Defying Gravity Flashcards

1
Q

Intro dynamics

A

Sf and accented but used crescendo showing increasing anger

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Intro rhythm

A
  • 3/2 which shows they are not on same wavelength and not aligned
  • Heavy syncopation to show unstableness
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Intro context / studio techniques

A

Guitars playing with overdrive on b11 such as wah wah effect

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Intro structure

A

Intro…

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Intro melody

A
  • many spoken not sung
  • text is mainly syllabic
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Intro instrumentation

A
  • vocals
  • brass
  • winds
  • keyboard
  • drum kit
  • guitar
  • tubular bells
  • synth
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Intro texture

A

Mainly MDH but usés ‘colla voce’ to follow the voice

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Intro key sig

A

D major as it was transposed from Db major

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Intro harmony

A
  • short snappy chords that shift down semitone tone to create chromatic and dissonance as if they arguing
  • use of augmented chords
  • perfect cadence to end intro
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

L1 Middle

A
  • homophonic (almost full fanfare)
  • change into andante
  • key sig of B major and B notes to complement
  • motif used throughout
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

L1 (sad and melancholic) dynamics

A
  • quieter with many crescendos and dims
  • fermentas
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

L1 rhythm

A
  • syncopated
  • motif
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

L1 Mélody

A
  • conjunct with few angular leaps (the disjunct and rising melody is more in chorus)
  • few leaps to show the inclination to subvert stereotypes
  • legato and melancholic
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

L1 instruments

A
  • bass clarinet b28
  • b30 with guitar and strings to show dissonance and bass guitar
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

L1 texture

A

Homophonic choral opening which is legato and conjunct

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

L1 Harmony

A
  • key sig of F major with reinforced f notes in bass
  • rising perfect 5ths
  • d resolves to c to create suspension and dissonance
17
Q

Verse 1 and section 2 dynamics

A
  • a tempo
  • dims to start ‘something has changed within me..’
  • pause before ‘leap’
18
Q

V1 rhythm

A

-syncopation
- main theme

19
Q

V1 context

A
  • guitar and overdrive at b45
20
Q

V1 melody

A
  • usually conjunct with few angular leaps
  • uses word painting
21
Q

V1 instrument

A

-strings play tremolo
- synth to play main theme
- guitar

22
Q

V1 texture

A

MDH

23
Q

V1 harmony

A
  • back into d major then g major
  • along with tremolo of strings, G sus chord played with A to create dissonance
  • c sus chords with extended chords
24
Q

V1 harmony change

A

Pitch change into G F# D A which shows a lift in mood

25
Q

Chorus 1 dynamics

A
  • allegro
  • crescendo to show growing confidence
26
Q

C1 rhythm

A
  • metric shifted
  • short repeated pattern of ostinato creating cross rhythm over bars
  • dotter rhythm
27
Q

C1 Melody

A
  • high tessitura and range
  • scaling arpeggiated pattern
  • word painting of ‘pull me down’
28
Q

C1 instrumentation

A
  • orchestra has dramatic effect
  • brass plays homophonic choral music to create fanfare manner
  • tremolo to add tension
  • cymbal roll for excitement and hi hat for rhythm
    -full band (tutti) to give grand feel
29
Q

C1 harmony

A
  • b6
  • g4
  • a5
30
Q

Section 2 rhythm and harmony

A
  • motif continues
  • syncopation
  • triplets
  • short cycle of 5ths = D G C
31
Q

C2

A
  • not clashing anymore
  • interrupted cadence
  • high tessitura
  • synth and glockenspiel used for a high magical and celestial sound with repeated quaver accompaniment
  • harmony = B6, G5, A4
32
Q

End of c2 to transition

A
  • harmony and key sig chnages into G major for ‘down’ where it is bitonal
  • the c plays the g in bass
  • time sim changes from 22 to 44