scholarship Flashcards

cut down (46 cards)

1
Q

wardle on suetonius x2

A

Suet employs a “business like” style in the 12 caesars = clarity

but Suet also extrapolates from one instance to habitual actions eg Suet 73 Aug’s frugality through wearing simple clothes made by his family = modesty and humility BUT exaggerates

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2
Q

Horsfall on Suet

A

more humane, human, agreeable princeps presented to us.

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3
Q

Ramage on Suet

A

“brick to marble” quote subtly undermines JC

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4
Q

Brunt and Moore on the RG

A

what is omitted is as informative as what is stated as it indicates the way in which augustus wished to slant his narrative. “the account of achievements might be highly selective”

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5
Q

Beard on RG

A

it is a self-serving, partisan and rose-tinted piece of work, glossing over the murderous illegalities of his early career

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6
Q

Galinsky on RG

A

“augustus’ self-representation is meant to be suggestive and true in a larger sense than in the documentary sense”
= meant to paint a broader, inspiring picture of his legacy to reflect his achievements and roman ideals, not document.

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7
Q

Wallace-Hadrill on Ovid

A

suggests reading Ovid’s epic as a metaphor for the change in rome and augustus

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8
Q

Beard on poets

A

the work they produced offers a memorable image of a new golden age for rome and its empire with augustus centre stage

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9
Q

Wallace-Hadrill on poets

A

poetry was off the patronage of Maecenas which gave them independence, allowing them to be more than propagandists for the regime

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10
Q

Syme on poets

A

characterises augustus similarly to a fascist dictator and poets such as horace were “simply operatives within the framework”
= authoritative attempt to control opinion through propaganda

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11
Q

Wallace-Hadrill on arhitecture

A

augustan architecture was heavily inflenced by greek tradition, so not so roman after all.

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12
Q

Zanker on mausoleum

A

the mausoleum overshadowed all structures in rome, likened to tomb of dynast Mausolus (seven wonders of world) = “The monument was first of all a demonstration of its patron’s power

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13
Q

Nicholls on Mausoleum x2

A

dynastic tomb - signalling start of a long lasting dynasty

completed 28BC but Aug lives for another 42 years = early strategic effort to shape his legacy, emphasise his virtues, reputation, and contributions

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14
Q

Jenkyns on statues

A

his face does not alter with the years: he is godlike in his immutability, monarchical and aloof.

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15
Q

Stuart on statues

A

roman imagines were more art than state controlled propaganda as there is lacking evidence for mass-produced moulds. = reflects cultural beliefs more than enforced state agenda.

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16
Q

Jenkyns on aug emp/rep

A

he restores republican forms, calls himself princeps (first citizen), lives in a modest house with homespun clothes BUT monuments of monarchical magnificence are under construction, Augustus title (grandiouse religious connotations), and “his colossal, overbearing mausoleum”

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17
Q

Wick on trad roman emphasis

A

Augustus wants to divert away from his more violent Octavian, decided to redefine Rome but emphasising old trad roman values specifically pietas and pax deorum

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18
Q

nicholls forum augustum

A

it is both republican and regal (dynastic overtones)

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19
Q

Holliday on ara pacis

A

Golden Age imagery (previously only alluded to in poetry) appealed to a large number of the Roman populace as it promised stability and addressed fears if cyclical history (and thus a return to civil war)

20
Q

Nicholls on ara pacis

A

The imagery speaks instead of benefits of peace plenty abundance natural and human, vegetable, exuberance and foliage and fecundity everywhere, and beauty

21
Q

Bowman ara pacis

A

tellus and roma panel represente the dependence of peace on victory in war. pax romana

22
Q

Nicholls ara pacis prop

A

augustus had a hand in it but it was the senate who commissioned it = not as simple to say this was propaganda

23
Q

Zanker on prima porta

A

the only figure in the scene who is not immobilized is the Parthian, looking up respectfully at the Roman eagle

24
Q

galinsky - prima porta

A

the prima porta is a good example of the deliberate synthesis of several traditions
fusion of greek forms with roman elements eg detailed armour with imperial triumphs. = fusion creates a powerful image of augustus as both a divine, timeless hero and a Roman military leader, aligning with his broader propaganda to unify Greek and Roman cultural ideals.

25
Grueber - coinage
coinage most important as was a way to communicate with the general/illiterate public.
26
Jones - aug's power
he was determined to rule the empire but he disguised absolute powers in constitutional wrappings
27
Syme - fasc
characterises augsutus as being similar to a fascist dictator
28
Wallace-Hadrill - later reps
points out how 20th century fascists eg Mussolini projected himself as a new augustus augustus was poorly received in modern period.
29
Wallace-Hadrill emph on ccl pp
although Gibbon presented aug as a "crafty tyrant", we can see he was keen to show himself as a caring civilian leader + pater patriae
30
Beard on JC
JC was Aug's passport to power
31
Goldsworthy on JC
scholars have a consensus aug distanced himself from the dictator but aug kept the name caesar, finished caesar's projects, and highlighted the julian name in the forum augustus both claimed caesar's legacy and reshaped it to suit himself
32
Huzar - MA
MA's true downfall is cleopatra who ruined his reputation
33
Lange - triumvirate
proscription is selective violence - a strategic way to secure power whilst securing enemies
34
Beard on war
Aug exploited the idea of a clash between roman western traditions and the "oriental" excess that MA and Cleo represented
35
Jones - aug ruth
Aug was ruthless after Actium
36
Osgood - perusia
aug deliberated omitted the perusine war from the RG as the brutal siege and massacre were indefensible and clashed with the image of a benevolent restorer of peace
37
Zanker on greek morality and social reform
aug's principate appealed to greek classical style because it carried a moral message. romans viewed it as period of superior moral behaviour
38
Wallace Hadrill on aug and religiousity
aug's restoration of temples and public rituals was not driven by religious belief but a pragmatic response to stabilise roman society, legitimising aug as restorer of order and piety contrasts Bradly who said policy reflected "his genuine conservative inclinations"
39
Wallace-Hadrill on aug and apollo
apollo was a potent cultural and political symbol
40
Burton
The title Augustus, meaning "the venerable," suggested divine reverence, but Augustus rejected divine honors in Rome, prohibiting temples dedicated solely to him. He permitted provincial temples honoring both himself and the goddess Roma, fostering an emperor cult that became immensely popular, surpassing other religious practices.
41
cooley on the res gestae
"the text of the res gestae was common currency among writers dealing with the age of augustus" = augustus' account influenced later historians, reinforcing his official image.
42
wallace-hadrill on the rel resto
"religious restoration guaranteed the new order was truly roman" = augustus used religious revival to justify his rule
43
erker on imperial cult and pietas
"augustus theatrically staged his religious performance to legitimise his role as princeps" = his religious actions were carefully managed displays of power
44
williams on aug and jc
"octavian recognised this more clearly than his adoptive father, julius caesar, who paid for political insensitivity with his life" = augustus learned from caesar's mistakes, making his rule acceptable
45
ramage on coinage
"julius caesar disappears from coinage after 31BC" = Augustus distanced himself from caesar's direct rule but key the divi filius title
46
beard on aug's mausoleum
"an aggressive assrtion of the emperor's power, dynastic aspirations, and committment to rome" = signalled augustus' long-term control