Final Module Flashcards
(86 cards)
Tradition, 1916
Kenyon Cox
Represents traditional ideas of the Italian renaissance. Conservative, academic style of the New York academy.
The Ragpicker, 1911
Sculpture
Abastenia St. Leger Eberle,
Similar in themes to Ashcan
woman searching through the garbage. Art as a social function. She produced work for women’s suffrage in 1915 McBeth galleries, NYC. Her subjects: Working-class immigrants in NY.
In the Elevated, 1916
Theresa Bernstein,
This received the National Arts Club prize winner. She is similar in themes to AshcanModern subject matter, expressive, urbanism, realist and expressionist styles, social issues. Mural painter for US gov. during the depression. Also contributed to the sufferance show with Ragpicker.
Alfred Stieglitz, 1902
Gertrude Käsebier
Gum bichromate method, allowing manipulation resulting in a painterly style.
Started the Romantic Urban Realism movement. They rebelled against the traditional and conservative style and subject matter of the academy. Painting the life you knew.
The Eight
Members were Robert Henri, Everett Shinn, John Sloan, Arthur B. Davies, Ernest Lawson, Maurice Prendergast, George Luks, and William J. Glackens. Landmark Exhibition in 1908 at McBeth galleries in NY.
An artistic movement in the United States during the late 19th-early 20th century that is best known for works portraying scenes of daily life in New York, often in the city’s poorer neighborhoods.
Ashcan School
He founded Photo-Secession and was married to Georgia O’Keeffe.
Alfred Stieglitz
This was a group of photographers
Photo-Secession
This is a photography style
Pictorialism
Stieglitz’s gallery, showing photography, american and european modernist artwork.
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Blue Lines, 1916
Georgia O’Keeffe
Asian art influenes, modernist style, New York.
Cow’s Skull Red, White and Blue, 1931
Georgia O’Keeffe
New Mexico, example of this new style of her work. Taos. Growing trend in art for regional scenes, going out beyond the urban centers. Cultural nationalism - the cow skull representing enduring nature of American.
*A trend in looking to idetifying what is unique about America, authoring the “great American play, book, etc.” O’Keeffe wondered what a great American painting would look like.
Cultural Nationalism
*Approach to art that is interested in uncovering social problems.
Urban scene painters
*Approach to art that is interested in lush landscapes
Regionalist painters
Luxembourg Gardens, 1908
Marguerite Zorach
Influenced by Matisse and fauvism styles.
A Village in India, 1911
Marguerite Zorach
An example of her paintings during a trip abroad.
Man Among Redwoods, 1912
Marguerite Zorach
An example from a trip to Sierra Nevada.
(who is ) in her 55th Street Apartment, 1913, with painted wall hanging in the background
Marguerite Zorach
New York City
Maine Islands, 1919
Marguerite Zorach
Tapestry painting, decorative embroidery. Summers would travel to Maine. Regional themes from those trips. Joy of Life from Mattise reference.
She wrote the Avant-guard opera Four Saints In Three Acts to which Stettheimer designed costumes.
Gertrude Stein
She also knew Zorach in Paris.
Nude Self-Portrait, c. 1915
Florine Stettheimer Between the wars, her work looked at upper-class life and a diary of her life. Decorative, Figurative, Stylized, richly colored, a nod to popular illustrations. Nude self-portraits by women are not typical.
Picnic at Bedford Hills, 1918
Florine Stettheimer
Pictorial, history painting genre painting, etc. Biographical. Theatrical. Marcel Duchamp is featured twice here (he’s the only male).
She is a detached observer. Also friends with Steiglitz.
Spring Sale at Bendel’s, 1921
Florine Stettheimer
Shopping, the frenzy of the dressing room, snagging bargains, human look at high fashion - jewel-like colors, privileged and luxury.