principles and elements Flashcards

(57 cards)

1
Q

principles

A

ways to work with or arrange elements

describe the way the elements fit together

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2
Q

5 principles

A
rhythm
emphasis
balance
proportion
harmony
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3
Q

rhythm

A

repeats design elements
creates organized movement and order
provides direction and guides the viewers’ eyes

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4
Q

movement

A

shows action and directs the viewers eyes

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5
Q

emphasis

A

the center of interest
catches the viewers’ attention
creates a focal point
uses color, size or unique shape to create focal point

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6
Q

balance

A

a distribution of visual weight
directs focus for the viewers’ eye
creates a sense of rest and equilibrium

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7
Q

2 types of balance

A

symmetrical (formal balance)

asymmetrical (informal balance)

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8
Q

proportion/scale

A

the relationship of parts to each other and to the design as a whole
explains how size, amount and number relate
difference of the area occupied by one shape to another
exaggerated or centralized to draw viewers’ eye

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9
Q

harmony/ unity

A

when everything in the piece works together
when several elements hold viewers’ attention
components blended together without separation
achieved by repetition of related components

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10
Q

elements

A

‘rules’ we use when creating designs to make them look good

interpretive components used to create distinctive designs

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11
Q

5 elements of design

A
color 
line
space
texture 
form
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12
Q

form

A

also ‘shape’

refers to the outline/ 3-D shape of an arrangement

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13
Q

2 types of form

A

open form– the skeleton is flowers but leaves to interpretation what the shape is
closed form– flowers fill the entire 3-D shape

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14
Q

filler material is used

A

to fill empty space

not ever as a focal point

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15
Q

form flowers

A

unique
not used in every arrangement
unusual shape
sometimes focal point

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16
Q

forms ‘within’ forms

A

refers to the shape or form of the flowers/ foliage
use different shaped flowers to create a shaped arrangement
material types:
line
mass
filler
form

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17
Q

line flowers

A

creates a straight line in an arrangement

if used improperly has peacock or triangular look

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18
Q

mass flowers

A

add weight and fill space

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19
Q

line

A

provides a visual pathway for a viewer’s eye to follow so that they can see the entire arrangement and not just the focal point
creates the structural framework
lines are 2-D

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20
Q

4 types of lines

A

vertical
horizontal
diagonal
curved

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21
Q

horizontal lines

A

acts as a dividing point
represents rest/relaxation
used in funeral pieces

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22
Q

vertical lines

A

sense of height
taller= more powerful
symbol of strength

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23
Q

diagonal

A

imply feeling of movement
helps depth perception/ adds depth
formal

24
Q

curved lines

A

graceful and gentle

informal

25
static lines
horizontal and vertical | do not encourage movement
26
dynamic lines
diagonal and curved | encourage movement
27
space
area between and around the materials in a design as well as the area those materials occupy
28
positive space
occupied by materials
29
negative space
empty/ open should always be in an arrangement helps form
30
void
connecting spaces
31
texture
surface quality or characteristics of a material
32
incorporating textures into your arrangement will
increase visual interest in the design
33
color
the reflection of light from a pigmented surface transmitted through the brain by the eyes
34
primary colors
red yellow blue
35
secondary colors
created by mixing equal parts of the primary colors orange green violet
36
tertiary colors
``` created by mixing equal parts of a primary color with a secondary color red-orange yellow-orange yellow-green blue-green blue-violet red-violet ```
37
neutral colors
white- presence of all colors black- absence of all colors gray these 3 colors make up the gray scale
38
hue
represents a family of color | red is a pure hue, pink is a tint, maroon is a shade, pink and maroon are members of the red hue
39
value
the lightness or darkness of a hue achieved by the addition of white, gray or black white increases value black decreases value
40
adding white to a hue creates a
tint
41
adding gray to a hue creates a
tone
42
adding black to a hue creates a
shade
43
chroma
refers to the degree of intensity, strength, saturation, or purity of a color
44
purity of a color
freedom from white, black or gray
45
color harmonies
result through the combining of tints, tones, shades and hues
46
relating color harmonies
monochromatic | analogous
47
monochromatic color harmony
includes tints, tones and shades of the same hue
48
analogous color harmony
colors that are adjacent on the color wheel
49
contrasting color harmonies
complementary split complementary triadic polychromatic
50
complementary color harmony
features colors directly opposite on the color wheel
51
split complementary color harmony
combining one color with two colors on either side of its direct complement
52
triadic color harmony
involves 3 colors equally spaced on the color wheel
53
polychromatic color harmony
includes a wide range of colors
54
(color) place lighter value materials -- and in the -- areas of an arrangement. Place darker value materials -- and -- to the -- of the arrangement
``` higher outermost lower closer center ```
55
advancing colors
resemble fire and heat appear active make flowers appear larger and dominant
56
receding colors
cool colors recede and look smaller provide depth
57
to create a focal point in an arrangement using color, a designer will
allow one color to dominate