Color Schemes Flashcards

(51 cards)

1
Q

Function of rooms-The hue employed should suggest an _____ or _______ of ideas in harmony with the rooms ________.

A

emotion, association, function

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2
Q

Sources of color schemes:

a) Can be developed from some objects on hand:
1) _______
2) _______
3) ________
4) ________

A

rug
drapes
type and color of furniture
a beautiful picture or vase

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3
Q

Sources of color schemes:

b) Pleasing color combinations can be found in:
1) _________
2) Fine arts
3) _________

A

nature

home decorating literature (magazine)

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4
Q

Selection of a dominant hue in a room interior:

a) Should prevail __________ above any other hues.

A

extensively

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5
Q

Selection of a dominant hue in a room interior:

b) If more than one hue is used, the dominant hue should be at least ____ of the color scheme.

A

50%

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6
Q

Effect of illumination on a hue- The hues of objects should be selected under the _______ ____________ in which they will be seen.

A

same condition

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7
Q

Daylight Exposures: Natural illumination from different ________________ creates surprising effects on the appearance of a hue.

A

compass points

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8
Q

Daylight Exposures:

North (unchangingly ______)-use a _____ color scheme.

A

cool, warm

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9
Q

Daylight Exposures:

South (______________)-use a _____ color scheme.

A

warm and bright, cool

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10
Q

Daylight Exposures:

East (mainly _____)-use a ______ color scheme.

A

cool, warm

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11
Q

Daylight Exposures:

West (mainly ______)-use a _____ color scheme.

A

warm, cool

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12
Q

Incandescent Lighting: _____________________________(_______)
Illumination is-high in __________

A

white filament light bulb, warm lighting

yellow

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13
Q

Florescent: __________

1) High in- _____________
2) Lacking in-_____________

A

cool lighting
green and blue
adequate red

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14
Q

Colored Lighting: ____________

A

hues in electric lighting are obtained artificially by either placing a transparency before a white light or by painted bulbs.

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15
Q

Activities of hues:

Chromatic colors exhibit different degrees of _________activity associated with the illusions of force and weight.

A

aggressive

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16
Q

Force: Some hues seem to strive for attention while others seem ________, _________, and _______.

A

passive, retiring, quite

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17
Q

Weight: Some hues give the impression of __________ while others seem light-weight.

A

heaviness

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18
Q

Weight:

Pure hues seem heavier than the same hue ______.

A

grayed

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19
Q

Weight:

The __________ of a hue seems heavier than its tint.

A

shades

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20
Q

Weight:

_______ hues seem heavier than ______ hues.

A

cool, warm

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21
Q

Balance in arrangement: Repetition

Principle- Employ each hue (different _________, _________, and __________) at least 3 times.

A

amounts, value, intensity

22
Q
Balance in arrangement: Repetition
Methods:
a) \_\_\_\_\_\_\_
b) \_\_\_\_\_\_\_
c) \_\_\_\_\_\_\_
A

force, weight, texture

23
Q

Balance in arrangement: Repetition
Law of Areas (in a room)
Definition: A guide for the use of _______ colors for expansive areas and _______ colors for smaller areas.

A

dull, intense

24
Q

Balance in arrangement: Repetition
Law of Areas (in a room)
Large Areas: The larger the area the ______________ the color should be.

25
Balance in arrangement: Repetition Law of Areas (in a room) Small Area: The smaller the area the ______________ the color should be.
more brilliant
26
Floral arrangements (group pieces) 1) Balance a) ___________ b) ___________
Symmetrical, Asymmetrical
27
``` Floral arrangements (group pieces) Symmetrical: The placement of _________ pieces in the same position at each side of the casket. ```
similar
28
``` Floral arrangements (group pieces) Asymmetrical: The placement of ________ pieces at both sides of the casket. ```
dissimilar
29
Floral arrangements (group pieces) a) _________________ b) _________________
Positioning | Illusion of heavier weight
30
``` Floral arrangements (group pieces) Positioning: If large and heavy in appearance they should be placed ________ or in the middle, but not ________. ```
low, up high
31
``` Floral arrangements (group pieces) Illusion of heavier weight: Occurs when the arrangements are _______, ______ colored ________ or of _______ hues. ```
large, cool. dark, pure
32
Types of color harmonies: a) Related color harmonies 1) ___________ 2) ___________ b) Contrasting color harmonies 1) ___________ 2) ___________ 3) ___________ 4) ___________ 5) ___________ 6) ___________
``` Monochromatic Analogous Complementary Triad Split-Compliement Tetrad Double Contrast ```
33
Monochromatic a) Definition: ____ hue with its _____, ______ and _____. b) Illustrations- RED, pink, cherry, coral, burgandy, cordovan, and maroon are all _____ in hue.
one, tints, shades, tones | red
34
Analogous a) Definition: _____ or more __________ hues with the same hue in common. b) Illustration: Colors with orange in common:________, __________, and _________
two, adjacent | yellow orange, orange, red orange
35
Types of Color harmonies: 3) Application of related colors in a funeral home a) ________________ b) ________________ c) ________________
Scenic wallpaper Tile Stripping and Molding
36
Type of Color harmonies: 4) Application of related colors in a floral arrangement a) Place ______ colors together as a ____. b) ____ the size of other similar groupings. c) If there is too much similarity, place a _____ group within.
similar, group Vary contrast
37
Contrasting color harmonies: Complementary a) Definition: Involving 2 ________ hues on the color wheel. b) Illustration- ____________________
opposite | orange blue or OB
38
Complementary c) Danger of rivalry: in interiors, when both cover _________ areas. d) Greatest effectiveness in floral arrangement: in adjacent groups it creates a contrast in weight. (Example: ___________________)
large | warm and cool
39
Triad: a) Definition: 3 hues at least ____ hues apart. b) Illustration: _______, ______, and ______ from a ________ triad.
3 | red, yellow, blue, perfect
40
Split-Complement a) Definition: (__________) 1 hue plus hues on each side of its ____________. b) Illustration- ________________________
3 hues total, complement | yellow, red purple, blue purple
41
Tetrad: a) Definition: (______________) 2 hues _________ and their _____________. b) Illustrations: ________________________
4 hues total, separated, compliments | orange, yellow, blue, purple
42
Double-Compliment a) Definition: (_______________) 2 hues ___________ and their _____________. b) Illustrations: ________________________
4 hues total, adjacent, compliments | orange, yellow orange, blue, blue purple
43
Contrast (_________________) a) Definition: ___ hues that contrast but not ________________. b) Illustration:
Non-complementary 2, complimentary orange and purple, orange and green, red and blue, red and purple, yellow and green, yellow and blue.
44
Use of contrasting color harmonies in a room interior (__________________)- Large areas of color should be ________ in effect while small areas should show _______ contrasts.
The Law of Areas | quite, strong
45
Application of contrasting color harmonies in floral arrangements a) Done to ______ beauty. b) If flowers have no _________ a ribbon or object is ______.
enhance | contrast, added
46
Application of color in clothing: a) ____________ b) ____________
monochromatic | analogist
47
Application of coloring in clothing: | Monochromatic: _________________________
Well dressed effect
48
Application of coloring in clothing: | Analogist-________________________________
Mismatch in an attempt at monochromatic
49
Color schemes involving 3 a) ____________ b) ____________ c) ____________
Triad Split compliment Analogous
50
Color schemes involving 2 a) ____________ b) ____________ c) ____________
Complementary Contrast (Non-Complimentary) Analogous
51
Color scheme involving 4 a) ____________ b) ____________ c) ____________
Tetrad Double Complementary Analogous