Quiz 1 Flashcards

(38 cards)

1
Q

research def

A

careful, diligent, systematic search to discover new knowledge, reaffirmation of previous knowledge, and changes in perspective

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2
Q

discipline research

A

Resaerching practice, what music therapists do in assessment, treatment, and evaluation

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3
Q

profession research

A

MTAs as group and context in which they work

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4
Q

foundational research

A

often originates in otehr dicipline but provides foundations for MT

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5
Q

research v. clinical practice v. theory

A
  1. research increases or modifies knowledge about nature of music therapy
  2. clinical practice gain knowledge needed to help clients addresss health needs
  3. broad realm of how to make sense of facts
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6
Q

objective research
1. overview
2. ourpose
3. role of theory

A
  1. quantitiative, single relality independent of experience (ontology) where objective truths discovered through systematic inquiry (epistemology)
  2. deny or confirm a focused well-defined hypothesis which guides research methods and designs to estabilish truth
  3. research and theory continually add to existing knowledge
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7
Q

interpretive research
1. overview
2. purpose
3. role of theory

A
  1. qualitative, how person perceives, feels, thinks, and derives meaning from lived phenomenon, findings are constructions of the researcher
  2. explore particular phenomenon to analyze and understand it, no formulaic design but use an approach or perspective to interpret findings
  3. research and theory increase understanding of existing constructions, leading to more relevant constructions
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8
Q

ontology v. epistemology

A

ontology is study of what exists/real, epistemology is what is possible to know and how to know it, ontology precepeds and limits epistemology

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9
Q

positivism

A

objective theory which knowledge accepting only observable or measurable experience of world as absolute truths

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10
Q

postpositivism

A

objective theory which findings are not absolute truths but circumstantial and given new evidence possibility for alternative explanations

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11
Q

constructivism

A

interpretist theory that acknowledges the reality we precive is constructed by social historical and individual contexts

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12
Q

mixed methods research

A

combination of qualitative and quantititative methods

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13
Q

basic v. appliled research

A
  1. basic research increases foundational knowledge for understanding phenomena without specific application, often done in other disciplines
  2. knowledge used to recognize and meet a specific need such as MT assessment, treatment, and evaluation
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14
Q

4 key stages of research treatment strategies

A

understanding different neededs and purpose at stages allows research to dev more efficiently, more useful results, and assists in acquiring funding
1. development stage
2. feasibility and piloting stage
3. evaluation of treatment
4. implementation

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15
Q

what is MT?

A

discipline in which credentiaed professional use music purposefully within therapeutic relations to support dev, health, and well-being in a variety of different areas

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16
Q

becoming certified MTA

A
  1. university training in MT
  2. muscicianship with guitar, piano, and voice
  3. 1000 hour supervised clinical internship
  4. certicifcation exam
  5. statement of dadhereence to CAMT codes of ethics and standards of practice
  6. continuing education
17
Q

types of MT interventions

A

pre-composed music, listening, singing, improvistation, lyric analysis

18
Q

where is research happening and being published

A
  1. few research universities, usually in Eurocentric countries which used western undergrads as samples but they are not the best rep of human emotion, beliefs, and sexuality
  2. several MT journals worldwide, some not MT journals but can be music based, and MT research can also appear in other health care journals which increases MT’s credibilty in the health field
19
Q

NMT academy

A
  1. Dr. Corene Hurt-Thaut (Certified Music Therapist) & Dr. Michael Thaut (Tier 1 Researcher) Master’s in Music and Health; Music and Health Research Collaboratory (MaHRC)
    Neurologic Music Therapy Academy
  2. lots of research funding and authored many scientific publications in multiple fields
  3. American Music Therapy Association’s National Research Award 1993
20
Q

evidence-based practice
1. overview
2. non-evidence based practice
3. issues with EBP

A
  1. approach that promotes collection, interpretation, and integration of valid, important and applicable patient-reported, clinical observed, and research-based evidence
  2. may rely on tradition, intuition, or other unproven methods, often combined with EBP
  3. EBP stems from objectivist approach therefore not always address issues important to interpretive research and sometimes does not reflect MTA work with clients
21
Q

common challenges/limitations in MTR

A
  1. western, educated, industrialized, rich, and democratic studies
  2. not Master level profession
  3. small sample size with lots of pilots and case studies
22
Q

5 steps of EBP

A
  1. ask a clinical question
  2. acquire best evidence for answering question
  3. crit appraise evidence for validity, impact, and applicability
  4. apply evidence into clinical decision making
  5. audit steps 1-4 to improve next time
23
Q

objective MT evidence

A

causal relations between MT interventions and specific clinical outcomes

24
Q

interobjective MT evidence

A

systemic relations among MT variables

25
subjective MT evidence
personal exp about and the meaning of MT processes and outcomes
26
intersubjective MT evidence
role of client's cultural, historical, and political contexts
27
what is NMT
standardized clinical rehab focused techniques in 3 main domains (sensorimotor, cognitive, speech and language + psychosocial/emotional), allowing NMT to align better with other healthcare interventions; sets a baseline objective and uses musical experiences, the elements of music, or music-based tasks to reach non-musical goals
28
NMT: sensorimotor domain
Rehab gait (RAS) in Parkinsons, fine and gross motor movements, ROM, dexterity, balance, sensory hearing and motor movement
29
NMT: cognitive domain, dementia, and cognitive rehab
1. Memory, focus, attention, executive function, music provides structure and timing and recruits parallel brain systems 2. music helps access short-term memories in dementia using music-based memory training 3. Left hemineglect after stroke using muscial cues to draw attention back to neglected side
30
NMT: speech and language
Aphasia (inabilty to express or understand speech), fluency, apraxia (difficulty producing speech)
31
research measurements in NMT
brain imaging to record brain's response to music, mostly objective, quantitative data which is compared to baseline
32
NMT training
4-day, 30-hour workshop and fellowship continued with videos submitted to the NMT academy and ongoing learning, can be done by any allied health professional to learn how music can help facilitate rehabilitation but only MTAs can use neurologic music therapist credentials
33
why is NMT work important to MT research
EBP, provides neurological understanding, physiological aspects explained, navigating which variables/aspects of music have impact on response, real-world applications
34
music and the brain
music activates all areas of the brain, can use neuroplasticity of brain when music activates working neurons to build new connections near areas of damage to recover function
35
rhythmic auditory stimulation
1. most researched, EBP of sensorimotor rehabilitation based on the principle of rhythmic entrainment (synchronization of motor neurons in response to regular pulsating sound 2. uses rhythmic cueing (brain processes silence between beats) matched to cadence and modified to improve gait esp non-dopamine responsive Parkinsons and effect last over time
35
melodic intonation therapy
use phrase important to the person and map the pitch changes in speech to music and ask the person to sing it, rewire brain to use singing pathway to produce speech to rehab aphasia
36
aphasia
damage to the language section of the brain which result in impaired production or comprehension of written and spoken words
37