LESSON 4 Flashcards

1
Q

The 7 elements of art

A

Lines
Shape
Form
Space
Texture
Value
Color

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2
Q

is the strongest and most important and influential. Without this there will be no shape.

A

Lines

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3
Q

are powerful tools tat can be no texture and there can be lead the viewer eyes towards the point of interest in a photograph, and alter the overall feeling and mood of an image.

A

Lines

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4
Q

_________ is an enclosed area or surface. It can be easily identified because when a line crosses itself or intersects with other lines to enclose a space it creates a __________

A

Shape

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5
Q

is the principal element of identification.

A

Shape

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6
Q

3 types of shapes

A

Geometric Shapes
Organic Shapes
Abstract Shapes

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7
Q

have structure and are often
mathematical and precise (squares, circles, triangles).

A

Geometric Shapes

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8
Q

lack well-defined edges and often feel
natural and smooth. Shapes add emphasis to a layout.

A

Organic Shapes

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9
Q

are a minimalist representation of reality.
For instance, a stick figure of a person is an example

A

Abstract Shapes

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10
Q
  • It is the overall design of an artwork. It describes the structure of shape and object from the different perspective. 2 Dimensional and 3 Dimensional
A

Form

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11
Q
  • Almost all visual arts are concerned with form since artists deliberately use forms to create movements that would lead the viewers attention.
A

Form

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12
Q

is the surface or the area within the artwork. It constitutes the area or distance, between, around, above or within things

A

Space

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13
Q

There are two kinds of space:

A

Positive space and Negative space

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14
Q

refers usually to the subject of the artwork. The focus that is usually found in the middle

A

Positive space

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15
Q

It is usually the background of the artwork. And mostly in light color

A

Negative space

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16
Q

can be considered as the most expressive of all the
elements of art.

A

Color

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17
Q

___________ can be easily recognized in an visual
experience.

A

Colors

18
Q

Characteristics of Color

A

Hue
Shade
Tint
Tone
Saturation

19
Q

is the name of a color in its purest form. For instance, cyan, magenta, and green are pure colors

A

Hue

20
Q

is the addition of black to a hue in order to make a darker version

A

Shade

21
Q

is the addition of white to a color to make a lighter version.

A

Tint

22
Q

is the addition of grey to make a color muted

A

Tone

23
Q

refers to the purity of a color. A specific color is most intense when it is not mixed with white or black.

A

Saturation

24
Q

is found in all visuals arts. It is the element that deals primarily with the sense of touch or the tactile sensation or stimuli.

A

Texture

25
Q

maybe described as smooth, hard, soft, wet, dry. Rough, slippery, etc.

A

Texture

26
Q

2 Kinds of Texture

A

Actual texture and Implied texture

27
Q

or physical texture, means the actual physical surface of an artwork or design. It describes the tactile feeling you would get if you were able to run your hand over an artwork.

A

Actual texture

28
Q

also referred to as visual texture or simulated texture, is texture that isn’t actually there, but looks like it should be.

A

Implied texture

29
Q

Artist manipulate his medium to give an impression of texture and visual effects. Visual texture is an illusion of texture created by the artist. Contemporary artists take stimulated texture as a one of the great challenges in visual art.

A

Implied texture

30
Q

8 Principles of Design

A

Balance
Emphasis
Pattern
Repetition
Proportion
Rhythm
Variety
Unity

31
Q

It has something to do with visual weight.

A

Balance

32
Q

Balance can be classified to 2:

A

Symmetrical Balance
Asymmetrical Balance

33
Q

The most stable among the kinds of balance. When one side of the composition mirrors of other.

A

Symmetrical balance or formal balance

34
Q

It is achieved when one side of the composition does not reflect the design of other but visually balanced.

A

Asymmetrical balance

35
Q

is the part of the
design that catches the
viewer’s attention.

A

Emphasis

36
Q

is the repeating of an object or symbol
all over the work of art. It is the repetition of specific visual elements.

A

Pattern

37
Q

A combination of shapes, colors, or other elements recurring across the composition.

A

Repetition

38
Q

Difference between pattern and repetition

A

Pattern is an organized repetition.
While repetition is recurring of combination of elements.

39
Q

The comparative relationship of one part to another with regards to size. It is also the relationships of the size of objects in a body of work.

A

Proportion

40
Q

A regular repetition of elements can produce implied movement

A

Rhythm

41
Q

This principle creates an interest and appeal in a body of work. Using differences and change may result to increasing visual interest.

A

Variety

42
Q

It can be accomplished by using all elements and some principles to create a pleasing image. It is the feeling that everything in the art works together or harmonious and look like fits

A

Unity