youth subcultures Flashcards

1
Q

Functionalism - Parsons (1942)…

A
  • Youth only emerged as a social category due to changes in the family associated with capitalism.
  • Youth is a transitional stage where youths must leave the security of their family and become independent in terms of status and marriage.
  • Acts as a rite of passage that people must go to from childhood to adulthood so new values are learnt, such as responsibility, money management etc
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2
Q

Functionalism - Eisenstadt (1956)…

A
  • Youth culture brings young people into society as it provides an outlet for the tensions that come with the transition from childhood to adulthood.
  • Is an accepted period of rebellion for functionalists as serves as a way to test boundaries, experiment and reinforce acceptable norms and values - contributes to social order.
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3
Q

Functionalism - Abrams (1959)…

A
  • Youth culture was created by the media as they emerged as a distinct group with spending power that was starting to be targeted by businesses and media.
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4
Q

Criticisms of functionalism…

A
  • Made generalisations about youth as a whole, they did not account for the individual differences between youths such as class, gender etc
  • Ethnocentric findings as functionalist studies only come from white, middle class, American males - this means findings are unlikely to be the same in other cultures.
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5
Q

Marxism - CCCS..

A
  • Social class and economic situation explain the formation of youth subcultures however despite dressing/acting differently they still faced the same social conditions as their class as a whole.
  • Subcultures were a form of resistance against the ruling class and a reaction to the economic situation they were in.
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6
Q

Marxism - Skinheads - Clarke (1979)…

A
  • Represented an exaggerated form of working class identity by wearing an extreme form of manual workers clothes (rolled up jeans, big boots) and had aggressive/racist manners
  • They felt their working class identity was under threat due to economic conditions so were over exaggerating as a form of resistance.
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7
Q

Marxism - Teddy boys - Jefferson (1976)…

A
  • Emerged in a time of high employment but since they did bad in school they only had dead end futures to look forward to.
  • As resistance they wore bright coloured jackets, suede shoes etc to symbolise that they were trying to be like their middle class superiors and wore ties like cowboys who were cool role models in the media.
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8
Q

Marxism - Mods - Hebdige (1980)…

A
  • Used their money to create a style as resistance against the middle class to show they could also be cool and smart with Italian suits and scooters.
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9
Q

Marxism - Punks - Hebdige (1980)…

A
  • Bricolage is punk cultures way of reusing ordinary objects and putting them back together in a new way.
  • Emerged as resistance against dominance of mainstream media and fashion industries that were telling youths how to be.
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10
Q

Marxism - Brake (1980)…

A
  • Subcultures had ‘magical’ solutions rather than practical as they make lower classes feel like they have power but they ultimately end up conforming to society through social control.
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11
Q

Criticisms of Marxism…

A
  • Didn’t consider female subcultures in their analysis
  • Ignored middle class subcultures as they were only seen as a working class thing e.g. hippies
  • Most youths don’t join a subculture so they ignored these youths
  • Todays youth is different to that of the 60s and 70s and if subcultures did exist they’d be much different due to things like modern technology
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12
Q

Feminism - McRobbie and Garber (1976)…

A
  • Girls were absent from most research on youth subcultures and when they did it reinforced stereotypical views of girls as girlfriends of the male members or commented on their attractiveness.
  • Researchers were mainly male so don’t develop a rapport with female members like they would with males.
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13
Q

Feminism - Bedroom culture - McRobbie and Garber (1976)…

A
  • Girls were restricted by expectations of early marriage, had less freedom than males and experienced stricter social control
  • Bedroom culture - girls had a culture surrounding their bedroom where they got together to do hair, makeup, gossip, read magazines as resistance to the expectations of parents and boys
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14
Q

Feminism - Ragga girls - McRobbie (1994)…

A
  • Intersection of gender and ethnicity as resistance against sexism in Ragga culture.
  • Girls would dance in sexually explicit ways to ridicule male sexism and open up their own culture space. They challenged the lyrics of the songs they danced to to reclaim their sexuality and assert their own identities.
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15
Q

Feminism - Punk girls - Reddington (2003)…

A
  • There have been active female members of subcultures such as Vivienne Westwood
  • Punk acted as resistance for women who were against getting married, however were judged severely compared to male punks.
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16
Q

Criticisms of feminism…

A
  • Postmodernists state that gender differences are less significant in modern subcultures and there are no clear gender distinctions
17
Q

Postmodernism - MIPS…

A
  • In club culture, there were no clear class, gender or ethnic distinctions, they were very diverse.
  • Media is an integral part of club culture
18
Q

Postmodernism - Thornton (1995)…

A
  • Club cultures are taste cultures with key definers such as a shared taste in music style and dance culture
  • There is also subcultural capital in club culture, being in the know of what’s in and what’s out. Clubbers use this to distinguish themselves from mainstream followers.
  • The media acts as a source of subcultural capital and plays a significant role in development of club culture.
19
Q

Postmodernism - Redhead (1990)…

A
  • Authentic subcultures that developed outside the influence of media can no longer exist as we live in a media-driven reality where social media plays a large role in young peoples lives.
20
Q

Postmodernism - Maffesoli (1996)…

A
  • Neo-tribes as a more loosely organised group with no fixed membership. Group identities are fixed but young people can move from group to group to satisfy individual needs, meaning youths can be part of more than one tribe.
21
Q

Postmodernism - Bennett (1999)…

A
  • Neo-tribes based on fashion, music etc have no shared values as youths don’t define themselves as a member of a particular subculture rigidly.
  • Neo-tribes recognise the shifting nature and fluidity of subculture preferences.
22
Q

Postmodernism - Polhemus (1994)…

A
  • Supermarket of style where youths can create their own identities by picking and mixing from various cultures, fashions etc
  • There are lots of choices available in todays society so a commitment to any one style is less common as young people are reluctant to restrict themselves to one label.
23
Q

Criticisms of postmodernism…

A
  • There is a continuing importance of class, gender and ethnicity, postmodernists ideas of fluidity aren’t important for all youths.
  • There are still some ‘authentic’ subcultures with distinct music tastes and styles.
  • There are still subcultures driven by political motivation which postmodernists ignore.
24
Q

Ethnicity subcultures Rastafarian - Hebdige (1976)

A
  • Rastafarians are associated with Jamaican/Caribbean culture, reggae music, lots, clothes in red gold and green, smoking marijuana
  • Hebdige - Rastafarianism as resistance to white culture and racism. Is a political and spiritual movement, offering a positive identity and opposition to racism experienced
25
Q

Ethnicity subcultures - Brasian - Johal (1998)…

A
  • Brasian is a mix of British and Asian culture, as young British Asian reuse to accept a subordinate place in society and wish to celebrate their culture.
  • Johal - some British Asian people adopt a ‘hyper-ethnic style’ which is an exaggerated form of their parent culture as this can provide empowerment through difference.
26
Q

Hybrid subcultures ‘White wannabes’ - Nayak (2003)…

A
  • White wannabes are young, white working class males who adopt the style and language of black culture by listening to music like gangsta rap and dress in styles that is stereotypically associated with young black males.
27
Q

Hybrid subcultures ‘Modern primitives’ - Vale and Juno (1989)…

A
  • Modern primitives focus on individuality and self-expression. Have tattoos and piercings to symbolise self-expression that is linked to a less complicated way of life. Mix modern culture with primitive culture.
  • Vale and Juno - body modification by these people is a reaction to powerlessness felt in a fast-changing world whereby they can regain power and control.