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Hymnology > Test 5 > Flashcards

Test 5 Flashcards

1
Q

On what anniversary was the “Confessional Revival”

A

300th anniversary of Martin Luther nailing the 95 Theses to the church door in Wittenberg

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2
Q

How was the revival successful and unsuccessful

A

successful in restoring the original texts

unsuccessful in restoring the syncopated rhythms

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3
Q

What Period and Country is AZMON associated with

A

19th century Germany

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4
Q

What Period and Country is HENDON associated with

A

19th century Germany

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5
Q

What Period and Country is “When Morning Gilds the Skies” associated with

A

19th century Germany

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6
Q

What Period and Country is DIX associated with

A

19th century Germany

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7
Q

Who wrote “Built on the Rock”

A

Grundtivig

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8
Q

What is Grundtivig’s nickname

A

Danish Lutheran

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9
Q

What tune and text were included in an anonymous Roman Catholic Hymnal

A

Silent Night to the tune of STILLE NACHT

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10
Q

Who wrote Silent Night

A

Mohr

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11
Q

What Period and Country is Mendelssohn associated with

A

19th century Germany

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12
Q

What Period and Country is CANONBURY associated with

A

19th century Germany

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13
Q

What Period and Country is Day by Day and BLOTT EN DAG associated with

A

19th century Germany

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14
Q

Who wrote Day by Day

A

C. V. Sandell-Berg

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15
Q

What was C. V, Sandell-Berg

A

Swedish Lutheran

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16
Q

Who wrote We Gather Together

A

Anonymous Dutch Source

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17
Q

What Period and Country is How Great Thou Art and O STORE GUD associated with

A

19th century Germany

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18
Q

Who wrote How Great Thou Art

A

Carl Boberg

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19
Q

What was Boberg

A

Swedish Lutheran

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20
Q

Who wrote Children of Our Heavenly Father

A

Sandell-Berg

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21
Q

What did Thomas Kelly write

A

Look Ye Saints

The Head that Once Was Crowned with Thorns

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22
Q

What did James Montgomery write

A

Angels from the Realms of Glory

Stand Up and Bless the Lord

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23
Q

Who were James Montgomery’s parents

A

Moravian Missionaries

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24
Q

What newspaper did James Montgomery edit for

A

Sheffield Iris

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25
Q

What was the Romantic Flood

A

it focused on the poetic quality of hymn texts and it attempted yet failed to elevate public taste in musical quality of hymn tunes by adapting melodies from the works of “Classical” composers

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26
Q

What did Reginald Heber write

A

Holy Holy Holy

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27
Q

Who did Heber solicit hymn texts from

A

Leading Literary Figures (all declined except for one)

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28
Q

What idea did Heber promote

A

the idea of coordinating a hymn to the scripture reading of the day for each Sunday in the Christian year

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29
Q

What disturbed John Keble

A

The Growing influence of Evangelicals and the Growing Corruption of the Anglican Church

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30
Q

What was considered the birth of the “Tractarian Movement”

A

Keble’s Sermon on “National Apostasy”

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31
Q

What was the series of pamphlets called that followed the “Tractarian Movement”

A

“Tracts for the Times”

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32
Q

What was another name for the “Tractarian Movement”

A

The “Oxford Movement”

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33
Q

What was the purpose of the “Oxford Movement”

A

Restoring the Glory of the Ancient Church

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34
Q

What were three things that returned because of the “Oxford Movement”

A

Colorful Clerical Garb
“Father”
Auricular Confession

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35
Q

What positive lasting accomplishment came out of the “Oxford Movement”

A

English Translations of Greek, Latin, and German Hymns

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36
Q

What was the greatest tragedy of the “Oxford Movement”

A

Many Anglicans defected to the Catholic Church

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37
Q

Who was John Henry Newman

A

He defected to Catholicism, settled at the Edgebaston Oratory and assisted other defecting Anglican Priests

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38
Q

What did Frederick Faber write

A

“Faith of Our Fathers”

“There’s a Wideness in God’s Mercy”

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39
Q

Who was the most significant 19th century translator of Latin and Greek Hymns

A

John Mason Neale

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40
Q

Describe the compilation “Hymns Ancient and Modern”

