RPH - INTRO - W1 Flashcards

1
Q

History came from the Greek

A

historia

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2
Q

historia

A

knowledge acquired through inquiry or investigation

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3
Q

historians lived with the mantra

A

no document, no history

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4
Q

history as discipline

A

became complex and dynamic inquiry

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5
Q

HISTORY

A

study of the past,
past events and causes of such events.

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6
Q

HISTORIOGRAPHY

A

history itself

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7
Q

ROLES OF HISTORY (4) SLLB

A
  • States used history to unite a nation; as a tool to legitimize
    regimes and forge a sense of collective identity through
    collective memory
  • Lessons from the past can make sense of the present.
  • Learning from past mistakes can help people not to repeat
    them
  • Being reminded of a great past can inspire people to
    continue their good practice.
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8
Q

original sources that contain important historical information

A

HISTORICAL SOURCES

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8
Q

Historians only access representation of the past through

A

historical sources and evidences.

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8
Q

3 TASKS OF HISTORIANS SGE

A
  1. Seek historical evidences and facts and
    interpret these facts. Facts cannot speak for
    themselves.
  2. Give meaning to these facts and
    organize them into timelines
  3. Establish causes and write history.
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8
Q

comprises certain techniques and rules that historians follow to properly
utilize sources and historical evidences in writing
history. Certain rules apply in cases of conflicting
accounts in different sources and how to properly treat
eyewitness accounts and oral sources as valid historical evidence.

A

HISTORICAL METHODOLOGY

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8
Q

IMPORTANCE OF IC AND EC

A
  • use of unverified, falsified, and untruthful historical sources can lead to equally false conclusions.
  • without thorough criticisms of historical evidences, historical deception and lies will be highly probable
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8
Q

HISTORIAN ARE INFLUENCED BY THEIR

A

CONTEXT, ENVIRONMENT, IDEOLOGY, EDUCATION AND INFLUENCES

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8
Q

INTERPRETATION ARE AFFECTED BY

A

THEIR CONTEXT AND CIRCUMSTANCE

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8
Q

HISTORY IS

A

SUBJECTIVE

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9
Q

proven fact that something is legitimate or real

A

AUTHENTICITY

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9
Q

process of probing primary sources that will be used in writing history

A

HISTORICAL METHOD

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9
Q

EXAMINATION OF THE EVIDENCE

A

INTERNAL CRITISM

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9
Q

source of information such as entities and procession involved in producing or delivering artifacts

A

PROVENANCE

9
Q

quality or power of inspiring belief

A

CREDIBILITY

9
Q

3 EVALUATION OF HISTORICAL SOURCES

A

CREDIBILITY
AUTHENTICITY
PROVENANCE

9
Q

is the practice of verifying the authenticity
of evidence by examining its physical
characteristics; consistency with the
historical characteristic of the time when
it was produced; and the materials used
for the evidence.

A

EXTERNAL CRITISM

10
Q

LOWER CRITICISM

A

EXTERNAL CRITICISM

11
Q

THINGS TO EXAMINE IN EXTERNAL CRITICISM

A
  • QUALITY OF PAPER
  • TYPE OF INK
  • LANGUAGE, GRAMMAR, AND SPELLING
  • HANDWRITING AND PRESENCE OF THE CREATOR’S SIGNATURE
11
focuses on understanding the substances and message that the historical material wants to convey by examining how the author framed the intent and meaning of a composed material
INTERNAL CRITICISM
11
determines the authenticity of the source or document by examining its physical characteristics. consistency with the historical chracteristics of the time when it was produced and the material used or the evidence
EXTERNAL CRITICISM
12
HIGER CRITICISM
INTERNAL CRITICISM
12
is the practice of verifying the authenticity of evidence by examining its physical characteristics; consistency with the historical characteristic of the time when it was produced; and the materials used for the evidence.
is the practice of verifying the authenticity of evidence by examining its physical characteristics; consistency with the historical characteristic of the time when it was produced; and the materials used for the evidence.
13
THINGS TO EXAMINE IN INTERNAL CRITICISM
- EYEWITNESS OR SECONDHAND ACCOUNT - WHY WAS IT WRITTEN - LITERAL MEANING - INTERNAL CONSISTENCY - CONNOTATIONS
13
personally written or narrated by an individual person who directly experienced or participated in the said event.
PRIMARY SOURCES
14
These sources usually contain analyses of primary sources by experts, academicians and professionals.
SECONDARY SOURCES
14
PRIMARY SOURCES EXAMPLE
PHOTOGRAPHS, DIARY, NEWSPAPER
15
group of men and women who have chosen to express their Christian commitment
RELIGOUS CONGREGATIONS
15
5 REPOSITORIES OF PRIMARY SOURCES
NATIONAL LIBRARY NATIONAL ARCHIVES ACADEMIC INSTITUTIONS RELIGIOUS CONGREGATIONS PRIVATELY OWNED MUSEUMS AND ARCHIVES
15
These are usually in the form of published works such as journals, article, reviews, books, conference papers and documentaries.
SECONDARY SOURCES
15
Most scholars use the following questions in evaluating the validity and credibility of sources of historical accounts.:
1. How did the author know about the given details? Was the author present at the event? How soon was the author able to gather the detail of the event? 2. Where did the information come from? Is it a personal experience, an eyewitness account, or a report made by another person? 3. Did the author conclude based on a single source, or on many sources of evidence?
15
focus on official government records
NATIONAL ARCHIVES
16
serve as interpretations or readings of primary sources.
SECONDARY SOURCES
16
serve as the preeminent repository of information for that country. collect published materials, books, periodicals, and more
NATIONAL LIBRARY
17
under the care of private ownership
PRIVATELY OWNED MUSEUMS AND ARCHIVES
17
entities such as univ or college, has its own set of rules and business processes
ACADEMIC INSTITUTIONS
18
4 KINDS OF PRIMARY SOURCES
TEXT IMAGES ARTWORK ARTIFACTS AUDIO VISUAL
19
personal letters, autobiographies, diaries, journals, wills
TEXT
20
CAPTURE MOMENTS IN TIME AND CAN PROVIDE EVIDENCE OF CHANGES OVER TIME
IMAGES
21
PAINTING, SCULPTURE HUMAN-MADE, HUMAN-DESIGNED OBJECTS
ARTWORK ARTIFACTS
22
RELIGOUS SERMONS, THEATRICAL PERFORMANCES, SONGS AND MUSIC, INTERVIEWS, ORAL STORY TELLING
AUDIO VISUAL