CPAR EXAM Flashcards by Unknown Unknown

What are the 4 national artist award?

National Comission for culture and arts (NCCA)
Cultural center of the Philippines (CCP)
Kamisyon ng wiking Filipino (KWF)
National Museum of the Philippines (NMP)

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It is the highest distinctive/ bestowed upon Filipino Artists

National Artist Award

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What are the 7 Categories of National Artists?

Literature - Prose and fiction
Aim and broadcasting - director, writing
Architecture, Design and allied Arts - architecture, interior design
Music - singing, composition
Dance - choreography
Theater - direction , performation
Visual Arts - painting and sculpture

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Insignia of the order of the national artists

Motto

Katotohanan
Kabutihan
Kagandahan

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What are the two national artists award?

NCCA - Natioanal Comission for Cultural and Arts
CCP - Cultural Center of the Philippines

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confers the award to deserving individuals
as recommended by the Cultural Center of
the Philippines (CCP) and the National
Commission for Culture and the Arts
(NCCA).

Under the proclamation no. 1001, april 27, 1972

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National artist for music, composing of kundiman

Levi Celeno (Music)

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National Artists who designed the CCP Complex

Leandro V. Locsin (Architecture)

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Grand old man of the Philippines

Fernando Amorsolo (Visual Arts)

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Father of modern Philippine painting

Victorio C. Edades (Visual Arts)

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Pioneer of Neo-realist of the Country

Cesar Legaspi (Visual Arts)

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Dean of Philippine Illustrator

Francisco C. Coching (Visual Arts)

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Artistic director
-mobile theater
national artist for theater

Wilfredo Ma. Guerero

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Honored as the Queen of Kundiman in 1979.

Honorata “Atang” Dela Rama

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He is pioneered in modern Philippine Architecture.

Pablo S. Antonio

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distinguished himself by
pioneering the practice of landscape architecture–an allied
field of architecture–in the Philippines and then producing
four decades of exemplary and engaging work that has
included hundreds of parks, plazas, gardens, and a wide
range of outdoor settings that have enhanced
contemporary Filipino life.

Archt. Ildefonso P. Santos

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National Artists for music

Antonio S. Molina
Jovita Fuentes
Antonio R. Buenaventura
Lucrecia R. Kasilag
Lucio D. San Pedro
Felipe Padilla De Leon
Jose Maceda
Levi Celerio
Ernani, Joson
Andrea O. Veneracion
Francisco Feliciano
Ramon Santos

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National Artists for Theater

Honorata “Atang “ dela Rama
Wilfrido Ma. Guerero
Rolando S. Tinio
Daisy Aveliana
Severino Montano

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National Artists for Visual Arts

Fernando C. Amorsolo
Carlos “Botong” Francisco
Guellermo E. Tolentino
Victorio C. Edades
Napoleon V. Abueva
Vicente Manansala
Cesar Legaspi
Hernando R. Ocampo
Arturo R. Luz
Elizalde Navarro
Ang Kiukok
Jose T. Joya
Abdulmari Asia Imao
Benedicto R. Cabrera
Federico Aguilar Alcuaz
Francisco Coching

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National Artists for Architecture

Juan F. Nakpil
Pablo S. Antonio
Leandro V. Locsin
Ramon O. Valera
Jose Maria Zaragoza
Ildefonso P. Santos

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National Artists for Dance

Alicia Reyes
Francisca Reyes Aquino
Leonor Orosa Goquingco
Lucrecia Reyes Urtula
Ramon Ubusan

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National artist for Film/Cinema

Gerardo De Leon
Lino Brocka
Ishmael Bernal
Eddie S. Romero
Manuel Conde

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National Artist for Literature

Amado V. Hernandez
Jose Garcia
Nick Joaquin
Carlos P. Romulo
Francisco Arcellana
Nestor Vicente Madali Gonzales
Carlos Quirino
Edith L. Tiempo
Siohil Jose
Virgilio S. Almario
Bienvenido Lumbrera
Lozaro Francisco
Cirilo F. Bautista
Alejandro R. Roces

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Who signs his paintings “Bencab,” upheld the
primacy of drawing over the decorative color.

Benedicto R. Ocampo

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Born to immigrant Chinese parents Vicente Ang and Chin Lim, he is one of the most vital and dynamic figures who emerged during the 60s.

Ang Kiukok

 A painter, sculptor, and designer for more than 40 years, created masterpieces that exemplify an ideal of sublime austerity in expression and form. (art gallery)

Arturo Luz

A self-taught painter, was a leading member of the pre-war Thirteen Moderns, the group that charted the course of modern art in the Philippines.

Hernado R. Ocampo

A painter and multimedia artist who distinguished himself by creating an authentic Filipino abstract idiom that transcended foreign influences.

Jose Joya

He is a versatile artist, being both a proficient painter and sculptor.

Jerry Navarro Elizalde

his talent was revealed through the copies he made of the Sagrada Familia and his mother’s portrait that he copied from a photograph.

