European Architecture Flashcards

1
Q

diverse use of historic styles in 19th century European architecture broad range of styles from the 19thcentury architects would choose from

A

European Architecture

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2
Q

The ______________ had stimulated interest in a great variety of architecture, both Western and exotic. During the 19th century architecture, the movement became increasingly comprehensive, so architects were better informed than ever about the architecture of the past.

A

Picturesque Movement

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3
Q

is a historic building located in the center of the main marketplace of a European town. It was built from medieval times into the 18th century.

A

cloth hall or linen hall

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4
Q

a new building type that spread all over Europe

A

railways and transport stations

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5
Q

a new building type that took the place of aristocratic private collections of art

A

Museums

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6
Q

What were the materials used in European architecture?

A

Stones and bricks
timber
structural ironwork and glass sheets
cast iron frames
reinforced concretes

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7
Q

1830-1850 coincides with _____ phase of British architecture

A

british

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8
Q

1850-1870 coincides with the ______

A

french second empire

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9
Q

1870-1900 coincides with the earlt period of the _________

A

german second reich

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10
Q

prevalent in the 19th century during the reign of Queen Victoria in the United Kingdom; embraced eclecticism, meaning it drew inspiration from a variety of architectural styles and time periods. Characterized by: modestly ornate, colorful brickworks, towers, turrets, steep gables, and pitched roofs

A

Victorian architecture

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11
Q

an era in Central Europe between 1815 and 1848; emphasis on home life for the growing middle class meant the blossoming of furniture design and interior decorating

A

Biedermeier Design

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12
Q

refers to the architectural practice of drawing inspiration from historical architectural styles

A

Historicism

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13
Q

She was of the first women architects in Poland

A

Janina Zofia Czarnecka

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14
Q

this classical building features a colonnade reminiscent of the eastern façade of the Louvre; Commissioned by a Polish Nobleman, Edward Raczyński, to provide educational facilities for the public

A

Biblioteka Raczynskich or Raczynski Library

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15
Q

Who designed the Raczynski Library

A

Janina Zofia Czarnecka

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16
Q

Its giant colonnade of 24 Corinthian columns is punctuated only by a slightly wider central intercolumniation; exemplifies the kind of Rational Classicism which was promoted at the Ecole des Beaux-Artes in Paris

A

Palais de Justice

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17
Q

Who was the designer of Palais de Justice

A

Louis Pierre Baltard

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18
Q

Built to house the works of the Danish sculptor Bertel Thorvaldsen; Greek Revival in spirit and to some extent Egyptian Architecture, especially in the internal courtyards

A

Thorvaldens Museum

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19
Q

He was a key figure in a shift in Danish Architecture from late classicism to historicism

A

Michael Gottlieb Birckner Bindesboll

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20
Q

The external walls in the Thorvaldsens Museum was by _________, depict the transportation of the content of the museum from Rome

A

Joorgen Sonne

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21
Q

one of the most magnificent Neo-Classical monuments in Britain; used as both a law court and civic hall; a forum for noteworthy Victorians to hold readings, lectures, and performances

A

St. George’s hall

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22
Q

Who was the designer of St George’s Hall?

A

Harvey Lonslade Elmes

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23
Q

after Elme’s death, ___________ was responsible for the sumptuous decoration of the concert room

A

Charles Cockerell

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24
Q

has an arcaded portico set in front of curved iron roofs over the platforms; forms part of the Victorian development of central Newcastle with its handsome Classical streets.

