Overview and subject matter of Rajasthani School of Art Flashcards

(27 cards)

1
Q

One of the subject matters of Rajasthani paintings

A

Poems and Literary Works

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2
Q

Gita Govinda

A

~Translated to ‘Song of the Cowherd’
~Composed in the 12th CE
~Jayadev, court poet of Lakshman Sen
~Lyrical poem in Sanskrit filled with Shringar Rasa(love) showing immense love between Krishna and Radha.

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3
Q

Rasamanjari

A

~Translated to ‘Bouquet of Delight’
~Lyrical poem in Sanskrit by Bhanu Datta.
~It is a treatise on rasa and classifies nayikas and nayak according to their age, physiognomic traits and emotional states.

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4
Q

How did they classify in Rasa based on age?

A

BAAL, TARUNA AND PRAUDHA

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5
Q

According to physiognomic traits?

A

Padmini, Chitrini, Shankhini, Hastini etc

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6
Q

According to emotional states?

A

Khandita, vasaksajja, abhisarika,utka etc

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7
Q

Rasikapriya

A

~Translated as ‘The Connoisseur’s Delight’
~Composed by Keshav Das, court poet of Raja Madhukar Seth
~Consists of emotional expressions such as love, jealousy, quarrel, and its aftermath, togetherness, disappointment, separation, anger, which are common between lovers

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8
Q

Kavipriya

A

~Poem written by Keshav Das in the honour of Rai Parbin who was a famous courtesan of Orchha.
~It is a tale of love and the 10th chapter deals with Baramasa, which is the most enduring climactic description of 12 months of the year.
~The poem illustrates daily life of people in different seasons and festivals that fall in these 12 months.

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9
Q

Another theme from the 16th CE

A

Vaishnavism, one of the sects of Hinduism

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10
Q

What is Vaishnavism?

A

Vaishnavism was a cult that became popular in the western, northern and central parts of India in the 16th CE. As an influence of this, Krishna was worshipped and idealized through the paintings.

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11
Q

Bihari Satsai

A

~Written by Bihari Lal who worked at the court of Jai Singh.
~Painted at Mewar
~Consists of 700 verses
~In the form of aphorisms (sayings or proverbs) and moralising witticism (moral jokes).
~Composed in the year 1662

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12
Q

RAGAMALA PAINTINGS

A

~It was a visual representation of various distinctive ragas and raginis.

~Each Raga is related to a specific mood, time of the day, or season

~Has 36 or 42 pages organized in the format of families.

~The six main ragas are Bhairav, Hindol, Megha, Deepak, and Shri.

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13
Q

Some favorite texts that this school of painting was inspired by

A

Mahabharat, Ramyana, Bhagvata Purana, Devi Mahatmya

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14
Q
A
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15
Q

What was the historical context of the Mewar School of Painting?

A

Mewar was one of the earliest centers of Rajasthani (Rajput) painting, evolving from a bold pre-17th-century style into a more refined style after contact with Mughal art. Many early examples were lost due to wars with the Mughals.

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16
Q

What marks the earliest dated example of Mewar painting?

A

The emergence of the Mewar school is marked by a Ragamala series dated 1605, painted at Chawand by the artist Nisardin, featuring simple composition and vibrant colors.

17
Q

Under whose patronage did Mewar painting flourish, and what years did he rule?

A

Mewar painting flourished under Maharana Jagat Singh I, who ruled from 1628 to 1652.

18
Q

Who were the notable artists that revitalized Mewar painting under Jagat Singh I?

A

Sahibdin and Manohar were the virtuoso painters who revitalized the Mewar painting style.

19
Q

What notable series did Sahibdin produce?

A

Sahibdin produced celebrated series like the Ragamala (1628), Rasikapriya, Bhagavata Purana (1648), and the Yuddha Kanda (1652) of the Ramayana.

20
Q

What innovative technique did Sahibdin introduce in his Ramayana war scenes?

A

Sahibdin introduced a novel oblique aerial perspective to depict expansive battles convincingly.

21
Q

What is Manohar known for in the context of Mewar painting?

A

Manohar is known for illustrating the Balakanda of the Ramayana in 1649, adding detail and elegance to the Mewar style.

22
Q

Which unique contribution did Jagannath make to Mewar painting?

A

Jagannath illustrated the Bihari Satsai in 1719, a unique contribution of the Mewar school.

23
Q

What are the stylistic features of Mewar miniatures?

A

Mewar miniatures are characterized by a bold and bright color palette, particularly reds and yellows, and a straightforward composition with minimal ornamentation in early works.

24
Q

What themes were commonly depicted in 17th-century Mewar paintings?

A

17th-century Mewar paintings often depicted religious or literary themes, illustrating Hindu epics and poetic works.

25
What shift occurred in the themes of Mewar paintings by the 18th century?
By the 18th century, the focus shifted to secular themes, including rulers' portraits, court assemblies, hunting scenes, festivals, sports, and zenana life.
26
What is the Nathdwara tradition in Mewar painting?
The Nathdwara tradition, developed in the late 17th century, is famous for Pichhwai paintings used as temple backdrops for the deity Shrinathji.
27
Fill in the blank: The Mewar aesthetic continued in a _______ context through Pichhwai paintings.
[religious]