Lecture 13 Flashcards

1
Q

Archaic Period

A
  • ca. 800-480 BCE
  • foundation of Poleis: city-states each individually governed
  • colonies abroad
  • introduction of Greek alphabet
  • had linear A and B writing previously but no literature
  • new sophistication in material culture
  • stories of the gods written for the first time (Hesiod, Homer, Homeric Hymns)
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2
Q

Classical Period

A
  • ca. 480-323 BCE
  • Persian wars-death of Alexander
  • Often considered apex of ancient Greek culture
  • City-state of Athens dominant
  • Production of literature, architecture, art, drama
  • Age of democracy, philosophy
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3
Q

Persian Wars

A
  • wars between Greece and the Persian empire to the East

- Persians seen as very different from the Greeks

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4
Q

First Persian Invasion

A
  • city of Marathon
  • 26 miles from Athens
  • somehow the Athens hold them off.
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5
Q

Second Persian Invasion

A
  • Allied Greek Poleis, led by Athens and Sparta
  • Defeat of Persia, continued alliance of the Poleis
  • Athens will use this alliance to control the Greek world
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6
Q

Athens takes over alliance

A
  • Sparta focused on land power (military and fighting)
  • Athens is focused on commerce and diplomacy because of their large navy.
  • helpful in going out to establish relationships and travel
  • So they say to the other city-states hey you should pay us and we’ll keep you safe, so they do
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7
Q

Classical Athens

A
  • defeat of Persia fosters new belief in human capabilities
  • new interest in human potential, relationship of human and divine
  • what can humans accomplish
  • how man can rise up to be something great
  • individual excellence
  • gods become an interest in how they reflect on man instead of the other way around
  • first clearly see instance of evidence for questioning gods existence
  • flourishing of art, architecture, literature, politics, philosophy, science, drama
  • large amounts of wealth gathered from taxes paid by other Poleis
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8
Q

Greek theater

A
  • Classical period
  • Centered at Athens
  • Religious
  • Musical
  • Competitive (agon: competition)
  • Tragedy vs. comedy
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9
Q

Tragedy

A
  • comes from word meaning “goat song” (?)
  • origins in 6th century
  • continued long tradition of song and myth
  • 2 or 3 actors, 12 or 15 chorus members
  • Themes: mythology (most common) or history
  • Didactic: teaches a lesson, has a moral we should take away
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10
Q

Comedy

A
  • Komodia=”song to do with a komos (group revelry)”
  • Origin in early 5th century
  • 3 actors, 24 chorus-members
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11
Q

The Tragedians

A
  • Aeschylus: 92 plays, 7 survive
  • Sophocles: 120, 7 survive
  • Euripides: 88 plays, 18 survive
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12
Q

The Comedian

A

-Aristophanes: 11 plays survive

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13
Q

Satyr Drama

A
  • Satyr Plays accompany tragedies
  • Several actors + chorus
  • Featured satyrs, companions of Dionysus
  • Themes mythological; action was bawdy, obscene
  • Stories often tragic, but presented ridiculously
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14
Q

City Dionysia: Major Dramatic Festival

A
  • Festival honoring Dionysus, held in late March at Athens
  • Day 1: pompe (procession), music and poetry competitions, sacrifices, feast, komos
  • Day 2: announcement of titles; selection of judges
  • Day 3-5: performance of tragedies by three playwrights (4 plays each-3 tragedies and 1 satyr play)
  • Day 6: performance of comedies by five playwrights (1 play each)
  • Day 7: announcement of victors, celebration, pompe
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15
Q

Masks

A
  • affected performance
  • very exaggerated and loud
  • much different from modern acting
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16
Q

Aeschylus

A
  • c. 525-456 BCE
  • 92 plays, 7 survive
  • 13 victories
  • veteran of the Persian Wars
  • The Oresteia, 458 BCE (first prize at City of Dionysia)
  • Agamemnon
  • The Libation Bearers
  • Eumenides
  • Satyr play lost
17
Q

Agamemnon’s nostos

A
  • Not made up, in the Odyssey Agamemnon talks about being killed by his wife
  • Agamemnon comes home to Argos instead of Mycenae in this version
18
Q

The Watchman

A
  • Knows what Agamemnon’s wife has been up to while Agamemnon has been gone
  • However he’s going to keep it secret because it builds suspense
19
Q

Clytemnestra about Agamemnon’s returen

A
  • exalts him
  • over the top happiness
  • double meaning in her words at the end. Agamemnon thinks she’s saying that she’s going to take him inside and welcome him home and take care of him, but really she’s gonna off him.
  • very different from Penelope and Odysseus
20
Q

Cassandra and the Chorus

A
  • Cassandra is one of Priam’s daughters who can prophesize but no one believes her.
  • Apollo fell in love with her and gave him the gift of prophecy but she refused to have sex with him so he said she could keep it but no one will believe her.
  • tells us what’s about to happen and tells us who’s going to murder Agamemnon and how she’s going to do it.
  • whole exchange builds suspense and draws together the actors and the audience
  • don’t see the murder on stage, but Cassandra tells us what’s going to happen.
21
Q

Why is violence not seen on stage?

A
  • hard to represent

- often looks hokey

22
Q

Clytemnestra about her actions

A
  • not ashamed

- says it was just because he killed Iphigenia