colour perception Flashcards

(86 cards)

1
Q

3 steps to colour perception

A

detection
discrimination
appearance

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2
Q

detection

A

wavelengths must be detected

need photoreceptors to convert light into the nervous system

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3
Q

discrimination

A

need to be able to tell the difference between one wavelength (or mixture of wavelengths) and another

we need neurons that compare inputs from different kinds of photoreceptors

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4
Q

appearance

A

clever processing not understood

ie/ perceive colour of rose in sun vs. shade

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5
Q

origin of “colour science”

A

science is a very new kind of human activity and a new group of people

people have been talking about colour for thousands of years before science existed

when the science of colour developed, it developed from two already existing groups of people - artists and philosophers

not a physical property of the world, but realated to it

humans see wavelength around 400-700nm

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6
Q

what are the primary colours

A

red, blue, yellow

can’t be described using other colours

like orange being yellowish-red

green is different, don’t really perceive it as yellowish blue

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7
Q

colour space

A

a three dimensional space that describes all possible colours

depends on how you organize colours

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8
Q

hue

A

the chromatic (colour) aspect of light

ie/ red

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9
Q

saturation

A

the chromatic strength of a hue

richness

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10
Q

brightness

A

the distance from black in colour space

white would be high brightness, black would be low

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11
Q

aspects of colour space

A

hue
saturation
brightness

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12
Q

range of human sight for wavelength

A

400-700nm

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13
Q

atmospheric filtering

A

the sun emits lights across the electromagnetic spectrum

only some types of light make its way through the Earth’s atmosphere

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14
Q

radio waves

A

used to broadcast radio and tv

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15
Q

microwaves

A

used in cooking, rada telephone and other signals

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16
Q

visible light waves

A

object surfaces differentially reflect incoming light

only one that can abosorb and reflect light

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17
Q

ultraviolet waves

A

absorbed by the skin used in fluorescent tubes

more damaging

if sensitive to it, you won’t have a long life

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18
Q

x-rays

A

used to view inside of bodies and objects

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19
Q

gamma rays

A

used in medicine for killing cancer cells

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20
Q

duplicity theory

A

daytime vision (photopic) cones and night vision (scotopic) rods

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21
Q

daytime vision

A

photopic

cones

vision in bright light

visible colours

center of visual field is most detailed - move eyes to see high level of detail

peripheral visual field is less detailed and lacks colour

does not require a period of light adaptation for visual functions to stabilize

fovea concentrated in cones

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22
Q

night vision

A

scotopic

rods

vision in low light

colourless

center of visual field is least detailed - look slightly to side

roughly equivalent detail across periphery. no colour anywhere

requires a period of dark adaptation for visual function to stabilize

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23
Q

photoreceptors

A

cells in the retina that initially transduce light energy into neural energy

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24
Q

rods

A

photoreceptors specialized for night vision

more sensitive to lights

low levels of light

respond well in low luminance

are not used to process colour

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25
cones
photoreceptors specialized for daytime vision, fine acuity and colour respond best in high luminance conditions - high levels of light are used to process colour less sensitive to light
26
purkinje effect
During scotopic vision, only the rods are active. This shifts your visual sensitivity into the blue range ▪ At night, red objects appear darker (black), and blue objects appear brighter (white)
27
trichromatic theory - thomas young
First person to demonstrate that light behaves as a wave “Now, as it is almost impossible to conceive each sensitive point of the retina to contain an infinite number of particles, each capable of vibrating in perfect unison with every possible undulation, it becomes necessary to suppose the number limited, for instance, to the three principal colours, red, yellow, and blue.”
28
trichromatic theory - james clerk maxwell
* White light occurs when all wavelengths are present in an equal amount * Monochromatic light occurs when a ray is composed dominantly of a single wavelength (e.g. “red” light) * Maxwell demonstrated that white light can be created by mixing just three types of monochromatic light * This suggests that there are only three colour channels in human vision Maxwell produced the first colour photograph (hint: it’s a ribbon) Steps: 1. Take a B&W photo with a red filter 2. Repeat with blue and green filters 3. Separately project each photo on the same area with the corresponding coloured light
29
trichromatic theory - herma von helmholtz
Helmholtz’ book Treatise on Physiological Optics was a landmark publication in the science of visual perception * In it he refined the Trichromatic Theory in several ways: 1. Receptors had gaussian response curves 2. Colour sensation is encoded in the photoreceptors 3. Each receptor produced a sensation of a “unique hue.”All other colours were mixtures Demonstrated how this accounted for various types of colour blindness
30
spectral sensitivity
the sensitivity of a cell or a device to different wavelengths on the electromagnetic spectrum
31
What are the three types of cone photoreceptor
S cones, M cones, L cones
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S cones
maximally responsive to short wavelengths 420 nm max Blue
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M cones
maximally responsive to middle wavelengths 535 nm max Green
