Development of the orchestra Flashcards

(23 cards)

1
Q

What was the typical orchestral texture in the Early Classical period?

A

String-dominated texture.

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2
Q

How were woodwinds used in Early Classical orchestration? and example Filtz-

A

Supported by filling in harmonies and occasionally doubling melodies (e.g. Filtz, Symphonie Periodique No.2, flute doubles violin).

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3
Q

What was the common orchestration format ‘Sinfonia a 8’?

A

2 oboes, 2 horns, strings, bassoon, and basso continuo.

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4
Q

Why was brass limited in Early Classical orchestration?

A

Brass instruments were crooked to the tonic key, restricting their use mostly to the 1st and 3rd movements.

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5
Q

How did Mozart’s Symphony No. 25 differ in brass use?

A

Used brass crooked to various keys, allowing a more prominent brass role.

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6
Q

What was the role of basso continuo in Early Classical orchestras?

A

Used due to lack of standardised orchestra size; helped fill in harmony and texture.

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7
Q

What changes happened to orchestration in the Late Classical period?

A

Instrument technology improved allowing more virtuosic writing; woodwinds gained independence; clarinet was added but not fully trusted; brass still limited. double woodwind orchestra

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8
Q

How was the clarinet treated in Late Classical orchestras?

A

Newly added (e.g., Mozart 31 1778), but used sparingly (e.g., Haydn 104 clarinet plays only about 10 bars with no solos).

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9
Q

What orchestra scoring standard is seen in Haydn Symphony No. 104?

A

Scored for a double wind orchestra; no basso continuo, showing decline of continuo.

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10
Q

Give examples of independent woodwind writing in Haydn 104 (Andante second movement).

A

Bars 3–6: Bassoon countermelody; Bars 131: Flute cadenza

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11
Q

How did Beethoven develop the orchestra?

A

Expanded orchestra size; added piccolo, contrabassoon symphony 6, horns; introduced choir and soloists (Symphony No. 9); used instruments virtuously; included programmatic effects.

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12
Q

Name a programmatic example in Beethoven’s work.

A

Woodwinds imitating bird calls in Symphony No. 6 (2nd movement).

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13
Q

What orchestral expansions did Berlioz make in Symphonie Fantastique (1830)?

A

Added tuba, harp, large percussion; used programmatic effects.

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14
Q

What was significant about valved brass in the 1830s-40s?

A

Allowed chromatic brass writing; first known use in mozart K113

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15
Q

What woodwind feature is prominent in Mendelssohn’s Symphony No. 3 ‘Scottish’?

A

Clarinet solo in the slow movement (1842).

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16
Q

What characterizes Mendelssohn’s Symphony No. 5 first movement? strings and woodwind wise…

A

Strings with energetic rhythms (bars 1–16); woodwind dialogue (flute and oboe bars 50–70).

17
Q

Woodwind solo in Mendelssohn 4, 2nd movement.

A

Prominent clarinet solo melody (bars 1–20).

18
Q

What are features of Mendelssohn’s 4th movement in Symphony No. 5, early romantic, that are different uses of instruments to the usual (hint pizz and horn?

A

Rhythmic pizzicato strings with horn calls (bars 40–60).

19
Q

late romantic, Mahler’s Symphony No. 2 orchestration?

A

Massive orchestra, expanded brass, woodwinds, percussion, plus choir and vocal soloists.

20
Q

What is notable about Mahler’s Symphony No. 8?

A

Enormous orchestra with multiple choirs, called ‘Symphony of a Thousand.’

21
Q

How does Dvořák’s Symphony No. 9 expand orchestration?

A

Expanded percussion and harp; prominent woodwind and brass solos like English horn; blends folk and Romantic styles.

22
Q

What orchestral features are prominent in Tchaikovsky’s Symphony No. 4?

A

Brass fanfares, extensive timpani and percussion, expressive woodwind solos.

23
Q

What characterizes the orchestration of Tchaikovsky’s Symphony No. 6 ‘Pathétique’?

A

Extensive percussion for atmospheric effects.