Midterm 2 Flashcards
(81 cards)
1
Q
“Hoochie Coochie Man”
A
Muddy Waters (1953) Harmonica Stop-Time Call and Response Strophic Extended 12 bar blues
2
Q
“Smokestack Lightening”
A
Howlin Wolf (1956) Cyclical Guitar Riff "Woo-Hoo" Refrain Brooding and somber Harmonica and Gruff
3
Q
“Mama, He Treats Your Daughter Mean”
A
Ruth Brown (1953) Repetitive Lyrics Tambourine Stress on Backbeat Vocals Gospal Like Extended 12 bar blues/ AAAB
4
Q
“I’ve Got a Woman”
A
Ray Charles (1954) Gospel Chords Ornamental vocals Call and Response Stop Time
5
Q
“The Wild Side of Life”
A
Hank Thompson (1951)
Polka Rhythm
Vocal Twang, Fiddle Steel Guitar
6
Q
“It wasn’t God who made Honky Tonk Angels”
A
Kitty Wells (1952)
Response to “The Wild Side of Life”
Women are not the blame for bar culture of unattached women.
7
Q
“Your Cheatin’ Heart”
A
Hank Thompson (1952) Fiddle/ Steel Guitar Twang and Yodel Polka Sustained Words
8
Q
“Nancy with the Laughing Face”
A
Frank Sinatra
Reserved Vocals
Band Accompaniment, Jazz Syncopation
Strophic with Refrain
9
Q
“Long Tall Sally”
A
Little Richard Stop Time 12 Bar Blues Refrain/Chorus Repetitive Boogie Rhythm
10
Q
“Rock Around the Clock”
A
Bill Haley (1954) Back Beat 12 bar blues (bass guitar) Honky Tonk Electric Solo Sax implies Jump Band
11
Q
“Maybelline”
A
Chuck Berry (1955) Polka Style and Twang Countryish 12 bar blues
12
Q
“The Answer is Blowing in the Wind”
A
Peter Paul and Mary (1963)
Refrain makes it folky
Strophic
13
Q
“The Times are a-changing”
A
Bob Dylan (1963) Strophic Ballad with Refrain Folk Version of rebellion Political Triple Meter
14
Q
“Turn Turn Turn”
A
The Byrds (1966) Vocal Harmonies Refrain Social Message 12-string Guitar Rockish
15
Q
“You’ve Really Got a Hold on Me”
A
Smokey Robinson and the Miracles (1962) Motown Call and Response Back Beat Guitar Hook
16
Q
“My Girl”
A
The Temptations (1965) Derived from R&B Guitar Hook Motown Back Beat for Dance
17
Q
“Stop in the Name of Love”
A
The Supremes (1965)
Maturity, Diana Ross
Motown
18
Q
“Respect”
A
Aretha Franklin (1967)
Gospel/Soul
Call and Response
19
Q
“Papa’s Bag”
A
James Brown (1965) AABA (Head and Bridge) 12 bar blues in A Call and Response in B PolyRhythm "Groove"
20
Q
“Somebody to Love”
A
Jefferson Airplane (1967) Grace Slick leas singer Hard-edged Love, Drugs Mixture of many genres
21
Q
“Summertime”
A
Janis Joplin (1968)
Blues
Tin Pan Alley Song
22
Q
“Crossroads”
A
Eric Clapton and Cream (1969)
Cover Robert Johnson
12 bar blues
Power Drum
23
Q
“Purple Haze”
A
Jimi Hendrix Experience (1967)
Power Trio
Blues Inspired
24
Q
“Tomorrow Never Knows”
A
Beatles (1967)
Psychadelic
Sitar
Synthsizer
25
"Black Dog"
Led Zepellin
Heavy Metal
Distorted Guitar
26
"Stairway to Heaven"
Led Zepellin
Evolving Form from Strophic
Builds to heavy rock
9 minutes long
27
"Oye Come Va"
Santana (1970)
ChaCHa CHa
Polyrhythmic
Bluesy and no wind instruments
28
"Azucar pa ti"
```
Eddie Palmieri
Flute and trombone
Innovative (like 60s)
Improvisation like Jazz
Percussion and polyrhythmic is different
```
29
"Bang Bang"
Joe Cuba (1968)
Latin and R&B
Back beat
Latin Percussion
30
"Siembra"
Ruben Blades & WIllie Colon (1978)
Salsa
Verse and Coro (call and response)
31
"Thank You (Falettinme Be Mice Elf Again)"
Slay and the Family Stone (1970)
Verse and Chorus
No Chord Progression
Slap Bass
32
"Flashlight"
```
George Clinton and Parliment/Funkadelic (1978)
No Chord Progression
Bass
SYnthesized
Collective
```
33
"Okie From Muskogee"
```
Merle Haggard (1969)
Working Class vs Counter Culture
```
34
"Waiting for the Man
Velvet Underground (1967)
ANdy Warhol promoted
Drug Addiction, Violence
Lou Reeds journey to get heroin in Harlem
35
"I Wanna be Sedated"
The Ramones (1978)
Working class alienation
