MUSIC Flashcards

1
Q

ALSO KNOWN AS THE MIDDLE OR DARK AGES

A

MEDIEVAL ERA

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2
Q

IT IS A MONOPHONIC PLAINCHANT POPULARIZED BY POPE GREGORY I

A

GREGORIAN CHANT

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3
Q

WHO POPULARIZED THE GREGORIAN CHANT

A

POPE GREGORY I

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4
Q

IT IS A SINGLE LINE MELODY

A

MONOPHONIC

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5
Q

CHARACTERISTICS OF A GREGORIAN CHANT

A

MONOPHONIC, FREE METER, USE OF NEUME NOTATION, LATIN LITURGY, MODAL

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6
Q

MUSIC THAT WAS NOT BOUND TO CATHOLIC TRADITION

A

SECULAR MUSIC

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7
Q

WHO PERFORMED SECULAR MUSIC

A

TROUBADOURS

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8
Q

TELLS ABOUT CHIVALRY AND COURTLY LOVE

A

TROUBADOUR MUSIC

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9
Q

WAS ALSO KNOWN AS ADAM DE LA HALLE

A

ADAM LE BOSSU

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10
Q

ONE OF THE OLDEST SECULAR COMPOSERS DURING THE MEDIEVAL PERIOD

A

ADAM DE LA HALLE

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11
Q

WAS KNOWN FOR CHANSONS AND POETIC DEBATES

A

ADAM DE LA HALLE

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12
Q

LE JEU ROBIN ET DE MARION

A

ADAM DE LA HALLE

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13
Q

LA CHANSON DU ROI DE SICILE

A

ADAM DE LA HALLE

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14
Q

WAS THE GOLDEN AGE OF ACAPELLA CHORAL MUSIC

A

RENAISSANCE ERA

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15
Q

RENAISSANCE CAME FROM THE LATIN WORD?

A

RENAITRE

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16
Q

RENAITRE MEANS?

A

REBIRTH, REVIVAL, REDISCOVERY

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17
Q

IT IS THE DISTINCTIVE CHARACTERISTIC OF RENAISSANCE MUSIC.

A

IMITATIVE POLYPHONY

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18
Q

GREATEST MASTER OF ROMAN CATHOLIC CHURCH MUSIC

A

GIOVANNI PIERLUIGI DA PALESTRINA

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19
Q

HELD UP AS THE PERFECT EXAMPLE OF COUNTER-REFORMATION STYLE

A

POPE MARCELLUS MASS

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20
Q

WHO WROTE THE MASSES WHICH WAS GREATLY APPRECIATED BY?

A

GIOVANNI PIERLUIGI DA PALESTRINA, POPE JULIUS III

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21
Q

POPE MARCELLUS MASS

A

GIOVANNI PIERLUIGI DA PALESTRINA

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22
Q

SINGER AT A LOCAL CATHEDRAL, BECAME A MASTER OF CHORISTERS AND HAS A BACHELOR’S DEGREE IN OXOFRD.

A

THOMAS MORLEY

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23
Q

FIRE FIRE MY HEART

A

THOMAS MORLEY

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24
Q

SING AND CHANT IT

A

THOMAS MORLEY

25
Q

FANTASIE

A

THOMAS MORLEY

26
Q

APRIL IS IN MY MISTRESS’ FACE

A

THOMAS MORLEY

27
Q

IT WAS A LOVER AND HIS LASS

A

THOMAS MORLEY

28
Q

A FORM OF SCARED MUSICAL COMPOSITION WITH TEXTS OF EUCHARISTIC LITURGY

A

MASS

29
Q

5 MAIN SECTIONS OF THE MASS

A

KYRIE, GLORIA, CREDO, SANCTUS, AGNUS DEI

30
Q

A COLLECTION OF ITALIAN MADRIGALS

A

MUSICA TRANSALPINA

31
Q

SECULAR VOCAL POLYPHONIC MUSIC COMPOSITION FROM ITALY

A

MADRIGALS

32
Q

MUSICA TRANSALPINA

A

THOMAS MORLEY

33
Q

NOTED BY ITS GRAND AND ELABORATE ORNAMENTATION OF SCULPTURES

A

BAROQUE PERIOD

34
Q

BAROQUE WAS DERIVED FROM THE _____________ WORD __________ WHICH MEANS ____________________

A

PORTUGUESE, BARROCO, PEARL OF IRREGULAR SHAPE

35
Q

THE COMMON KEYBOARD INSTRUMENTS USED IN THE BAROQUE PERIOD

A

HARPSICHORD AND ORGAN

36
Q

SOLO INSTRUMENT ALONG WITH AN ORCHESTRA

A

CONCERTO

37
Q

SMALL GROUP OF SOLO INSTRUMENTS

A

CONCERTINO

38
Q

WHOLE ORCHESTRA

A

TUTTI

39
Q

BETWEEN CONCERTINO AND TUTTI

A

CONCERTO GROSSO

40
Q

CONTRAPUNTAL PIECE DEVELOPED THOUGH IMITATIVE COUNTERPOINT

A

FUGUE

41
Q

LARGE SCALE MUSICAL COMPOSITION

A

ORATORIO

42
Q

HARMONIZED HYMNAL TUNES OF THE PROTESTANT CHURCH

A

CHORALE

43
Q

HE WAS TAUGHT TO PLAY THE VIOLIN BY HIS FATHER

A

JOHANN SEBASTIAN BACH

44
Q

BRANDENBURG CONCERTOS

A

JOHANN SEBASTIAN BACH

45
Q

MASS IN B MINOR

A

JOHANN SEBASTIAN BACH

46
Q

CANTATA 208 AND 211

A

JOHANN SEBASTIAN BACH

47
Q

FUGUE IN G MINOR

A

JOHANN SEBASTIAN BACH

48
Q

KNOWN AS THE RED PRIEST

A

ANTONIO LUCIO VIVALDI

49
Q

VIRTUOSO VIOLINIST (HIGHEST TIER OF A MUSICIAN)

A

ANTONIO LUCIO VIVALDI

50
Q

FOUR SEASONS

A

ANTONIO LUCIO VIVALDI

51
Q

A SERIES OF COMPOSITION DEPICTING THE DIFFERENT SEASONS

A

FOUR SEASONS

52
Q

ENGLAND’S FAVORITE COMPOSER AND SECOND SON FROM THE SECOND MARRIAGE OF A PASTOR

A

GEORGE FRIEDRICH HANDEL

53
Q

THE MESSIAH

A

GEORGE FRIEDRICH HANDEL

54
Q

ROUND BACK, FLAT TOP, LONG NECK AND STRINGS

A

LUTE

55
Q

TUBE SHAPED INSTRUMENT TAHT YOU BLOW

A

FLUTE

56
Q

WOODEN INSTRUMENT PLAYED BY RUBBING THE BOW ACROSS, HAS 4 STRINGS

A

VIOLIN

57
Q

KEYBOARD INSTRUMENT WITH HORIZONTAL STRINGS

A

HARPSICHORD

58
Q

HAS A RESONATOR, ARCHED NECK AND LONG STRINGS

A

HARP