scholarship - final Flashcards

(50 cards)

1
Q

hauser - women

A

whilst men and women had different roles in society, in Homeric epic we see women demonstrating their own agency. They act as foils to men but are also interesting characters in their own right.

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2
Q

graziosi - women

A

all women and female monsters pose a threat to Odysseus’ nostos, most importantly his own wife Penelope.

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3
Q

jones - women

A

penelope is by no means helpless

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4
Q

goldhill - xenia

A

Xenia is a way of judging the different societies in the odyssey incl how civilised they are. eg ody appears as a disguised guest in his own house to test them

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5
Q

hall - xenia

A

breaking xenia is the suitors’ fundamental crime so their punishment is just

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6
Q

west - xenia

A

xenia is an obligation that is felt through generations and was integral to society (keeps ody safe and allows tele access to nestor and agamemnon)

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7
Q

nagy - nostos

A

the odyssey is not only a nostos; it is a nostos end to all other nostoi = odyssey is final and definitive statement about theme of heroic homecoming and closure of the heroic age. ody a hero as he gets home whereas achilles agamemnon are underworld

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8
Q

kahane - nostos

A

the most prominent return is odysseus’ reunion with penelope

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9
Q

hauser - kleos and nostos

A

odysseus is not driven by kleos but by his desire to return home.

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10
Q

graziosi - nostos

A

homer wants us to realise above all interests, Odysseus’ desire is to get home

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11
Q

hall - nostos

A

nostos is what ody craves throughout the epic

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12
Q

graziosi - odysseus/homeric hero

A

“man of many turns” = comic character, tragic hero, stoic sage, and a villain = odysseus could never and cannot yet be pinned down

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13
Q

silk - odysseus/homeric hero

A

odysseus’ most heroic quality is his cunning
odysseus is polutropos (ingenious, man of many turns, cunning) which helps him survive

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14
Q

hall - odysseus/ homeric hero

A

odysseus stands out as not only a physically strong hero but also an intellectual with varied skills which are relatable to 8th century greeks

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15
Q

adkins - odysseus/homeric hero kinda moreso honour

A

you must be wealthy and have time to be a good man - morality and status are closely linked

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16
Q

clayton - odysseus/homeric hero

A

odysseus compensates for his lack of physical impressiveness by means of verbal skill

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17
Q

jenkyns - ody/ homeric hero

A

odysseus is both an iliadic warrior and a folk tale trickster

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18
Q

Murnaghan - disguise and rec

A

the odyssey is a narrative characterised by events moving towards a conclusion as part of a strategy or design, it is coloured by the premise that odysseus is always in control

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19
Q

Hauser - disguise and rec ->

A

disguise is used to drive the plot forward and tension is created through near recognitions.

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20
Q

Murnaghan - disguise and rec di

A

ody’s disguise allows the audience the insight of dramatic irony and allows the pleasure of the foretold reunion.

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21
Q

jenkyns- literary techique/structure

A

the odyssey is complex due to the flashback narrative with narration in 1st person which is absent in many epics

22
Q

stanton - justice and revenge rj m/a

A

justice in homer may not be the same for modern readers, but the revenge in killing the suitors and disloyal servants shows a “developing concept of retributive justice”

23
Q

stanton - justice and revenge pv a

A

the suitors’ deaths are sanctioned by zeus, and athene even helps odysseus to kill them = this is not jsut a personal vendetta

24
Q

silk - justice and revenge

A

few of homer’s modern readers would condone revenge killing in such a context, but to odyssey does - or does it?

25
loney - justice and revenge
the odyssey is full of vengeance and that is a vengeance which is reciprocal (tisis) like xenia
26
thalmann - slaves
the odyssey first presents us with a society polarised between high and low, the aristoi holding wealth and power, and below were the others. but is a simplified representation whereby society is viewed from the perspective of the elite.
27
thalmann - slaves g v b
slaves are categorised into good and bad. thus the slave lacking autonomy is corruptible and dangerous in oikos. or as capable because of an innate nobility which means they can decide to remain loyal to an absent master
28
lawson - fate
there is an ambiguous blur between fate and the gods, especially with zeus. fate and the gods intersect and intertwine.
29
hastings - fate
even the greek gods are subject to fate and cannot avoid it, they serve as a mirror of men and women
30
nilsson - fate
sometimes conceived as determined by gods and zeus. zeus feels able to correct fate and refrains from doing so upon the exhortation of Hera
31
franklin - family alive
although the odyssey is about nostos, it has lots to say about the cost of homewrecking. odysseus must make it back alive or else his house will fall.
32
Franklin - family stab br
Homer is urgently concerned wiht preserving the stability of the family unit, and working out hte frightening social and political consequence of familial breakdown
33
Kalpakgian - family civ w context
**odyssey portrays family as central to civilisation**. ody's reunion with penelope, tele and laertes. reflects Homer’s context, where emerging Greek city-states valued social cohesion and household stability to rebuild after the Mycenaean collapse.
34
Kalpakgian - pen and family
Penelope’s heroic fidelity in the face of the suitors’ siege and temptation to remarry prevents the disintegration of the family and the lapse into barbarism.
35
mandzuka - fate and suitors and ody blame
'homer removes odysseus of any responsibility over the deaths of his comrades and the executions (of suitors) because they all had to die for reasons of fate'
36
kelly - gods' free will v fate
'within the boundaries of fate, Poseidon can pursue his feud against Odysseus as he wished'
37
Hauser - honour and wealth
gifts and possessions = honour -> the suitors are taking away his honour so must be punished
38
Graziosi on Odysseus - Negative
Odysseus gets home not because of his own cleverness but because of random events which he has no control over
39
Jones on Gods and mortals
Men are at the whims of Gods
40
Jenkyns on Odysseus and Athene relt
Relationship is like banter between a Olympian goddess and a mortal man
41
Walcot on Xenia - bk 8 9
Book 8 is how to entertain a stranger, Book 9 is how to not entertain a stranger
42
Atwood on Penelope - Negative
Penelope was sleeping with the suitors and had the maids killed so Odysseus wouldn't find out
43
Schein on Polyphemus - Negative barb
The savagery is exaggerated by the way he eats his victims raw - barbaric
44
what does Bowra say about odysseus stupidity paving the way for resourcefulness
his need for cunning is enforced by his own recklessness
45
what does griffin say about the maturation of telemachus
the young man in the process of achieving adult status, asserting himself for the first time both with the suitors and with his mother
46
what does peter jones say about odysseus men compared to the suitors
the gluttonous slaughter of the cattle should remind us of the loathsome suitors, and it is this connection that leads us to have minimal sympathy for them
47
what does jones say about how gods helping mortals is a positive?
it is tempting to say that Athene's continuing presence diminishes the stature of Odysseus. But it is important to emphasise that in homer, the gods help onlv those who are worthy of it
48
what does Doherty say about the duality of Athenes gender identity
Athene presides over two spheres that are otherwise strictly confined to opposite genders: weaving and warfare
49
Murnaghan (Penelope intelligence)
"Penelope’s intelligence rivals Odysseus’, though hers is exercised in different ways." – Challenges the idea of female passivity; Penelope is an active figure in the story.
50
Jones (Divine Intervention)
"The gods are not distant – they are involved in every level of human experience." – Explains the integral role of divine influence in shaping mortal lives and outcomes.