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Music 162 > Midterm 1 > Flashcards

Midterm 1 Flashcards

1
Q

“Sheep Sheep Don’t You Know the Road”

A

Bessie Jones (Georgia Sea Islands)

Call and Response/ Strophic/ Improve

Monophony/Homophony

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2
Q

“The Boatman’s Dance”

A

Dan Emmett

Minstrel Show song with Irish Influence

Monophony/Homophony

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3
Q

“Nobody”

A

Bert Williams 1913

Appeals to underdogs of all colors. A little bit of defiance.

Vaudeville

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4
Q

“Jeanie with the Light Brown Hair”

A

Stephan Foster (1854)
AA’BA
Sentimental Irish style

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5
Q

“After the Ball”

A

Charles Harris

Verse and Chorus (Verse AABA) Ballad

Sold millions of copies.

Triple Meter for Waltz

Tin Pan Alley

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6
Q

“Maple Leaf Rag”

A

Scott Joplin (1898)

Ragtime

Sectional Form
AABBACCDD

Syncopation

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7
Q

“Castle House Rag”

A

James Reese Europe

Clef Club

Rag Time

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8
Q

“Tiger Rag”

A

Original Dixieland Band (1918)

1st Commercial Recording of Jazz

Polyphonic

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9
Q

“Dippermouth Blues”

A

King Oliver’s Creole Jazz Band (1923)
Featuring Louis Armstrong
12 bar blues

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10
Q

“Side by Side”

A

Paul Whiteman “The King of Jazz”

More Unified Texture

Mainstreaming of Jazz

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11
Q

“Mama’s Got the Blues”

A 
Bessie Smith
12-bar blues harmonic form
Ballad/Strophic
AAB Text form
Sexual Promiscuity
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12
Q

“West End Blues”

A 
Earl Hines on Piano (1928)
Louis Armstrong ( and His Hot Five) on Trumpet
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13
Q

“St. Louis Blues”

A

Bessie Smith (1929)
Composed by W.C Handy “Father of the Blues”
Louis Armstrong on Cornet
12 Bar blues w/ aab text

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14
Q

“Dark Was the Night”

A

Blind Willie Johnson
Bluesy Melody
Slide guitar- relationship between voice and guitar

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15
Q

“Cross Road Blues”

A

Robert Johnson (1936)
12 bar blues
aab text form
Relationship with guitar

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16
Q

“Soldier’s Joy”

A

Gid Tanner and his Skillet Lickers (1929)
Hoedown Hillbilly music
Strophic

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17
Q

Can the Circle be Unbroken

A

The Carter Family
Verse and Chorus
Monophony/Homophony

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18
Q

“Waiting For a Train”

A

Jimmie Rodgers (1928)
Yodeling
New Orleans Jazz Interlude
Hawaiian Steel Guitar

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19
Q

“Wrappin’ it Up”

A

Fletcher Henderson (1934)
Answering Riffs
Big Jazz Band

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20
Q

“New East St. Louis Toodle-oo”

A

Duke Ellington (1937)
Plunger Mute on Trumpet
AABA form twice through

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21
Q

Pleasure Gardens

A

European Entertainment that made way to US

Led to Variety shows and Concerts

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22
Q

Ethiopian delineator

A

From T.D. Rice’s Jim Crow

Virginia Minstrels 1843

23
Q

Minstrel Show

A

First US popular Culture
Fascination with Black Music
Black Face
Popular entertainment in north. Black entertainers became popular after the civil war.

Peak popularity 1840s-70s

ONE Semi circle with end-men and interlocutor
TWO variety format and stump speech
THREE Final Skit and origin of cakewalk

24
Q

Old Folks at Home

A

Minstrel Show
AABA
Plantation references
Appeals to white people too

25
Q

Subsidized Symphonies

A

Insecurity vs European Culture
Chicago Symphony 1889
For Upper Class

26
Q

W.C. Handy

A

“Father of the Blues”

Musician and Publisher

27
Q

Bert Williams

A

Portrayed in Ethnic Notions as trying to be high class.
Note of defiance, but still plays on stereotypes for success.
Vaudeville.

28
Q

Parlor Music

A

Piano become affordable and in the home.

Public music education became popular. Music literacy.

29
Q

Stephan Foster

A

1826-1864
Born in Pittsburgh, Irish family.
Formal music training.
Started out in minstrel circuit, wanted more “refined” songs.

30
Q

Tin Pan Alley

A

1880s Broadway and 28th
Focusing on exclusively popular music.
Supplied music for Broadway, Radio, Talking Pictures, and Records.
Formulaic writing.

31
Q

Charles Harris

A

1867-1930
Jew from Milwaukee
First to sell sheet music in millions

32
Q

Jews and Music

A 
1880s Immigration from Russia. 
Opportunity in entertainment industry.
Culture of adaptability.
Piano and social status.
First talking picture about Jewish Immigrants.
33
Q

Ragtime

A

Ragging the tune.
Popular dance derived from cakewalk.
1893 Chicago Worlds Fair good exposure.

34
Q

Scott Joplin

A

1868-1917
Born in Texas, moved to Missouri
Entertainer and Instructor
First Piano Rags

35
Q

James Reese Europe

A

1880-1919
Founded Clef Club dance orchestra in 1910
Carnegie Hall concerts
Dance Band for Irene and Vernon Castle
Band for Af Am 359th Infantry Hellfighters

36
Q

Vaudeville

A

Tony Pastor’s Opera House 1865 in NYC because Vaudeville 1881
Family oriented variety show.
Circuits of Theaters

37
Q

Sound Recording

A

1877 Phonograph- Edison
1997 Gramophone- Berliner
1901 Talking Machine Co home gramophone
1920 Electronic Recording

38
Q

Music Marketing

A

Sell Jukeboxes
Sell Gramophones
Records not originally seen as potentially profitable

39
Q

Jazz

A

New Orleans

French Culture and African Culture (Caribbean, Mexican)

40
Q

Jazz Singer

A 
Black Face
Al Jolson (Asa Yoelson)
Mistrust of Popular/Commercial Culture
Generational Differences/Perserving Tradition
Immigrant Experience
41
Q

Paul Whiteman

A

The King of Jazz

42
Q

Bessie Smith

A

Empress of the Blues
Born in Tennessee
Flamboyant and achieved movie fame.
Racist Imagery persisted.

43
Q

Country Blues

A

Scouting for field recording

Men, guitarists, solo performance, worship.

44
Q

Robert Johnson

A

Mississippi but traveled alot
Inspiration for future blues guitarists
Slide guitar

45
Q

Radio

A

1896 Guglielmo Marconi
1st station Pittsburgh KDKA
Gran Ole Opry in 1925 Tennessee
Border Blasters

46
Q

Carter Family

A

Family and Traditional Values.
AP Doc, wife Sara and sis in law Maybelle
High lonesome sound
Bristol Virginia 1927

47
Q

Jimmie Rodgers

A

Singing Brakeman

Country’s 1st big star born in Mississippi

48
Q

Fixin to Die Blues

A

Bukka White
Strophic
AAB Text form

49
Q

New York/ Big Band

A

Legacy of James Reese Europe

Composer has greater role

50
Q

Fletcher Henderson

A

Dance orchestras played in Harlem for social dancing

51
Q

Duke Ellington

A

Cotton Club 1927 WHITES ONLY

Floor shows and Jungle Music

52
Q

Count Basie

A

New Jersey and played with Moten in Kansas

53
Q

One O’ Clock Jump

A

Count Basie
12 bars blues with improv
Walking bass
Ride Cymbol

Music 162 (3 decks)

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