Reaction to hippy vision
Making fun of Beach Boys
36
"Anarchy in the UK"
```
Sex Pistols (1976)
Glam Rock
```
37
"I Can't Stop Loving You"
Ray Charles (1962)
38
"Friends in Low Places"
```
Garth Brooks (1990)
Modern Urban Sound
Rock
Strong Back Beat
Appeals to Working Class
```
39
"Mama don't let your babies grow up to be cowboys"
Waylon Jennings and Willie Nelson (1977)
Heavy sound in drums and bass
Masculinity
Intimacy in Voice
40
"Funny How Time Slips Away"
Willie Nelson (1962)
Steele Guitar
Intimate Voice
41
"Who'll Turn out the Lights"
```
Ronnie Milsap (1975)
Full Deep Quality
```
42
Muddy Waters
Hoochie Man
| Chicago Blues
43
Ray Charles
```
Blind
Gospel turned Country
"I've Got a Woman"
"I Can't Stop Loving You"
Lived in Seattle to Atlanta
```
44
Hank Williams
Country Icon
"Your Cheatin Heart"
Drinking Life
Yodel/ deep voice
45
Frank Sinatra
Nancy with the Laughing Face
TPA songs
Singing star took spotlight away from dance band
46
Alan Freed
Owned Moon Dog House Rock and Roll Party in Cleveland/NYC in 50s
Bring Black Music to White Youth
47
Little Richard
One of first rock stars
Risquee and Wild
"Long Tall Sally"
48
Bill Haley
"Rock Around the Clock"
+ the comets
Appeals to country and R&B(?)
CHanged Lyrics to Shake Rattle and Roll to less sexual
49
Chuck Berry
Country Tendencies
"Maybelline"
Duck Walk
50
Ritchie Valens
Rock Music and Latin
La Bamba
Donna on A side
Died in 1959
51
Buddy Holly
Died in 1959
52
Pat Boone
Dot Records used to cover black artists
| No legal recognition for recording copyrightable music
53
The Beach Boys
"Good Vibrations" sophisticated studio production (inspired by Beatles)
54
George Martin
The 5th Beatle
55
Barry Gordy
Founder of Motown in 1960
Business behind music
Many Successes
56
Woody Guthrie
Working Class from Oklahoma
Radio Show in 30s
Politicized
"This Land is Your Land"
57
Pete Seeger
Urban Revivalist from NYC
Collabed with Guthric
Weavers
"Where have all the flowers gone"
58
Bob Dylan
Robert Zimmerman
"THe times are a changing"
Learned from guthrie
Commercial seriousness and politics
59
Grateful Dead
Folk Improvisational Rock
60
Janis Joplin
Texas-born white “blues” singer
"Summertime"
Died of Heroin overdose very young
61
Temptations
Motown Group
| "My Girl"
62
Jackson Five
Michael Jackson
Motown
"ABC"
63
Aretha Franklin
"Respect"
Gospel Singer to Soul
Jerry Wexler made pop star
64
James Brown
Godfather of Soul
"Papa's Bag"
Preformed (crazy) in circuit of theaters
65
Eric Clapton and the Cream
"Cross roads"
Power Trio
British
Blues
66
Jimi Hendrix
Played with Little Richard
Seattle
Guitar "Purple Haze"
Power Trio
67
Led Zepellin
```
"Black Dog"
Heavy Metal
Power Trio and Singer
Jimmy Page Guitar
Robert Plant Vocal
"Stairway to Heaven"
Folky
```
68
Santana
"Oye Como Va"
Great guitar
Cha Cha Cha
69
Eddie Palmieri
"Azucar pa ti"
Steady Groove but influenced by Jazz
Coro (and Response)
Experimental and Long
70
Ruben Blades
```
"Siembra"
Coro
Cuban working class
Fania Salsa
Willie Colon
```
71
Sly and the Family Stone
"Thank You"
Bay Area band
Funk
72
Larry Graham
Slap Bass
73
Parliament/ George Clinton
Funk Party Group
"Flash Light"
Rock Influence
74
Merle Haggarad
Country Icon of authenticity
| Okie from Muskogee
75
Stevie Wonder
Moog Synthesizer
Motown Start
"Superstition"
76
Velvet Underground
Andy Warhol funded
Punk and anger
Art Scene
Drugs in song (heroin in harlem)
77
Ramones
"I wanna be sedated"
Punk
Appeals to Youth
First CBGB to sign from NYC
78
Sex Pistols
"Anarchy in the UK"
| Manufactured misfit band
79
Willie Nelson
Country Singer "Mama dont let..."
80
Garth Brooks
Urban Sound
"Friends in Low Places"
Popular in late 90s
81
Dolly Parton
Jolene
| Women and Looks in country
