Nonverbal Test #2 Flashcards

(37 cards)

1
Q

Paralanguage/Vocalics

A

The study of communicative value of vocal behavior. Like sarcasm

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2
Q

What influence do accents have on communication?

A

By listing to vocal cues, receivers can glean accurate pieces of information and may use such information to stereotype the sender in several ways.

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3
Q

Vocal Quality

A

Changes in voice qualities can often signal important messages to others.

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4
Q

Vocalization

A

Vocalization are audible vocal cues that do not have the structure of language and may or may not be accompanied by spoken words. There are three types of Vocalization

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5
Q

Vocal Characterizer

A

This refers to non-language sounds such as laughing, crying, whimpering, giggling, snickering, and sobbing. Other characteristic include groaning, moaning, yawning, growling, muttering, whining, and sighing. Many people are well recognized by and closely associated with the characterizers they frequently use.

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6
Q

Vocal Qualifier

A

Vocal qualifiers qualify or regulate specific portions of the utterance. basically emphasizing a word, intensity, pitch height, and extent.
Ex: Emphasizing the word now, “Put that pencil down… NOW!”

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7
Q

Vocal Segregate

A

Some segregates have been described as non-words that are used as words. These cues include vocalization such as shhh, uh-huh, and uh-uh

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8
Q

What are the difference between vocal characteristics, qualifier and segregates?

A

Vocal qualifier regulates a specific portion of the utterance and Vocal segregates are substitute for verbal utterance.

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9
Q

Turn-Maintaining Cues

A

Cues that speakers use to signal their listeners that they want to keep the floor.These cues are most prominent in situations where the listener may be trying to interrupt. Usually may include an increase in the loudness in speech.

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10
Q

Turn Requesting

A

Such turn-requesting cues include the stutter start, which may be inserted into the conversation even while the speaker is still talking.

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11
Q

Oculesics

A

The study of eye behavior, eye contact, eye movement, and the functions of eye behavior. The eyes are probably the most important in human communication

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12
Q

Facial Management

A

Display rules that tell us how to show our emotions in various social settings.

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13
Q

Masking

A

When a person hides their emotion and expresses another acceptable expression. Picture when you lose a tournament and how you’re suppose to react.

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14
Q

Intensification

A

Exaggerating what we feel in order to meet the expressed concern of others. So Enrique birthday party is an example.

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15
Q

Neutralization

A

Emotionless individuals are engaging in the facial management also known as poker face. Essentially eliminate any expression of emotion

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16
Q

Deintensification

A

When we reduce the intensity of our facial expression of a particular emotion because circumstances require us to downplay how we truly feel. So how men have to show no week emotion.

17
Q

Physical attractiveness

A

This type of attractiveness refers to the degree to which we perceive another person as attractive because of her or his physical attributes.

18
Q

Social Attractiveness

A

Social attractiveness is the degree to which we perceive another person as someone with whom we would like to play, fraternize, associate, or socialize

19
Q

Task Attractiveness

A

This is the degree to which we perceive another person as someone with whom we would like to work, conduct business, or have as a coworker or teammate.

20
Q

Artifacts

A

The accessories used to adorn our bodies and cloths

21
Q

Impact of Clothing

A

Clothing gives clues about what characteristics and personality we have.

22
Q

Body Concept

A

Is the perception you have of how attractive your body is, and what you perceive to be the particular attributes of your body.

23
Q

Endomorph

A

Persons who are endomorphs have rounded, oval-shaped bodies, are usually heavy, and are often described as pear shaped.

24
Q

Mesomorph

A

It’s characterized by a triangular body shape that is broad at the shoulder and taper to the hips. the athletes

25
Ectomorph
are characterized as bony, thin, and tall. They have a fragile looking physique
26
Kinesics
The study of the communicative impact of body movement and gesture.
27
Emblems
Emblems are often referred to as the speech-independent gesture. Emblems are used intentionally by the sender to communicate a specific message to an individual or group.
28
Illustrators
Are gestures and movement that are closely linked with spoken language and help demonstrate what is being said.
29
Turn yielding cues
Are given by speakers who wish to discontinue talking and give the listener the opportunity to take the speaking role.
30
Turn-Maintaining
Are used by speakers who want to continue talking
31
Adaptors
Are highly unintentional behaviors that are usually responses to boredom or stress or are closely linked with negative feelings towards ourselves or others.
32
Visual
Thoughts and communication are processed in "pictures." Gestures are animated and held at least at shoulder height, Basically something you see
33
Auditory
Thoughts and communication are processed in words, sounds and internal dialogue. Something you hear
34
Kinesthetic processing
Thoughts and communication are processed in emotional, visceral responses. Something you feel
35
Courtship Readiness
Reduced eye bagginess, higher muscle tone, reduced jowl sag, little slouching, no shoulder hunching, and decreased belly sag.
36
Preening Behavior
Its characterized by behavior such as stroking one's hair, fixing makeup, fixing clothes, looking in a mirror, leaving buttons open, adjusting clothes.
37
Positional Cues
These cues are reflected in seating arrangements. A person positions herself or himself to indicate to others that he or she is not open to conversation with anyone other than the person he or she is already talking to.