📕SOCIOLOGY PPE Section B Flashcards
(51 cards)
Direct effects
theory that media content has immediate impact on audience behaviour, Suggesting a straightforward relationship between media messages and audience actions.
Indirect effects
The theory that media influences audiences gradually over time, shaping attitudes and behaviours through cumulative exposure rather than immediate impacts.
Active
audience
The concept that audiences actively interpret media messages rather than passively receiving them. Viewers bring their own experiences, knowledge, and critical thinking to decode media content.
Moral panics
Widespread public fear and concern about a perceived threat to social values, often exaggerated or manufactured by media coverage. Characterized by disproportionate
reaction to the actual threat level.
Deviance
amplification
The process by which media coverage of deviant behaviour can increase its occurrence
by giving it attention and inadvertently normalizing or glamorizing it.
Age (young and old)
Media portrayals of different age groups, with particular attention to representations of youth and the elderly often revealing societal attitudes toward age.
Gender (masculinity
and femininity)
Media representations of male and female characteristics, behaviours, and roles.
Examines how gender is constructed, portrayed, and sometimes challenged through media content.
Social class (middle,
working, upper, under)
How different socioeconomic groups are depicted in media, often reinforcing class stereotypes and power structures.
Analysis focuses on how media represents wealth, poverty, and class-based attributes.
Ethnicity (majority
and minority ethnic
groups)
How media portrays different ethnic groups, often reinforcing stereotypes of minority groups while normalizing majority ethnic representations. Analysis focuses on power dynamics in these portrayals and how they evolve over time.
Liberalism
Emphasizes free market principles in media ownership and content production. Views media as serving consumer demands in a democracy where different viewpoints can be expressed freely.
Pluralism
Views media as reflecting diverse viewpoints in society with multiple competing perspectives. Media is seen as relatively independent from state control, representing various interest groups rather than a single dominant class.
Postmodernism
Rejects grand narratives about media effects, focusing instead on how media fragments reality into simulations and hyperreality. Media creates its own reality rather than
representing an external truth.
Marxism
Views media as an instrument of the ruling class that produces content reinforcing capitalist ideology. Media representations serve to maintain class inequality by promoting dominant values and distracting the working class.
neo-Marxism
A modernized version of Marxist theory that acknowledges media’s role in ideological control while recognizing audience agency and the possibility of resistant readings.
Focuses on hegemony rather than direct control.
Van Dijk (1991)
Analysed media representations of minority and majority ethnic groups, finding systematic bias in how newspapers depicted racial minorities. Revealed linguistic strategies used to subtly reinforce negative stereotypes while maintaining a veneer of objectivity.
Malik (2002)
Examined inaccurate representations of ethnicity in television, highlighting how media tends to homogenize diverse ethnic groups and perpetuate problematic stereotypes that influence public perception.
Barker (1999)
Studied ethnic representation in the soap opera EastEnders, analysing how characters from minority backgrounds were portrayed and how these representations evolved over
time in response to changing social attitudes.
Tuchman
(1978)
Introduced the concept of “symbolic annihilation” to describe how women were underrepresented, trivialised, or condemned in media, effectively erasing their significance in society through limited and stereotypical portrayals.
Gill (2008)
Documented the shift from passive to active representations of women in advertising, noting the emergence of the “sexually empowered woman” as a new but potentially problematic stereotype in modern media.
Gauntlett
(2008)
Analysed the development of more equal gender roles in media, highlighting how representations have become more complex but still often reinforce traditional gender expectations in subtle ways.
Dodd and
Dodd (1992)
Examined representations of working-class characters in EastEnders, revealing how soap operas both reflect and shape public perceptions of class identities and relations.
Jones (2012)
Analysed portrayals of working class characters in media, focusing on how class stereotypes persist even in supposedly realistic depictions of everyday life.
Price (2014)
Studied media portrayals of underclass and poverty, highlighting how media often frame poverty as a personal failing rather than a structural
issue.
Nairn (1988)
Investigated representations of the Royal family in media, showing how coverage reinforces the monarchy’s symbolic importance while carefully managing public
perception.