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L cones
maximally responsive to long wavelengths 565 nm max Red
35
agnosia
person see something, but fails to know what it is
36
anomia
inability to name, despite the ability to see and recognize them ie/ colours
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synesthesia
where one stimulus evokes the experience of another stimulus ie/ sounds associate with different colour
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achromatopsia
inability to perceive colours that that is caused by damage to the CNS
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colour anomalous
all three cones but their behaviour is atypical ie/ wavelength shifts two of them so similar that these people experience world similarly to those with two cones
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dichromacy
missing one cone type
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types of dichromacy
protanopia deuteranopia tritanopia
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most common type of dichromacy
protanopia and deuteranopia
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protanopia
absence of L cones
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deuteranopia
absence of M cones
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tritanopia
absence of S cones
46
cone monochromacy
has only one cone cone see the world in shades of grey still have daytime vision no colour perception, can't compare cones
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rod achromacy
has only rods lack daytime vision and would hurt (poor acuity in daytime) missing cones all the time
48
cerebral achromatopsia
inability to perceive colours, despite functioning photoreceptors and early visual stages; typically due to brain damage trichromic theory cannot explain
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Basic colour terms
Words like blue, not sky blue Used with high frequency , and have meanings Agreed upon by speakers of a language Common Higher m cones “green” Lower m cones “reddish orange” For a deutemope with no m cones their remainer L and S cones will produce same response single words that describe colours and have meanings that are agreed upon by speakers of a language 11 terms have broad agreement (American)
50
Tetrachromatic
Rare situation where the colour of any light is defined by the relations of 4 numbers—the outputs of those receptor types
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Evaluating the Trichromatic Theory: Christine Ladd-Franklin
“[Helmholtz] paid no attention whatever to the fact that, while the necessary stimuli for all the colours in the spectrum (and in the world) can be secured by appropriate mixtures of only three wave-lengths, the distinct, different, sensations that result are not three in number but five – yellow and white are just as good, just as unitary, light-sensations as are red, green, and blue.”
52
Metamers
We are not typically exposed to single wavelengths How do we discriminate from injured apples, or ones exposed to sun Rest of nervous system only knows what the cones tell it Mixtures of wavelengths that look identical If two different set of wavelengths stimulate the cones in the same way, even thought the lights are physically different, the bran interprets it as same colour Green and red identical wavelengths appear yellow Tells us that colour perception is also determined by how wavelengths interact
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Afterimage
a visual image seen after a stimulus has been removed
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Positive afterimage
an afterimage whose polarity is the same as would the original stimulus now & We tell the Very brief (<500 ms)
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Negative afterimage
an afterimage whose polarity is the opposite of the original stimulus Colour specific adaption Light stimuli> dark afterimages Light stimuli produce dark negative afterimages Colors are complementary(opponent) Red>Green, Green>Red Blue>Yellow, Yellow>Blue
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Adapting stimulus
A stimulus who’s removal produces a change in visual perception or sensitivity
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Neutral point
Point at which an opponent colour mechanism is generating no signal Ie/ wavelength or combination of wavelengths cancel each other out—visual system will just perceive grey
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Opponent Process Theory: The Colours
Ewald Hering (1843 – 1918) proposed an alternative theory of colour vision based on opponent colours “Orange” is perceived as a reddish-yellow “Purple” is perceived as a blueish-red BUT there is no such thing as a reddish-green or yellowish-blue Hering suggested that colour sensations are produced by the output of three antagonistic processes Red-green Blue-yellow Black-white
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Opponent Process Theory: The Mechanism
The Trichromatic theory was correct as a theory of receptors. Three types of photoreceptors do exist. Opponent process theory predicts that colour is not encoded at the receptors, but later in the system The input from the cones is carried to the cortex along two opponent channels
60
Retinal Ganglion Cell Receptive Fields
Opponent process required for hue encoding: Colour opponency without spatial opponency Opponent process found in retina Colour and spatial opponency
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who got it right? helmholtz or hering?
both: helmhltz was right that the initial stage involves three types of photoreceptors hering was correct that there was an essentially antagonistic, opponent process in the initial stages of colour vision Neither: neither of these processes is sufficient for "hue perception" the "unique hues" still elude scientists we still don't understand the entire process of colour vision
62
Ladd-Franklin Evolutionary Theory
Neither the opponent process theory, nor the trichromatic theory account for how colour vision evolved. All animals can discriminate white from black. (oldest system) Bees (and other animals) have strong yellow-blue discrimination, but weak red- green discrimination. (newer system) Humans have good, red-green discrimination. But it gets weaker in the periphery. (newest system)
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Contemporary Evolutionary Theory
Contemporary evolutionary theory aligns with the original Ladd-Franklin theory in many respects. Ladd-Franklin got the physiological mechanism of cone differentiation incorrect But she did identify the appropriate evolutionary sequence ~stages in evolution of colour vision panel c shows the spectral sensitivity curves of the three photosensitive pigments in the normal human eye. Ancestral mammals are thought to have had dichromatic vision.At an intermediate stage the spectral separation of the long wave/middle wave pigments may have been small, and dependent on a single amino-acid difference between the two proteins~