A

Central Station

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25
The Central station was designed mostly by
John Dobson
26
one of the designs he initiated for the Renaissance Revival and the “Palazzo” model in England; two-story stuccoed façade of five regular bays is made asymmetrical by the location of the main entrance in an end bay
Travelers' club, Pall Mall
27
Travelers' club was designed by
Sir Charles Barry
28
it is stone-faced, three stories high, and nine bays long, with a central entrance; renaissance features are treated more confidently than before, with half-columns to the first-floor windows and a bolder cornice
Reform club, pall mall
29
Reform club was designed by
Sir Charles Barry
30
an Italianate clock tower rises from the center; consists of two arched sheds expressed in the vast stock-brick arches of the façade
King's Cross Station
31
King's Cross Station was designed by
Lewis Cubitt
32
a large stone church of cruciform plan, with all crossing tower and spire; designed in the geometrical Gothic style of the 13th century
St. Giles Church
33
St Giles Church was designed by __________ and _________
Sir George Gilbert Scott and W.B. Moffatt
34
was a cruciform Gothic church, much more enriched with tracery and pinnacles; Germanic openwork spire that is 147m high
St. Nikolai Kirche Church
35
St. Nikolai Kirche Church was designed by
Sir George Gilbert Scott
36
a prodigious building Victorian country house; boldly modelled façade and ebullient skyline of cupolas, gables and chimney stacks
Harlaxton Hall
37
Harlaxton hall was designed by _______ and ______ for Gregory Gregory
Anthony Salvin and William Burn
38
an embodiment of the Second FrenchEmpire style, incorporating Late Renaissance details in the facades punctuated by grand pavilions with distinctive mansard roofs.
New Louvre
39
New Louvre was designed by __________
Luduvico Tullio Joachim Visconti
40
a masterpiece of High Victorian Classicism; asserts the independence and pride of a prosperous industrial city
Town Hall
41
The town hall in Leeds, England was designed by
Cuthbert Brodrick
42
stands on a height overlooking the city and builds up pyramidally to a domed tower above the central great hall
Palais de Justice
43
Palais de Justice in Brussels, Belgium was designed by
Joseph Poelaert
44
planned on a difficult triangular site, and resolves the awkward central angles by skillful devices of projecting bays and blocks
Town Hall, Manchester
45
The town hall in Manchester was designed by
Alfred Waterhouse
46
one of the last important buildings to be erected in the High Victorian Gothic Style; the design is highly personal to Street, who executed 3000 drawings by his own hand
Royal Courts of Justice in London
47
The Royal Courts of Justice in London was designed by
George Edmund Street
48
shows a development of the Baroque in the New Louvre; Characterized throughout by opulent grandeur
Palais Garnier or Opera House
49
The Palais Garnier was designed by
Charles Garnier
50
formerly “The Midland Grand Hotel”; an outstanding example of Scott’s secularGothic style, blending Italian, French, and flemish elements in a high Victorian way
St. Pancras Hotel and Station Block
51
St Pancras Hotel was designed by
Sir George Gilbert Scott
52
replaced a small station; architectural detail is of Neo-Classical character but with some disparities in scale; the façade is crowned by the figure of Paris and eight others representing northern European cities
Gare du Nord
53
Gare du Nord was designed by
Jacques Ignace Hittorf
54
built as a thank-offering following the failed assassination of the Emperor; In Gothic style, heralded by tall, slender western towers with open belfries and crocketed steeples
Votivkirche
55
Votivkirche was designed by
Heinrich von Fertsel
56
built on a scale suitable for its role as a symbol of the Second Reich; its Baroque Classicism, handled with assurance, a little ponderous in some of the details
Reichstag building
57
Reichstag building was designed by
Paul Wallot
58
Also known as “Vittoriano” or “Altare della Patria”; built on the slopes of the Capitol to commemorate the nation's first king and a unified Italy
Victor Emmanuel II Monument
59
Victor Emmanuel II Monument was designed by
Giuseppe Sacconi
60
this museum retraces the history of Italian unification by means of various historical objects and documents: flags, archives, weapons, etc.
Museum of the Risorgimento
61
a suavely eclectic design, blending medieval and Renaissance elements in composition whose symmetry is counteracted by a refined bell-tower
Town Hall in Copenhagen
62
The Town hall in Copenhagen was designed by
Martin Nyrop
63
Inaugurated in 1900 as the "Palais des Beaux-Arts de la Ville de Paris" or Palace of Fine Arts of the City of Paris; designed for the International Exhibition of 1900, along with the neighboring GrandPalais and Pont Alexander
Petit Palais
64
The Petit Palais was designed by
Charles Louis Girault
65
The Petit Palais now houses the
City of Paris Museum of Fine Arts
66
stands with its cluster of white domes on top of Butte Montmartre, a large hill in Paris; one of the landmarks of Paris
Basilica of Sacre- Coeur de Montmartre
67
Basilica of Sacre- Coeur de Montmartre was designed by
Paul Abadie
68
exemplifies the architect’s refined Gothic Revival style, with lancet windows and sharp spires rising from square towers to give a powerful vertical emphasis
Truro Cathedral
69
Truro Cathedral was designed by
John Loughborough Pearson
70
is built in Arts and Crafts Gothic Revival Architecture; it is also known as the Church of the Holy and Undivided Trinity with Saint Jude
Holy Trinity Church
71
The Holy Trinity Church was designed by
John Dando Sedding
72
based on the revival of Byzantine Architecture; short transepts with twin-barrel vaults abut the easternmost dome of the nave
Westminster Cathedral
73
Westminster Cathedral was designed by
John Francis Bentley
74
smallest of the three palaces built by KingLudwig II of Bavaria and the only one that was actually completed; finely executed Rococo interiors
Schloss Linderhof
75
Schloss Linderhof was designed by
Georg Von Dollmann
76