sonata form Flashcards

(20 cards)

1
Q

How was sonata form typically used in the early Classical period (1750–1775)?

A

It was still flexible and developing, with short development sections and modulations to closely related keys.

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2
Q

Which composer reversed the exposition themes in the recapitulation and in which symphony?

A

Stamitz, in his Symphony in D major, Op. 3 No. 2.

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3
Q

Early Classical Sonata Form? and an example

A

Lack of extended codas and complex thematic development (e.g. Haydn’s Symphony No. 6 “Le Matin”).

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4
Q

Which early Classical symphony used ritornello form instead of sonata form?

A

C.P.E. Bach’s Symphony in E minor.

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5
Q

How did composers like Mozart and Haydn develop sonata form in the late Classical period?

A

They used longer, more complex developments and codas; finales often adopted sonata form.

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6
Q

What trend did Mozart start with Symphonies 40 and 41?

A

Using sonata form in finales, influencing composers like Beethoven.

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7
Q

How long is the development section in Haydn’s Symphony No. 104 first movement?

A

68 bars, from bar 124 to 192.

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8
Q

What is unusual about the thematic material in Haydn 104’s development?

A

It’s monothematic — based on a single theme rather than contrasting ones.

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9
Q

When does the coda begin in Haydn 104?

A

193

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10
Q

Are the key modulations in Haydn 104 typical for Classical sonata form?

A

mainly yes -exposition moves from tonic to dominant, and the recapitulation returns to tonic. However some interesting exploration with the rapid modulation to F♯ minor, E minor, G major, A major, and C♯ minor in development section.

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11
Q

How did Beethoven expand sonata form?

A

Through longer developments, new themes, multiple subject groups, and extended dramatic codas.

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12
Q

Give an example of a rhythmic motif in Beethoven’s symphonic sonata form.

A

The “short-short-short-long” motif in Symphony No. 5, first movement.

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13
Q

How did Beethoven modify the structure of the third movement in symphonies?

A

He replaced the minuet with a faster, rhythmically complex scherzo (e.g. Symphony No. 9, 3rd movement).

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14
Q

How was sonata form adapted in Mendelssohn’s A Midsummer Night’s Dream Overture (1826)?

A

He used reordered themes within sonata form to reflect the narrative shifts.

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15
Q

How did Schumann and Berlioz adapt sonata form?

A

Schumann added rhythmic and harmonic innovation; Berlioz embedded sonata form into programmatic content (Symphonie Fantastique, 1830).

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16
Q

How did Romantic composers modify sonata form?

A

They used freer structures, expanded developments and codas, and more chromaticism and expressive modulation.

17
Q

How does Brahms use sonata form in his Symphony No. 1 (1876)?

A

With complex rhythmic motifs and expansive development.

19
Q

How does Dvořák adapt sonata form in New World Symphony (1893)?

A

With syncopation and folk-inspired phrasing within a traditional structure.

20
Q

how is sonata form used in Mendhelson 4 that wasn’t standard ?

A

S1 developed freely through exposition, short recap only 26 bars long 265-292, extended coda, false recapitulation in C major bar 226