PATHFIT 4 Flashcards by Julia Heredia

is the movement in the rhythmic way usually to music within a give space for the purpose of an idea or emotion, releasing energy, or simple enjoying the movement itself

Dance

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it is important because it serves multiple roles in human life from personal well-being to cultural expression

Dance

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A dance developed by people that reflect the life of the people of a certain country or region.

Folk dance

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is the legendary “ Mother of Philippine Folk Dancing”.

Francisca Reyes Aquino

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It was her dream to promote the teaching of folk dances in the physical education curriculum of Philippines Schools. She received the “ Philippine Republic Award Merit “ for her untiring efforts in collecting, compiling, and propagating folk dances and for here outstanding contribution to the advancement of Filipino culture. Who is she?

Francisca Reyes Aquino

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What are the 2 Classification of Folk Dances

Geographical Classification and Nature

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Under geographical classfication, it is found throughout the islands with little or no modification
Ex. Rigodon, Carinosa, Jota, Balitaw, Pandanggo

National Dances

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Geographical Classificiation that found in a certain locality
Ex.
Tinikling - Leyte
Maglalatik - Binyang
Subli - Batangas

Local Dances

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Depicting action of certain occupation, industry, or human labor.
Ex. Planting, Harvesting, Pounding, Winnowing, Pabirik, Managuete

Occupational

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performed in connection with religious vows and ceremonies
Ex. Dugsu, Sua-sua, Putong, Sta. Clarang Pinung-pino

Religious or Ceremonial

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depicting funny movements for entertainment
Ex. Kimbo-kimbo, Mokonggo, Kinoton, Itik-itik

Comic Dances

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with play elements (dance mixers
Ex. Lubi- lubi, Paro

Game Dances

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performed during wedding feasts
Ex. Panasahan, Pantomina

Wedding Dances

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depicting love making
Ex. Tadek- Daling-daling, Hele-hele, Bago quiere, Maramion

Courtship Dances

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suitable for special occasion of any social gatherings
Ex. Pandanggo, Habanera, Jota, Surtido

Festival Dances

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showing imaginary combat or duel
Ex. Maglalatik, Sagayan, Palu-palu

War Dances

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(fast energetic movements)
Ex. Tinikling, Maglalatik, Sakuting, Polkabal

Active Movements

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Type of movement that are the Ex. are Carinosa, Tgala, Purpuri, Habanera

Moderate

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Type of movement that are the Ex. are Pasakat, Amorosa Tiliday, Kundiman

Slow

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Type of movement that are the Ex. are Ex. Putritos, Ba-Ingeles, Habanera Botolena, Alcamfor

Slow and Fast

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Type of formation that the examples are Rigodo, Los bailes de Ayer

Square Quadrille

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Type of formation that (two or more parallel lines)
Ex. Lulay, Sakuting

Long Formation

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consisting of two or more pairs as a unit, partners facing each other or standing side by side
Ex. Binadyong, Haplik, Kakawati

Set

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Origin : Luzon and Visayas
Description : Names after the chief female character of Jose Rizal’s Noli Me tangere; Spanish incfluence “FIlipinized” by the use of bamboo castanets and banico
Ex. La jota, Paseo de Iloilo

Maria Clara Dance

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Origin : Luzon Description : Dances illustrate the fiesta spirit and love of life; best known type of Filipino dance. Dance attire girls - colorful balintawak and patadyonf skirts noys - camisa de chino and colored trousers. Ex. Binasuan, Tinikling

Rural Dance

Origin : Southern Mindanao Description : Characterized by vivid colors and rhythmic movements which reflect the influence of arabian and Indo - malaysian cultures Ex. Singkil, Vinta

Muslim Dance

Origin : Mindanao Description : Tribal dances performed essential “for the gods” “ceremonial and ritual type dances” Ex. Udol, Mandaya - an indigenous group of people in the Philippines who live in the mountain ranges of Mindanao.

Tribal Dance

Origin : Northern Luzon Description : Dances to celebrate victories, festivals, religious rituals, thanksgiving, etc; musical instruments include nose flute, bamboo guitar, drums, and wooden sticks Ex. Uya-uy - a wedding dance from the Ifugao people of the Philippines

Cordillera Dance

Heels close together, toes apart making an angle of about 45 degree

1st Position - feet

Feet apart side ward of about a foot apart

2nd Position - feet

Heel of one foot close to the in - step of the other foot

3rd Position - feet

One foot in front of the other obliquely forward

4th Position - feet

Heel of one foot close to the big toes of the rear foot

5th Position - feet

Arms raise in a circle in front of the chest with finger tips about an inch apart

1st Position - arm

Arms raised sideward with a graceful curve a little below shoulder level

2nd Position - arm

Arm raised as in 2nd position, other arm raised overhead

3rd Position - arm

One arm raised in front of chest in a half circle, other arm raised overhead

4th Position - arm

more open positions on 1st or 5th positions

Amplified

both arms raised at one side parallel to each other

Lateral

One arm bent in front at waist level. The other bent behind at waist level as well

Hayon- hayon

Both arms raised at sides and bent ate the elbows so that the upper arms are at should level.