A

Baker edited the texts
Monk edited the music
the first music edition was published in 1861 after 2 trial editions
provided new tunes for existed ancient texts
it was significant for its pairing of texts and tunes

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41
Q

What style of song were Victorian Hymns and Tunes modeled after

A

Parlor Songs

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42
Q

What does it mean if a melody is Static

A

little melodic activity

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43
Q

Who wrote “For All the Saints”

A

William How

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44
Q

What did William How write

A

“For All the Saints”

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45
Q

What two songs did Henry Lyte Write

A

“Praise My Soul the King of Heaven”

“Abide with Me”

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46
Q

What did Samuel Stone write

A

“The Church’s One Foundation”

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47
Q

What did Frances Havergal write

A

“Take My Life and Let it Be”

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48
Q

What did the Moody-Sankey Revivals introduce and popularize

A

the American gospel songs in Great Britain

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49
Q

What did John Julian write

A

“The Dictionary of Hymnology”

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50
Q

What year did John Julian write “The Dictionary of Hymnology”

A

1892

51
Q

What is the Kentucky Revival often called

A

“The Second Great Awakening”

52
Q

Which congregations leaders were especially concerned with the poor spiritual conditions and lack of churches in the frontier settlements

A

Presbyterian Leaders

53
Q

Who organized a large outdoor camp in Cane Ridge, KY

A

James McGready

54
Q

Where did James McGready organize a large outdoor camp

A

Cane Ridge, KY

55
Q

Where did the camp meeting movement spread after Kentucky

A

into Tennessee and the Carolinas

56
Q

who gradually took over the meetings after the presbyterians

A

Methodists

57
Q

What were camp meeting songs often called

A

“White Spirituals”

58
Q

What did camp meeting songs and folk hymns have a significant influence on

A

“Sunday School Songs” and “Gospel Songs” that appear later in the century

59
Q

what were “Chorus’s” that congregations would sing after stanza’s sung by the pastors

A

tag-lines

60
Q

Where did “Shape Note Singing” primarily take place

A

folk hymns in the North East

61
Q

What system did John Connelly come up with

A

Right Triangle = Fa
Circle = Sol
Rectangle = La
Diamond = Mi

62
Q

Who was one of the main creators of shape singing

A

John Connelly

63
Q

What was characteristic of the Oblong Books

A

First Section = Rudiments of Music
Second Section = Anthology of Tunes
Melody always in Tenor Part
Lots of open and parallel fourths and fifths

64
Q

What did Jeremiah Ingall write

A

Christian Harmony (Hymnbook)

65
Q

Who wrote Christian Harmony

A

Jeremiah Ingall

66
Q

What did John Wyeth write

A

Repository of Sacred Music Part Second

67
Q

What Year did John Wyeth write “Repository of Sacred Music Part Second”

A

1813

68
Q

Who wrote “Repository of Sacred Music Part Second” in 1813

A

John Wyeth

69
Q

What is important about “Repository of Sacred Music Part Second”

A

First collection to have a significant number of folk hymns printed in shaped notes
Greatly influenced successive southern collections “northern predecessor of the ‘southern’ tune book”

70
Q

Who wrote Kentucky Harmony in 1816

A

Ananias Davisson

71
Q

What year did Ananias Davisson write in 1816

A

Kentucky Harmony

72
Q

What year did Ananias Davisson write Kentucky Harmony

A

1816

73
Q

Who wrote a Compilation of Genuine Church Music in 1832

A

Joseph Funk

74
Q

What did Joseph Funk write in 1832

A

Compilation of Genuine Church Music

75
Q

What year did Joseph Funk write “Compilation of Genuine Church Music”

A

1832

76
Q

What did William Walker write

A

The Southern Harmony

77
Q

Who wrote Southern Harmony

A

William Walker

78
Q

What was “Amazing Grace” first paired with

A

ST. MARY or GALLAGER (but both runes were renamed NEW BRITAIN)

79
Q

Who wrote “The Sacred Harp”

A

Benjamin Franklin White and E. J. King

80
Q

What did Benjamin Franklin White and E. J. King

A

“The Sacred Harp”

81
Q

What was special about “The Sacred Harp”

A

It had a very large geographic acceptance (many cities all across US)

82
Q

Who wrote “The Christian Minstrel”

A

Jesse Aiken

83
Q

What did Jesse Aiken write

A

“The Christian Minstrel”

