scholarship Flashcards
cut down (46 cards)
wardle on suetonius x2
Suet employs a “business like” style in the 12 caesars = clarity
but Suet also extrapolates from one instance to habitual actions eg Suet 73 Aug’s frugality through wearing simple clothes made by his family = modesty and humility BUT exaggerates
Horsfall on Suet
more humane, human, agreeable princeps presented to us.
Ramage on Suet
“brick to marble” quote subtly undermines JC
Brunt and Moore on the RG
what is omitted is as informative as what is stated as it indicates the way in which augustus wished to slant his narrative. “the account of achievements might be highly selective”
Beard on RG
it is a self-serving, partisan and rose-tinted piece of work, glossing over the murderous illegalities of his early career
Galinsky on RG
“augustus’ self-representation is meant to be suggestive and true in a larger sense than in the documentary sense”
= meant to paint a broader, inspiring picture of his legacy to reflect his achievements and roman ideals, not document.
Wallace-Hadrill on Ovid
suggests reading Ovid’s epic as a metaphor for the change in rome and augustus
Beard on poets
the work they produced offers a memorable image of a new golden age for rome and its empire with augustus centre stage
Wallace-Hadrill on poets
poetry was off the patronage of Maecenas which gave them independence, allowing them to be more than propagandists for the regime
Syme on poets
characterises augustus similarly to a fascist dictator and poets such as horace were “simply operatives within the framework”
= authoritative attempt to control opinion through propaganda
Wallace-Hadrill on arhitecture
augustan architecture was heavily inflenced by greek tradition, so not so roman after all.
Zanker on mausoleum
the mausoleum overshadowed all structures in rome, likened to tomb of dynast Mausolus (seven wonders of world) = “The monument was first of all a demonstration of its patron’s power
Nicholls on Mausoleum x2
dynastic tomb - signalling start of a long lasting dynasty
completed 28BC but Aug lives for another 42 years = early strategic effort to shape his legacy, emphasise his virtues, reputation, and contributions
Jenkyns on statues
his face does not alter with the years: he is godlike in his immutability, monarchical and aloof.
Stuart on statues
roman imagines were more art than state controlled propaganda as there is lacking evidence for mass-produced moulds. = reflects cultural beliefs more than enforced state agenda.
Jenkyns on aug emp/rep
he restores republican forms, calls himself princeps (first citizen), lives in a modest house with homespun clothes BUT monuments of monarchical magnificence are under construction, Augustus title (grandiouse religious connotations), and “his colossal, overbearing mausoleum”
Wick on trad roman emphasis
Augustus wants to divert away from his more violent Octavian, decided to redefine Rome but emphasising old trad roman values specifically pietas and pax deorum
nicholls forum augustum
it is both republican and regal (dynastic overtones)
Holliday on ara pacis
Golden Age imagery (previously only alluded to in poetry) appealed to a large number of the Roman populace as it promised stability and addressed fears if cyclical history (and thus a return to civil war)
Nicholls on ara pacis
The imagery speaks instead of benefits of peace plenty abundance natural and human, vegetable, exuberance and foliage and fecundity everywhere, and beauty
Bowman ara pacis
tellus and roma panel represente the dependence of peace on victory in war. pax romana
Nicholls ara pacis prop
augustus had a hand in it but it was the senate who commissioned it = not as simple to say this was propaganda
Zanker on prima porta
the only figure in the scene who is not immobilized is the Parthian, looking up respectfully at the Roman eagle
galinsky - prima porta
the prima porta is a good example of the deliberate synthesis of several traditions
fusion of greek forms with roman elements eg detailed armour with imperial triumphs. = fusion creates a powerful image of augustus as both a divine, timeless hero and a Roman military leader, aligning with his broader propaganda to unify Greek and Roman cultural ideals.