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Does everyone see colours the same way?
General agreement on colours Basic colour terms: single words that describe colours and have meanings that are agreed upon by speakers of a language 11 terms have broad agreement (American) But, various cultures describe colour differently Colour boundaries are pretty sharp More likely to be confused if the colour has a different label cultural relativism sapir whorf hypothesis
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Cultural relativism
in sensation and perception, the idea that basic perceptual experiences (e.g., colour perception) may be determined in part by the cultural environment
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Sapir whorf hypothesis
Your perception is limited by your range of concepts. If you don’t have a concept for something, you cannot see it. If you didn’t have a term for blue, you wouldn’t be able to see it
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Qualia
private conscious experiences of sensations or perception Only your experience
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Colour Contrast
When many colours are present, as is typical in natural scenes, they can influence each other Colour contrast: a colour perception effect in which the colors in surrounding colour of one region induces the opponent colour in a In the environment neighbouring region colors in in surrounding In the environment push colour in a certain direction
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Unrelated colour
a colour that can be experienced in Isolation.
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Related colour
a colour seen only in relation to other colors Ie/gray, brown
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Colour assimilation
When many colours are present, as is typical in natural scenes, they can influence each other a colour perception effect in which two colours bleed into each other, each taking on some of the chromatic quality of the other Scenes can contain colours that can’t be experienced in isolation Apparent colour comes from the stripes passing the the object
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Lightness Constancy
Lightness (whiteness) constancy: the tendency of a surface to appear the same lightness despite variations in the intensity of illumination Achieved by discounting the illuminant and determining the true lightness of a surface regardless of how it appears Achromatic (Black > White) Lightness/whiteness – the apparent reflectance (albedo) of a surface Black reflects little Grey reflects an intermediate amount White reflects a lot Not dependent on the actual amount of light reaching your eye Edges; Reflectance edge: edge where reflectance properties of two surfaces change Illumination edge: edge where illumination changes Visual system has to determine if a change in the amount of light reaching the retina is due to a reflectance edge (lightness change) or illumination edge (shadow) Identifying Illumination Edges; Meaningful shape, Penumbra, Change in surface direction Explanation; Adaption, Photoreceptors will adjust to average light level—within an environment Anchoring Principle- The brightest part of a scene will be seen as “white,” the darkest will be seen as “black” Ratio principle- Comparison of reflectance ratios of nearby surfaces
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reflectance edge
edge where reflectance properties of two surfaces change
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illumination edge
edge where illumination changes
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illuminant
the light that illuminates a surface - it is not constant
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adaptation
photoreceptors will adjust to average light level within an environment
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anchoring principle
the brightest part of a scene will be seen as "white," the darkest will be seen as "black"
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ratio principle
comparison of reflectance ratios of nearby surfaces
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Colour consistency
the tendency of a surface to appear the same colour despite variations in the colour of illumination - changes in lighting conditions Achieved by discounting the illuminant and determining the true colour of a surface regardless of how it appears Illuminant: the light that illuminates a surface— is not constant Explanations; Memory—common objects have a known colour regardless of illumination Chromatic adaptation—exposure to a particular wavelength of light decreases sensitivity to wavelengths similar to it Comparison to surroundings—factor out illumination by using a ratio principle Other Assumptions; Qualities and position of the illuminant and Directions, orientations, and shapes of surfaces
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The “Retinex” Theory of Colour Constancy
Retinex = Retina + Cortex The rods alone are capable of lightness constancy The Retinex Theory suggests that each cone engaged in an independent lightness constancy process independent of the other cones Once combined, these three independent values encoded the determinate colour of an object surface
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Retinex Physiology
The physiology of the retina does not support the Retinex theory Information does leave the eye in three pathways. But the three pathways do not correspond to the three cones
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trichromat
regular vision have all three types of cones and can distinguish a wide range of colours
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light is two dimensional
wavelength and intensity
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cone output is one dimensional
it fires more or less
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can a single cone detect colour on its own
no concept of univarience explains lack of colour in dim lighting - cause there is only a single rod we can detect differences because we have more than one kind of photoreceptor
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colour constancy explanations
Memory – common objects have a known colour regardless of illumination ▪ Chromatic adaptation – exposure to a particular wavelength of light decreases sensitivity to wavelengths similar to it ▪ Comparison to surroundings – factor out illumination by using a ratio principle ▪ Other Assumptions ▪ Qualities and position of the illuminant and ▪ Directions, orientations, and shapes of surfaces