Vicente Manansala

The Poet of Angono

Carlos "Botong" Francisco

A native of Sulu, is a sculptor, painter, photographer, ceramist, documentary film maker, cultural researcher, writer, and articulator of Philippine Muslim art and culture.

Abdulmari Asia Imao

Signed his works as Aguilar Alcuaz was an artist of voluminous output.

Federico Aguilar Alcuaz

The result was the UP Oblation that became the symbol of freedom at the campus and the Bonifacio Monument in 1933.

Guillermo E. Tolentino

Father of Modern Philippine Sculpture

Napoleon V. Abueva

Acknowledged as the Folk Dance Pioneer.

Francisca R. Aquino

Dubbed the “Trailblazer”, “Mother of Philippine Theater Dance” and “Dean of Filipino Performing Arts Critics”, pioneer Filipino choreographer in balletic folkloric and Asian styles, produced for over 50 years highly original, first-of-a-kind choreographies, mostly to her own storylines.

Leonor O. Goquingco.

A choreographer, dance educator and researcher, spent almost four decades in the discovery and study of Philippine folk and ethnic dances.

Lucrecia R. Urtula

Through the Ramon Obusan Folkloric Grop (ROFG), he had effected cultural and diplomatic exchanges using the multifarious aspects and dimensions of the art of dance.Ra

Ramon A. Obusan

As a dancer, choreographer, teacher and director, she has made a lasting impact on the development and promotion of contemporary dance in the Philippines.

Alice Reyes

His novel Mga Ibong Mandaragit, first written by Hernandez while in prison, is the first Filipino socio-political novel that exposes the ills of the society as evident in the agrarian problems of the 50s.

Amado V. Hernandez

According to him “Art is a miraculous flirtation with Nothing! Aiming for nothing, and landing on the Sun.”

Jose Garcia Villa

Considered as one of the finest contemporary poets regardless of race or language.

Jose Garcia Villa

“Before 1521 we could have been anything and everything not Filipino; after 1565 we can be nothing but Filipino.” ― Culture and History, 1988  Is regarded by many as the most distinguished Filipino writer in English writing so variedly and so well about so many aspects of the Filipino.

Nick M. Joaquin

It is common knowledge that he was the first Asian president of the United Nations General Assembly, then Philippine Ambassador to Washington, D.C., and later minister of foreign affairs.

Carlos P. Romulo

A writer, poet, essayist, critic, journalist and teacher, is one of the most important progenitors of the modern Filipino short story in English.  He pioneered the development of the short story as a lyrical prose-poetic form.

Francisco Arcellana

Also known as N.V.M Gonzales. Among the many recognitions, he won the First Commonwealth Literary Contest in 1940, received the Republic Cultural Heritage Award in 1960 and the Gawad CCP Para sa Sining in 1990.

Nestor Vicente Madali Gonzales

A biographer, has the distinction of having written one of the earliest biographies of Jose Rizal titled The Great Malayan.

Carlos Quirino

A poet, fictionist, teacher and literary critic is one of the finest Filipino writers in English whose works are characterized by a remarkable fusion of style and substance, of craftsmanship and insight.  Born on April 22, 1919 in Bayombong, Nueva Vizcaya, her poems are intricate verbal transfigurations of significant experiences as revealed, in two of her much anthologized pieces, “The Little Marmoset” and “Bonsai”.

Edith L. Tiempo

also known as Rio Alma, is a poet, literary historian and critic, who has revived and reinvented traditional Filipino poetic forms, even as he championed modernist poetics. In 34 years, he has published 12 books of poetry, which include the seminal Makinasyon and Peregrinasyon, and the landmark trilogy Doktrinang Anakpawis, Mga Retrato at Rekwerdo and Muli, Sa Kandungan ng Lupa.

Virgilio S. Almario

“You cannot be a great writer; first, you have to be a good person”

Alejandro R. Roces

As a librettist for the Tales of the Manuvu and Rama Hari, he pioneered the creative fusion of fine arts and popular imagination. As a scholar, his major books include the following: Tagalog Poetry, 1570-1898: Tradition and Influences in its Development; Philippine Literature: A History and Anthology, Revaluation: Essays on Philippine Literature, Writing the Nation/Pag-akda ng Bansa

Dr. Bienvenido Lumbera

Prize-winning writer_____ developed the social realist tradition in Philippine fiction.

Lazaro Francisco

a poet, fictionist and essayist with exceptional achievements and significant contributions to the development of the country’s literary arts. He is acknowledged by peers and critics, and the nation at large as the foremost writer of his generation.

Cirilo F. Bautista

versatile musician, composer, music educator was the last of the musical triumvirate, two of whom were Nicanor Abelardo and Francisco Santiago, who elevated music beyond the realm of folk music.

Antonio J. Molina

Her performance was hailed as the “most sublime interpretation of the part”. This is all the more significant because it happened at a time when the Philippines and its people were scarcely heard of in Europe.

Jovita Fuentes

vigorously pursued a musical career that spanned seven decades of unwavering commitment to advancing the frontiers of Philippine music. In 1935, Buenaventura joined Francisca Reyes-Aquino to conduct research on folksongs and dances that led to its popularization.

