaces * Terminate in a Space
PATH–SPACE RELATIONSHIPS
30
The integrity of each space is maintained. * The configuration of the path is flexible. * Mediating spaces can be used to link the path with the spaces
Pass by Spaces
31
The width and height of a circulation space should be
proportionate with the type and amount of movement it must handle.
32
The path may pass though a space axially, obliquely, or along its edge. * In cutting through a space, the path creates patterns of rest and movement within it
Pass through Spaces
33
should be established between a public promenade, a more private hall, and a service corridor.
A distinction in scale
34
The location of the space establishes the path. * This path-space relationship is used to approach and enter functionally or symbolically important spaces
Terminate in a Space
35
naturally encourages forward motion.
narrow, enclosed path
36
Spaces for movement form an integral part of any building organization and occupy a significant amount of the volume of a building.
FORM OF THE CIRCULATION SPACE
37
provide for our vertical movement between the levels of a building or outdoor space.
Stairs and stairways
38
The form and scale of a circulation space, however, should accommodate the movement of people as they promenade, pause, rest, or take in a view along a path
FORM OF THE CIRCULATION SPACE
39
determined by the dimensions of its risers and treads, should be proportioned to fit our body movement and capability
The slope of a stairway
40
also provides a visual clue to the public or private nature of the stairway
The width of a stairway
41
The form of a circulation space varies according to how:
its boundaries are defined; * its form relates to the form of the spaces it links; * its qualities of scale, proportion, light, and view are articulated; * entrances open onto it; and * it handles changes in level with stairs and ramps.
42
Wide, shallow steps can serve as
an invitation
43
while a narrow, steep stairway can lead to more
private places.
44
forming a public galleria or private corridor that relates to the spaces it links though entrances in a wall plane;
Enclosed
45
determine the rhythm and choreography of our movements as we ascend or descend its steps.
the locations of landings
46
forming a balcony or gallery that provides visual and spatial continuity with the spaces it links;
Open on One Side
47
forming a colonnaded passageway that becomes a physical extension of the space it passes through.
Open on Both Sides