Section 5 - Attention & Auditory Flashcards

(88 cards)

1
Q

Selective attention (definition)

A

our ability to focus on processing a particular thing and ignore everything else

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2
Q

Attention capture (definition)

A

a failure of selective attention, often due to a sudden salient visual event

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3
Q

Attention deficit disorder

A

an abnormal inability to maintain focus on a selected item or event

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4
Q

Vigilance (definition)

A

our ability to hold focus on a selected item over time

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5
Q

The Spatial Cuing Paradigm

A

Attention to a location is space speeds the processing at that location. Demonstrated by validity cued lights being detected faster than neutrally cued, which were faster than invalidly cued lights.

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6
Q

The Attention Enhancement Effect

A

When two gratings have identical contrast, the contrast of the attended gratings appears higher.

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7
Q

Inattentional Blindness

A

When you are engaged in an attention-demanding task, you often fail to notice irrelevant salient visual stimuli (attention is needed for objects to reach awareness)

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8
Q

Neural Mechanisms of Selective Attention

A

When a preferred and a non-preferred stimulus are presented in the RF, and attention is directed to the preferred, the firing rate increases. IF attention is directed to the non-preferred stimulus, the firing rate decreases to the non-preferred stimulus rate. (Attending to a stimulus functionally restricts a neuron’s receptive field to that stimulus)

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9
Q

The Neural Basis of Attention

A

Attention enhances the firing rate of neurons. Neuronal firing rate was not only dependent on the size, orientation, or color of an object, but also on how important it is to the current task.

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10
Q

Divided attention (definition)

A

our ability to process multiple things at the same type

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11
Q

Is there a relationship between the size of processing focus and the speed of processing?

A

The Zoom Lens Theory of Attention explains that attention can be distributed broadly or narrowly, and there is a tradeoff between the size of focus and processing speed

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12
Q

The Zoom Lens Theory of Attraction

A

Broader distributions of attention will have slow processing of objects within the focus, while a narrow distribution of attention will result in fast processing of objects within the focus

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13
Q

Parallel processing (definition)

A

an operation that can be performed on many objects simultaneously
analysis of basic features that occurs at once across our entire visual field

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14
Q

Serial processing (definition)

A

an operation that can be performed on only one object at a time (one object is processed, then another, then another)

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15
Q

Set Size Effect (definition)

A

search times increase with the number of objects

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16
Q

The set size effect is ____ for target absent than target present; This is because _____

A

larger; this is because adding items slows target absent search since you have to individually check all items to ensure that it is absent. In the target present, you search about half on average.

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17
Q

How does parallel processing affect the difference in set size effect between target-absent and target-present search tasks?

A

Each object is processed at the same time, so adding more objects should not increase the total processing time. Both target present and target absent will be about the same.

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18
Q

How does serial search affect the set size effect?

A

The more individual shifts of attention (i.e., more objects/distractions), the longer the total search time. Target absent searches become exhaustive, meaning that each object is visited by attention.

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19
Q

The Binding Problem

A

The features of objects (form, motion, color, etc.) are scattered all throughout the cortex and need to be combined to form a unified percept of an object

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20
Q

Solution to The Binding Problem

A

The feature integration theory - attention binds features into objects

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21
Q

Feature Integration Theory

A

Attention acts as a “glue” that binds features into objects through two stages. In the pre-attentive stage, features are separated and known but are not bound into objects. In the focused attention stage, features are bound into a coherent object by the application of attention.

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22
Q

Stage 1 of Feature Integration Theory

A

The target can be detected simply from the pre-attentive analysis of features (e.g. you can quickly find a vertical red bar in a sea of all green vertical bars).

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23
Q

Stage 2 of Feature Integration Theory

A

This target is defined by a conjunction of features, not just one. Binding these features into objects requires attention (e.g. it requires attention to identify a red vertical bar when red horizontal bars and green vertical bars are also present in the visual field)

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24
Q

The Visual Salience Theory

A

Our visual system computes local measures of features contrast or “saliency” (decompose image into feature maps, then inhibit its neighbors in proportion to its activation)

