Early Days of Analogue Recording (1940s-50s) Flashcards

1
Q

What is tape saturation?

A
  • Light distortion / analogue.
  • Voltage exceeds level for tape to be able to record.
  • Loss of high frequencies, boost of lows.
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2
Q

How were performers positioned around a microphone in the early days of analogue recording?

A
  • Drums at greatest distance from the mic.
  • Vocals at the front and closest.
  • Other instruments positioned around mic at different distances.
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3
Q

What is the name for recordings that were only in the centre of the mix?

A

Mono

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4
Q

What is tape hiss?

A

High frequency background noise present on analogue magnetic tape recordings, basically the noise floor of the recording medium.

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5
Q

What is the name for the boost in low frequencies and softening of attacks that occurred during 40s and 50s recordings?

A

Analogue warmth

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6
Q

How many tracks were used to record in the 1940s-50s?

A

One track

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7
Q

What is direct-to-disc recording?

A

Uses magnetic tape recordings to record directly onto analogue disc masters (shellac discs).

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8
Q

What were some issues with using 1 mic to record?

A
  • Drums were far away from mic, lows (kick drum, etc) were lost. Fixed by playing louder or moving drums closer.
  • Vocals were close so would clip / distort.
  • Low frequency range.
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9
Q

Name 2 types of magnetic tape recording equipment.

A
  • Reel-to-reel audio tape.
  • Compact cassette.
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10
Q

What polarity was most common in mics during the 1940s-50s?

A

Figure-of-8 (ribbon)

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11
Q

When did analogue tape first become used in recording studios?

A

Post WW2, late 1940s / early 1950s.

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12
Q

What is tape saturation and what effect does it have?

A
  • Creates a boost in the low frequencies (soft distortion).
  • Rolls off high frequencies.
  • Boosts harmonics.
  • ANALOGUE WARMTH.
  • Voltage applied to the tape is too great for it to handle.
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13
Q

What is the name we use for inconsistencies in speed (2 words)?

A

Wow and flutter.

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14
Q

Which word describes the high frequency noise associated with analogue tape?

A

Tape hiss.

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15
Q

What is the name of the company that found a solution to the problem of high frequency noise in analogue tape?

A

Dolby.

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16
Q

What is IPS and what effect does it have?

A

Inches Per Second, describes tape speed in tape recording machines.
More inches per second = greater quality recording.
30ips is studio recording quality.

17
Q

Describe the heads found on a tape delay machine.

A

Erase head, Record head, Playback heads (3 Playback heads).

18
Q

How can delay time be varied on a tape delay machine?

A

Changing the distance between the Record and Playback heads.

19
Q

What is feedback on a tape delay machine?

A

How many repeats there are.

20
Q

When did 2/3/4/8/16/24-track tape recording first begin to be used in recording studios?

A

2-track recording: late 1950s.
3-track recording: early 1960s.
4-track recording: mid 1960s.
8-track recording: late 1960s.
16-track recording: early 1970s.
24-track recording: mid 1970s.

21
Q

What are mono and stereo audio recordings?

A

Monaural (mono / ‘full-track’) audio recordings and equipment consists of a single audio channel or ‘track’.
Binaural (stereo / ‘two-track’) recordings and equipment use 2 audio tracks.

22
Q

Q
What is the name of the process in the early days of analogue multitrack tape recording where you could combine multiple tracks into one?

A

Bouncing down.

23
Q

What are the editing techniques that WERE available during the early days of analogue multitrack tape recording?

A
  • Speeding up / slowing down tape to alter the pitch.
  • Tape saturation by warming tapes.
  • Splicing (cutting up tape and then resembling it in a different order).
  • Flanging (slowing one tape down) creates modulation effect.
  • Playing tape backwards.
  • Tape delay machines.