CPAR|Gawad sa Manlilikha ng Bayan and Their Contribution to Philippine arts. Flashcards

1
Q

A National living treasure award; award was given to the artist who is preserving the traditional arts of country

A

Gawad Sa Manlilikha ng Bayan

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2
Q

is a Hanunuo Mangyan poet from Mansalay, Mindoro who is an advocate of preserving the traditional form of his tribe called “ambahan”

A

Ginaw Bilog

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3
Q

is a kind of poem consisting of seven syllable lines which most of the time contains
messages of love and friendship.
This poem is passed on from generation to generation using singing the lines or etching them on bamboo tubes

A

Ambahan

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4
Q

is a Panay Bukidnon epic chanter who preserved his community’s oral tradition by documenting epics of
his ancestors that are in near
danger of disappearance.
✓ These epics, which tell stories about mythical
heroes and their marvelous adventures, reflects the
rich cultural heritage of Panay-Bukidnon.
❑ Nong Pedring did not just document this folklores,but he chanted them as well and passed them
to the younger generations
❑ Nong Pedring continued the tradition, documented panay Bukidnon’s epics through the assistance of the researchers.

A

Federico Caballero

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5
Q

is a master of dance and performing arts from Kalinga
❑ He mastered the choreography and musical
instruments of Kalinga just by observation and
practice.
❑ He established the Kalinga Budong dance troupe to
ensure that the music and dance of his ancestors are
passed on to the younger generations.

A

Alonzo Saclag

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6
Q

came from the indigenous community in southern Palawan
was a musician and a poet whose expertise were the Basal, Kulilal, and Bagit.
was a man of art who preserved the tradition, music and culture of his poeple

A

Masino Intaray

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7
Q

is a kind of musical ensemble played during
the tambilaw, a ritual of rice sharing among the
Palawan people.

A

Basal

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8
Q

is a lyric poem about love

A

Kulilal

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9
Q

is an instrumental music reflecting the sound and movement of nature.

A

Bagit

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10
Q

is a Maguindanaon musician from Mama sa Pano, Maguindanao.
He is a master in playing the Kutyapi
He influenced and taught other community people to play kutyapi as well which kept the playing of kutyapi in Mindanao.

A

Samaon Sulaiman

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11
Q

a two stringed plucked lute

A

Kutyapi

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12
Q

is the exemplary musician of the Yakan of Lamitan, Basilan whose expertise in playing kwintangan Kayu.
he managed to preserve and promote the music of Yakan even he was having a defect in his eyesight and dimming vission.

A

Uwang Ahadas

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13
Q

is composed of five wooden logs of different sizes , arrange from shortest to longest and hung horizontally

A

kwintangan Kayu

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14
Q

is a pis yabit weaver from Barangay Parang, Jolo, Sulu.
continued to do her art and passed on her skills of weaving to other women in Parang through her teachings.

A

Darhata Sawabi

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15
Q

is a square multi-colored traditional cloth that serves as the head cover of the Tausug of Jolo.
✓ It is used as clothing ornament or headdress of
the Tausug men that symbolizes the wearer’s rank
in the society

A

Pis yabit

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16
Q

is the master mat weaver of the Sama indigenous community from Ungos Matata, Tawi-tawi.
passionately preserved her
people’s traditional art by teaching her female
descendants the art of mat weaving.

A

Haja Amina Appi

17
Q

made up of Pandan leaves which undergo tedious processes from stripping, to sun drying and up to weaving.

A

mat weaving

18
Q

is a T’nalak weaver from the indigenous community of the T’boli in Lake sebu, South
Cotabato
wanted to establish a school where she can teach her art to the younger generations.

A

Lang Dulay

19
Q

is a kind of fabric made up of fine abaca fibers weaved with different designs which reflect the tradition of the T’boli.

A

T’nalak

20
Q

is an Ilocano master weaver who came from Pinili, Ilocos
Norte.
✓ Her expertise dwell in weaving high-quality Ilocos
textile called abel.
She mentored community people to preserve the
art of abel weaving in Ilocos.

A

Magdalena Gamayo

21
Q

It is kind of blanket made up of cotton weaved in different patterns
high-quality Ilocos textile

A

abel

22
Q

is a Bagobo textile weaver from Bansalan, Davao del sur.
The Traditional Bagobo fabrics which made up of
abaca fibers is the product of ________
She spent all her life weaving and preserved the art of the Bagobo.

A

Salinta Monon

23
Q

made up of abaca fibers

A

Traditional Bagobo fabrics

24
Q

is a metalsmith from Apalit,
Pampanga, who created
numerous wood carving and
metal art with religious and
secular themes
_______will first draw his design on a sheet of paper then he would transfer and carve it to a block of wood.
He would then cover it with a sheet of silver and would carefully hammer the metal until it copies the design of the wood.
Through the years of producing metal work, he
perfected his art and transferred the skills to his
students.

A

Eduardo Mutuc

25
Q

is an Ilocano casque maker from San Quintin, Abra, Ilocos
❑ He is known for crafting high quality and functional headpiece called tabungaw
to pass on the art of making tabungaws, he teaches his children the skills in making the craft.

A

Teofilo Garcia

26
Q

It is made up of native gourd called upo, rattan, and bamboo.

A

tabungaw

27
Q

Hanunuo Mangyan poet, ambahan - Mansalay, Mindoro

A

Ginaw Bilog

28
Q

Epic Chanter-Panay Bukidnon

A

Federico Caballero

29
Q

Kalinga Budong dance troupe-Kalinga

A

Alonzo Saclag

30
Q

Basal, Kulilal, and Bagit-southern Palawan

A

Masino Intaray

31
Q

kutyapi-Mama Sa pano, Maguindanao

A

Samaon Sulaiman

32
Q

Kwintangan Kayu-Lambitan, Basilan

A

Uwang Ahadas

33
Q

pis yabit-Barangay Parang,
Jolo, Sulu

A

Darhata Sawabi

34
Q

mat weaver(pandan)-Ungos Matata, Tawi-tawi

A

Haja Amina Appi

35
Q

T’nalak weaver-Lake sebu, South
Cotabato

A

Lang Dulay

36
Q

abel-Pinili, Ilocos Norte

A

Magdalena Gamayo

37
Q

traditional bagobo fabrics- Bansalan, Davao Del sur

A

Salinta Monon

38
Q

metalsmith-Apalit, Pampanga

A

Eduardo Mutuc

39
Q

Casque maker- San Quintin, Abra, Ilocos

A

Teofilo Garcia