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25
The Visual Salience Theory works according to
lateral inhibition
26
Attention moves to the point of ______ salience
maximum (high contrast)
27
If all objects have roughly the same salience, the result will be
a random direction of attention to objects and a set effect size
28
The stimulus for audition
mechanical energy (sound waves)
29
The denser the molecules are packed in a medium,
the greater the probability of collisions
30
The pressure wave refer to
the chain of molecular collisions resulting from the introduction of mechanical energy to medium
31
Components of a pressure wave
Compression Rarefaction
32
Compression
Temporary density increase as a result of air molecules colliding at the front of a wave
33
Rarefaction
Temporary decrease in density in the wake of the pressure wave
34
Components of a sound waves
Wavelength Amplitude Phase Complexity
35
Frequency refers to
how often each rare-fraction cycle (wavelength) occurs per unit of time
36
Amplitude refers to
peak height of the sound wave
37
Amplitude corresponds to the physical dimension of
loudness (increases proportionally with amplitude)
38
Phase refers to
where a wave is at in its compression-refraction cycle at a given moment in time
39
Sound waves are additive
If two waves are in phase, their amplitudes will add and the sound will be perceived twice as loud
40
Complexity refers to
the source-specific variation in a waveform
41
The psychological correlate of sound complexity is
timbre
42
Harmonic Complexity
natural sound sources consist of vibrations at multiple frequencies called harmonics, and at the combination of all these frequencies is the sound's harmonic structure
43
Fourier Analysis/Theorem
any periodic sound can be decomposed into the sum of its harmonics (sine waves)
44
The outer ear is composed of the
pinna & auditory canal
45
Pinna
visible external ear
46
Auditory Canal
protects the delicate middle ear the physical dimensions of the auditory canal act as a resonant frequency amplifier
47
Resonance
an interaction between the sound waves entering a medium and the sound waves exiting that medium
48
Resonant Frequency (RF)
the frequency for which these entering and exiting waves
49
The range of frequencies that get amplified depends on the size and shape of
the resonance chamber (RF decreases as you increase the chamber's length)
50
Eardrum
a thin layer of skin that vibrates in response to a pressure wave entering the auditory canal
51
Ossicles
three tiny interconnected bones
52
Middle-Ear Amplification
Focus the energy falling on the eardrum onto a smaller area, thereby amplifying the signal -- use the ossicles as a lever to apply greater force on the oval window
53
The inner ear consists of three canals that spiral through the length of the structure:
vestibular canal tympanic canal cochlear duct
54
The vestibular and tympanic canals are filled with
perilymph
55
The inner ear is the structure containing
The sensory transducers for audition
56
The Cochlear Duct
Isolated from the vestibular canal by Reissner's membrane and from the tympanic canal by the Basilar membrane is the Organ of Corti
57
The Auditory Transduction Event
The basilar membrane starts to vibrate in response to a pressure wave -- the vibration moves the Organ of Corti, causing a shearing force on the hair cells
58
The Spiral Ganglion Cells
Located in the Organ of Corti, their dendrites synapse on the hair cells; their axons leave the inner ear as the auditory nerve
59
Two types of Spiral Ganglion Cells
Type 1 Fiber - most abundant, synapse on the inner hair cells, very redundant Type 2 Fibers - synapse on outer hair cells, each fiber synapses on about 10 outer hair cells
60
The auditory nerve goes to the
ventral cochlear nucleus
61
Superior olive
info from both ears combined sends feedback to the contralateral cochlea
62
Inferior colliculus
eye movements to sound sources
63
Center-surround coding of sound frequency
Cells respond above baseline for a preferred frequency and below baseline for neighboring frequencies
64
The Primary Auditory Cortex
close neuroanatomical proximity to speech areas many types of cells coding the presence (on) or (off) of auditory information
65
The Representation of Pitch and Loudness
High-frequency waves reach their max amplitude near the wave source; lower-frequency waves reach their peak amplitude farther from the wave source
66
The Place Theory of Pitch Perception
The frequency of a sound is coded by the location of peak amplitude on the basilar membrane
67
Frequency is represented _____
tonotopically
68
Loudness is coded by the firing rate of hair cells:
the louder the sound, the greater the firing
69
The frequency theory of pitch perception
the frequency of a sound is coded by the firing rate of all hair cells on the basilar membrane, not just those at particular locations
70
Problems with frequency theory
neurons can't fire faster than about 1000 Hz; how then are high-frequency sounds coded
71
The Place Frequency Theory
the auditory system uses both place and frequency to code a sound's pitch
72
Types of Hearing Loss
Conduction Neuronal Loss
73
Conduction Loss
Damage to the outer or middle ear cells results in sound energy being poorly conducted or transferred to the inner ear
74
Causes of Conduction Hearing Loss
earwax buildup up middle ear infection otosclerosis (stapes becomes immobile)
75
Neuronal Loss
Damage to the inner ear or the auditory cortex
76
Causes of Neuronal Loss
Damage to the cochlea or hair cells (acute or chronic) Damage to auditory nerve Presbycusis (age-related loss of sensitivity)
77
Phoneme
the smallest unit of speech; changing a phoneme can change the meaning of a word
78
Speech sounds are produced by
air pushed up from the lungs through the vocal cords and into the vocal tract
79
Formants (definition)
the frequencies corresponding to peaks in a vowel sound's pressure wave (first has the lowest, second has the next highest, and so on)
80
Formant transitions
rapid changes in the frequency preceding or following consonant sounds
81
The Segmentation Problem
There are no physical breaks in the continuous acoustic speech signal
82
The Variability problem
there is no simple correspondence bewtween the acoustic signal and individual phonemes
83
Voice Onset Time (VOT)
the delay between when a sound begins and when the vocal cords start to vibrate (voicing)
84
We experience ______ for the phonemes within a given range of VOT
perceptual constancy
85
The McGurk Effect
An auditory stimulus "Ba-ba" Visual stimulus speaker saying "ga-ga" The observer listening and watching hears "da-da", the midpoint between the two
86
Top-down processing of speech perception
knowledge a listener has affects perception and incoming speech stimulus - phoneme interpretation is affected by context and meaning
87
Evidence for the effect of meaning on speech perception
Turvey and Van Gelder - actual words are recognized while non-words were not. Recognition allows top-down factors to influence speech phoneme detection. Warren - phoneme restoration effect
88
Experience-dependent Plastcity
The brain becomes tuned to respond best to speech sounds that are in the environment and as we age (from infancy to childhood) we lose the ability to differentiate sounds that we don't hear during development