The Telephone Call Flashcards

(12 cards)

1
Q

What is the form of The Telephone Call by Fleur Adcock?

A

The poem is written in free verse with no regular metre or rhyme scheme.

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2
Q

Why does Fleur Adcock use free verse in The Telephone Call?

A

The free verse mimics the natural, conversational tone of a real phone call, adding realism to the dialogue-heavy poem.

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3
Q

How long are the lines in The Telephone Call?

A

Most lines are between seven and ten syllables, giving a consistent yet informal rhythm.

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4
Q

How is The Telephone Call structured?

A

It is made up of six stanzas, each consisting of eight lines (octaves).

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5
Q

What is the effect of the poem’s lack of rhyme scheme?

A

It enhances the realism and conversational quality, matching the format of a spontaneous telephone call.

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6
Q

What word is repeated four times in the poem and why?

A

“Million” – it emphasises the life-changing sum of money offered and suggests society’s fixation on material wealth.

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7
Q

How does repetition support the theme of hope vs. reality?

A

Repeating “million” builds excitement and highlights the speaker’s desire, but also underlines how money becomes the central focus, possibly distracting from real fulfillment.

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8
Q

What kind of language does the speaker use in stanza five?

A

Vague, abstract language like “incredible” and “marvellous” when hopeful, and concrete language like “cheque” when grounding herself in reality.

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9
Q

Why does Adcock contrast abstract and concrete language?

A

To show the tension between the speaker’s hopeful anticipation and her need for proof or reality before she believes.

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10
Q

What simile is used to describe the speaker’s emotions?

A

“Revolving like a flying saucer.”

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11
Q

What does the simile “revolving like a flying saucer” suggest?

A

It shows the speaker’s excitement and disbelief, but may also hint at how unrealistic or far-fetched the situation feels.

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12
Q

What is the significance of the question: “had a great experience, right?”

A

It challenges the speaker (and the reader) to consider whether excitement alone, without tangible gain, is enough—and questions what truly matters: money or meaningful experience.

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