“T” Position

both arms at sides and bent at the elbows so that the forearms are parallel to the head, palms facing inward

Reverse “T” Position

are basic terminologies used in folk dances or any type of dance to guide dancers in performing proper movements, positions, and formations. These terms serve as universal language or instructions that help dancers understand how to execute specific steps, hand movements, or body postures during a dance performance.

Common Dance Terms

Place both hands on the waistline with knuckles facing inward and fingers pointing toward the back.

Hands on waist

The hand that is not holding or supporting anything, remains relaxed at the side or can follow other arm movements.

Free hand

The foot that is not carrying the body’s weight and is ready for the next movement.

Free foot

Touch the floor lightly with the toes of the free foot without transferring weight, while the supporting foot carries the body’s weight.

Point

Lightly tap the ball of the free foot on the floor without shifting body weight.

Tap

Put the free foot flat on the floor without applying body weight.

Place

Swing the free foot forward or backward, lightly brushing the floor with the ball or heel of the foot.

Brush

Forcefully place the foot flat on the floor, creating a sound, with or without weight transfer.

Stamp

Move one foot forward, backward, or sideways, transferring body weight to the moving foot.

Step

Glide the foot smoothly along the floor in any direction.

Slide

Spring up using one foot and land on the same foot.

Hop

Spring from one foot and land on the other foot in any direction.

Leap

Quickly replace one foot with the other, shifting body weight.

Cut

Spring from one or both feet and land on both feet.

Jump

Turn the body by rotating the ball or heel of the supporting foot while keeping the foot in place.

Pivot

Rotate the hand from the wrist in a circular motion either clockwise or counterclockwise.

Kumintang

Swing one arm downward and upward in front of the body as if scooping, while bending the trunk forward slightly.

Salok

Move in a circular direction to the right, like the motion of a clock’s hands, with the right shoulder toward the center.

Clockwise

Move in a circular direction to the left, with the left shoulder toward the center.

Counterclockwise

Quickly spin in place by executing small steps to the right or left.

Whirl

Face the partner or audience, stand with feet together, and bow by bending the upper body forward slightly.

Saludo

Stand side by side with the partner, join left hands together and right hands together either right over left or left over right.

Crossed arms

The foot closer to the partner when standing side by side.

Inside foot

The foot farther away from the partner when standing side by side.

Outside foot

The hand farther away from the partner when standing side by side

Outside hand

A dance formation consisting of two or more pairs arranged in square or unit formation.

Set

Cross the right foot in front of the left, bend the body slightly forward, and cross hands down in front with the right hand over the left.

Sarok

Partners face each other, walk forward, pass each other’s right side, step across, move backward without turning, and return to the starting position.

Do-si-do

Partners stand side by side, turn around clockwise or counterclockwise with right elbows close, using walking or dancing steps.

Jaleo

Basic Dance Step in 3/4 Time Signature

Sway balance with a point Sway balance with a raise Sway balance with a hop Sway balance with a brush Sway balance with a close

- refer to the fundamental dance movements performed within two beats per measure of music

Basic Dance Step in 2/4 Time Signature

Step right foot (any direction) (ct.2); hop on Right foot (ct.2) Counting: 1,2

HOP STEP

Step Right foot (any direction) (ct.1); close Left foot to Right (ct.2). Counting: 1,2

CLOSE STEP

Step Right foot (ct.1); cross and step left foot to Right foot (ct.2) Counting: 1,2

CROSS STEP

Heel place right foot (forward or sideward) ct.1); close left foot to right foot (ct.2) Counting: 1,2

BLEKING STEP

Slide right foot sideward or forward (ct.1); close Left foot to Right foot (ct.2) Counting: 1,2

SLIDE STEP

Step Right foot any direction (ct.1); close left foot to right foot Counting: 1 and 2

CHANGE STEP

Slide Right foot sideward or forward (ct.1); swing left foot across right. Counting: 1,2

SWING STEP

Leap Right foot to sideward Right (ct.1); cross and step left foot across right foot (ct.and); step Right foot (ct.2) Counting: 1 and 2

CONTRAGANZA

is a popular Afrobeat dance style that is popularized in Nigeria. It became widely recognized due to its association with Nigerian music, especially in the Afrobeat and Afropop genres.

Yeba Dance

The term "_ _ _ _" is commonly associated with Nigerian slang and exclamations used in Afrobeat music.

YeBa

The dance emphasizes fluid and rhythmic hip sways that match the beat of Afrobeat music.

Hip Movements

Some versions of the dance involve energetic steps, while others focus on slow, groovy movements.

Footwork

Expressive hand movements often accompany the steps, adding style and personal flair.

Hand Gestures

Dancers often add their unique variations, making it an adaptable and creative dance.

Freestyle Element

1. Perform in a natural, simple and direct manner. 2. Execute steps with ease and smoothness. 3. Wear the proper and prescribed costume for the dance. 4. Strictly follow directions and dance instructions as closely as possible. 5. Dance with suitable feeling and expression.

DO's

1. Prevent exaggerating the dance steps. 2. Avoid dancing in a too flowing, graceful, and ballet-like manner. 3. Avoid long entrances and exits. 4. Avoid performing too elaborated and complicated steps. 5. Avoid calling a dance a folk dance unless steps come from traditional dances.

DON'Ts

PATHFIT 4 Flashcards

(91 cards)