Antonio R. Buenaventura

as educator, composer, performing artist, administrator and cultural entrepreneur of national and international caliber, had involved herself wholly in sharpening the Filipino audience’s appreciation of music.

Lucresia R. Kasilag

is a master composer, conductor, and teacher whose music evokes the folk elements of the Filipino heritage. Cousin to “Botong” Francisco,

Lucio D. San Pedro

composer, musicologist, teacher and performer, explored the musicality of the Filipino deeply

Jose M. Maceda

is a prolific lyricist and composer for decades. He effortlessly translated/wrote anew the lyrics to traditional melodies: “O Maliwanag Na Buwan” (Iloko), “Ako ay May Singsing” (Pampango), “Alibangbang” (Visaya) among others.

Levi Celerio

highly esteemed for her achievements as choirmaster and choral arranger. Two of her indispensable contributions in culture and the arts include the founding of the Philippine Madrigal Singers and the spearheading of the development of Philippine choral music.

Prof. Andrea O. Veneracion

a seasoned musician born in May 10, 1936 in Malolos, Bulacan. A composer, film scorer, musical director and music teacher, he wrote an outstanding and memorable body of works that resonate with the Filipino sense of musicality and which embody an ingenious voice that raises the aesthetic dimensions of contemporary Filipino music.

Ernani J. Cuenco

A prime figure in the second generation of Filipino composers in the modern idiom, Santos has contributed greatly to the quest for new directions in music, taking as basis non-Western traditions in the Philippines and Southeast Asia.

Ramon P. Santos

director for theater and film, has the distinction of being called “The Boy Wonder of Philippine Movies” as early as 1939.

Lamberto V. Avellana

In the decades before and after World War II when Philippine society was being inundated by American popular culture, Conde invested local cinema with a distinct cultural history of its own through movies that translated onto the silver screen the age-old stories that Filipinos had told and retold from generation to generation for at least the past one hundred years. A

Manuel Conde

His first directorial job was “Ama’t Anak” in which he directed himself and his brother Tito Arevalo. The movie got good reviews. De Leon’s biggest pre-war hit was “Ang Maestra” which starred Rogelio de la Rosa and Rosa del Rosario with the still unknown Eddie Romero as writer.

Gerardo De Leon

He also directed for theater with equal zeal and served in organizations that offer alternative visions, like the Philippine Educational Theater Association (PETA) and the Concerned Artists of the Philippines (CAP). At the same time, he garnered awards and recognition from institutions like the CCP, FAMAS, TOYM, and Cannes Film Festival.

Lino R. Brocka

was a filmmaker of the first order and one of the very few who can be truly called a maestro. Critics have hailed him as “the genius of Philippine cinema.”

Ishmael Bernal

, is a screenwriter, film director and producer, is the quintessential Filipino filmmaker whose life is devoted to the art and commerce of cinema spanning three generations of filmmakers. His film “Ganito Kami Noon…Paano Kayo Ngayon?,” set at the turn of the century during the revolution against the Spaniards and, later, the American colonizers, follows a naïve peasant through his leap of faith to become a member of an imagined community. Also Noli Me Tangere

Eddie S. Romero

was a cultural icon of tremendous audience impact and cinema artist and craftsman–as actor, director, writer and producer.*

Fernado Poe Jr.

architect, teacher and civic leader, is a pioneer and innovator in Philippine architecture. In essence, Nakpil’s greatest contribution is his belief that there is such a thing as Philippine Architecture, espousing architecture reflective of Philippine traditions and culture.

Juan F. Nakpil

pioneered modern Philippine architecture. His basic design is grounded on simplicity, no clutter. The lines are clean and smooth, and where there are curves, these are made integral to the structure. Pablo Jr. points out, “For our father, every line must have a meaning, a purpose.

Pablo S. Antonio

reshaped the urban landscape with a distinctive architecture reflective of Philippine Art and Culture. He believes that the true Philippine Architecture is “the product of two great streams of culture, the oriental and the occidental… to produce a new object of profound harmony.”

Leandro V. Locsin

Â Notwithstanding his affinity to liturgical structures, he greatly excelled in secular works: 36 office buildings, 4 hotels, 2, hospitals, 5 low-cost and middle-income housing projects; and more than 270 residences – all demonstrating his typological versatility and his mastery of modernist architectural vocabulary.

Jose Maria V. Zaragoza

As the acknowledged guru of contemporary Filipino theater design, Bernal shared his skills with younger designers through his classes at the University of the Philippines and the Ateneo de Manila University, and through the programs he created for the CCP Production Design Center which he himself conceptualized and organized. To promote and professionalize theater design, he organized the PATDAT (Philippine Association of Theatre Designers and Technicians) in 1995 and by way of Philippine Center of OISTAT (Organization Internationale des Scenographes, Techniciens et Architectes du Theatre), he introduced Philippine theater design to the world.

Salvador F. Bernal

is the forerunner in institutionalizing “legitimate theater” in the Philippines. Taking up courses and graduate degrees abroad, he honed and shared his expertise with his countrymates.

Severino R. Montano

CPAR EXAM Flashcards

(78 cards)