84
Q

What was special about “The Christian Minstrel”

A

It expanded shape singing to include 7 shapes instead of 4

85
Q

What was there a demand for in Post-Civil War America

A

Normal Schools - Singing schools that taught 7-shaped note singing

86
Q

Who was the most influential publisher of shape not singing books in the Southwest after the Civil War

A

Stamps-Baxter Company

87
Q

Where was shape note singing most popular

A

Rural South (Baptist, Methodist, Nazarene, Church of God, Pentecostal and Holiness Groups)

88
Q

Name Two famous examples of popular songs of that genre

A

“Farther Along” and “Victory in Jesus”

89
Q

Who wrote “Village Hymns” in 1824

A

Ashael Nettleton

90
Q

What did Ashael Nettleton write in 1824

A

“Village Hymns”

91
Q

What year did Ashael Nettleton write “Villiage Hymns”

A

1824

92
Q

Who wrote “The Christian Lyre” in 1831

A

Joshua Leavitt

93
Q

What year did Joshua Leavitt write “The Christian Lyre”

A

1831

94
Q

What did Joshua Leavitt write in 1831

A

“The Christian Lyre”

95
Q

What did the round note singing become known as among city educated individuals

A

Scientifically Conceived Notation

96
Q

What did Lowell Mason write in 1822

A

“The Boston Handel and Haydn Society Collection of Church Music”

97
Q

Who wrote “The Boston Handel and Haydn Society Collection of Church Music” in 1822

A

Lowell Mason

98
Q

What Year did Lowell Mason write “The Boston Handel and Haydn Society Collection of Church Music”

A

1822

99
Q

What did Thomas Hastings write

A

“A Dissertation on Musical Taste”

100
Q

Who wrote “A Dissertation on Musical Taste”

A

Thomas Hastings

101
Q

What Union was formed from the genre of music called “The Sunday School Song”

A

American Sunday School Union

102
Q

Who was considered the “Father of the Sunday School Song”

A

William Bradbury

103
Q

Who published most of Bradbury’s collections

A

Biglow and Main

104
Q

What was a significant series of sunday school song books

A

the “Golden Series”

105
Q

Who succeeded Bradbury as editor at Biglow and Main

A

Roberty Lowrey

106
Q

What Hymn did Lowry write

A

“Nothing but the Blood”

107
Q

What Association was created out of the Sunday School Movement

A

“Young Men’s Christian Association”

108
Q

What meetings were responsible for putting many Sunday School songs into general collections of hymns

A

Interdenominational Noonday Prayer Meetings

109
Q

Who was a major writer of “The Gospel Song”

A

Phillip Bliss

110
Q

Whose church did Bliss become song leader for

A

Major Dan Whittle

111
Q

What collection did Bliss write in 1874

A

“Gospel Songs”

112
Q

Who wrote “Gospel Songs” in 1874

A

Phillip Bliss

113
Q

What year did Phillip Bliss write “Gospel Songs”

A

1874

114
Q

What two Hymns were included in Bliss’s “Gospel Songs”

A

Hallelujah, What a Savior

I Will Sing of My Redeemer

115
Q

How are Sunday School Hymns similar to Folk/Camp Meeting Songs

A

Simple text whose stanzas emphasized the same basic Bible Truth
Use of a Refrain
Simple Tune
Slow Harmonic Rhythm

116
Q

Who was another Famous man associated with Gospel Songs

A

Ira Sankey

117
Q

Who did Sankey collaborate with

A

D L Moody

118
Q

What did Sankey compile in 1873

A

“Sacred Songs and Solos”

119
Q

Who compiled “Sacred Songs and Solos in 1873

A

Ira Sankey

120
Q

What year did Sankey write “Sacred Songs and Solos”

A

1873

121
Q

What are some successes that the combination of “Sacred Songs and Solos” and “Gospel Songs”

A

Published by 2 Major Publishers in 3 cities and promoted by two dynamic evangelists and their song leaders

122
Q

Who replaced Bliss after his tragic train wreck

A

James McGranahan and George Stebbins

123
Q

Who are some of the writers who continued to develop the gospel song into the 20th century

A

McGranahan, Stebbins, Fanny Crosby, William Doane, and Daniel Towner

Hymnology (7 decks)

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