Module 4 Flashcards
(105 cards)
Portrait of Rosa Bonheur, 1857
Edouard-Louis Dubufe
Rosa as an Animaleure.
Great highland Bull.
In the way of males, I like only the bulls I paint.
Issued to Rosa giving her permission to wear pants in public. For reasons of health. Offical permission about 1853. For the facilitation of her work. Needed to study anatomy at the slaughterhouse, and at faires.
Police certificate issued to Rosa Bonheur, 1857
In constant search for models, she brought animals into her space, half studio, and half barn. This is a black and white sketch of her studio.
Rosa Bonheur Studio, rue de l’Ouest, Paris, c. 1849
Ploughing in the Nivernais, 1849
Rosa Bonheur
Gold medal, purchased for the Louvre
Cattle and men in ordinary work.
George Sand’s The Devil’s Pool was of inspiration.
Noble subjects that of simple, nature, good, where you’ll find the truth in peasants. Art of tracing the burrows of those who feed humanity.
The Horse Fair, 1853
Rosa Bonheur Salon of 1853 18 months to paint 8' X 16' largest ever Lithographic prints made Awards won, giving her freedom to show what she wanted going forward Parthenon Freize, interpret. Bordeaux. Asked 12K francs. London Dealer, purchased for 40K francs. Alexander Stweart purchased for 286K. Vanderbilt for 53K Donated to the Met. Greatest animal picture. 1855 was her last salon.
Colonel William F. Cody, 1889
Rosa Bonheur
Buffalo Bill Historical Center in Cody WY.
An engraving showing Bonheurs studio depicting a special event in June 1865. “Genious has no sex”.
Engraving of the Empress Eugenie visiting Rosa Bonheur’s atelier, June 1865
In the Washhouse, 1888
Anna Klumpke
American painter
Peasant theme.
Bonheur’s companion in later years helped establish her memoirs.
Klemke stayed for 30 years at the Chateau.
Rosa Bonheur, 1898
Anna Klumpke
Presented both a person and her profession.
Portrait Daparait.
Rosa wears the Legion Medal of Honor.
Her Breton costume, with her painting, supplied and painting a bull.
Rosa Bonheur Monument, Fontainebleau, dedicated 1901
Designed by her brother, Isidore Bonheur
Reliefs showing her most famous paintings - the horse fair and Ploughing in the Nivernais. And a giant bull on top. It no longer exists since WW2.
He was an artist and art critic of the time, this is his self portrait.
John Ruskin, Self-Portrait, 1873
This portrait is of a woman, important PRB Circle who modeled, you can see her red hair everywhere.
She looks haggard and somber in this self-portrait. Ruskin advised her, gave her financial support and purchased her drawings. Died of an opium overdose.
Elizabeth Siddal, Self-Portrait, 1853-4
Lady Clare, 1858
Elizabeth Siddal
Medieval themes
Inspired by Alfred Lord Tennyson. Themes of Gender and Class. Alice is being shielded by Lady Clare for her humble origins.
Jane Morris Jewel Casket, 1860-61
Elizabeth Siddal
Her only 3D object. Arts and Crafts Movement. For Jane Morris. Married to Arts and Crafts leader, James Moris.
Poems, Christine de Pizzan.
Study of Rock, Moss & Ivy, 1885
Kate Greenaway
Greenway: Illustrator of children’s book, Under the Window 1878. agreeable view of child world. Influenced by Ruskin. Accurate and close observation.
Calendar, 1884
Kate Greenaway
English/Victorian
Charming melancholy, victorian attitudes, influenced children fashion.
Tale of Peter Rabbit, 1902
Beatrix Potter
Land conservation, sheep conservation, illustrator and author. ideal world, isolated from modern life. Anti-modern tendencies.
South Country Cottage
Helen Allingham
Anti-modern tendencies.
Country life, untouched by industrialization.
Comfortable, sentimental.
Like this one of a woman and her child outside a cottage. She’s friends with Greenway.
Designed by Charles Rennie Mackintosh. Light, airy, modern, old chinaware, lighter than victorian.
Ladies Luncheon Room, Miss Cranston’s Tea Rooms, 1903, Glasgow, Scotland
May Queen panels, Ladies’ Luncheon Room, Miss Cranston’s Tea Rooms, 1903, Glasgow, Scotland
Margaret MacDonald Mackintosh
Glasgow school of art. Scottish arts and crafts with an art nouveau look.
Lycopodium Flagellatum (algae), c. 1840-59
Anna Atkins
John F.W. Herschel, 1867
Julia Margaret Cameron
Portrait.
She had an 11-year career 1864-1875
Alfred, Lord Tennyson, “The Dirty Monk,” 1865
Julia Margaret Cameron
Looks like a biblical elder.
The Whisper of the Muse (George F. Watts & Children), 1865
Julia Margaret Cameron
Encourager of her and her art. (watts). This print is owned by V&A. His musical muse whispers to him. V&A shows her work during her lifetime. She takes advantage of the copywriter law.