2.2-Designers and their work Flashcards

1
Q

Phillipe Starck designer info

A
  • born 1949
  • French designer
  • Post-modern ideas
  • designer for Alessi
  • challenges perception
  • many playful designs
  • thought provoking
  • experimental
  • modern materials
  • modern manufacture
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2
Q

Phillipe Starck Juicy Salif lemon squeezer product info

A
  • 1990
  • aluminium casting
  • inspired by eating squid in a restaurant
  • sculptural aesthetics
  • leg angle stops joice running
  • space for a container
  • potentially unstable
  • oranges don’t fit well
  • pip collection not perfect
  • costs approx £50
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3
Q

James Dyson designer info

A
  • born 1947
  • British ‘serial inventor’
  • technology innovator
  • designed ‘Ballbarrow’
  • many patent disputes
  • made thousands of prototypes
  • fans, hair dryers, hand dryers
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4
Q

James Dyson DC01 vacuum cleaner product cleaner product info

A
  • 1993
  • introduced ‘bagless’ dual-cyclone cleaning system
  • no suction loss
  • colour scheme aids use
  • 3D sculptured form based on flow of air
  • injection moulded ABS
  • use many integral fixings
  • clear PC bin ‘shows off’ dust
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5
Q

Margaret Calvert designer info

A
  • born 1936 in South Africa
  • graphic designer
  • joined Jock Kinneir in 1964
  • developed ‘Transport’ and other fonts
  • updated road signage
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6
Q

Margaret Calvert ‘men at work’ road sign product info

A
  • 1965
  • uses stylised pictogram
  • simple and clear communcation of information
  • standardised sign system
  • argurably Modernist style
  • replaced old fashions signs with text
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7
Q

Dieter Rams designer info

A
  • born 1932
  • influential German designer
  • designed for Braun
  • post ww2 context
  • developed ten principles of good design
  • beliveved in simple, honest, functional design
  • influenced Apple’s Jonathan Ive
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8
Q

Dieter Rams Braun SK4 radio record player product info

A
  • 1965
  • innovative incoporation of thermoplastics and electronics
  • revolutionary at the time
  • highly functional
  • no superflous features
  • many iterations followed1
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9
Q

Dieter Rams 10 principles of design-a good design is innovative

A

Designers should make appropriate use of modern materials, technologies and approaches

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10
Q

Dieter Rams 10 principles of design-a good design makes a product useful

A

Designers should address functionality to ensure that they successfully solve the particular design problem for the consumer’s benefit

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11
Q

Dieter Rams 10 principles of design-a good design is aesthetic

A

Desginers should create well-executed, beautiful products in acorance with ‘Form follows function’ principles

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12
Q

Dieter Rams 10 principles of design-a good design makes a product understandable

A

Designers should make products intuitive to use with no distracting elements that might cause confustion

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13
Q

Dieter Rams 10 principles of design-a good design is unobtrusive

A

Designers should ensure that their designs are neutral and restrained, without superflous decoration or detail

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14
Q

Dieter Rams 10 principles of design- a good design is honest

A

Designers should not deceive consumers

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15
Q

Dieter Rams 10 principles of design-a good design has longevity

A

Designers should design products that will continue to be useful over time, like the 1960s Rams’ 606 Shelving System

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16
Q

Dieter Rams 10 principles of design-a good desugn is thorough down to the last detail

A

Designers should consider every element of designs to ensure that they function well, such as by providing concave finger recesses in push buttons

17
Q

Dieter Rams 10 principles of design-a good design is environmentally friendly

A

Designers should use sustainable materials and processes in the development and production of products

18
Q

Dieter Rams 10 principles of design-a good design is as little design as possible

A

Designers should include only essential elements in a design, since superflous features detract from the product’s function

19
Q

Charles and Ray Eames designer info

A
  • 1907-1978, 1912-1988
  • American husband and wife
  • creative design partnership
  • plywood moulded furniture
  • ideas evolved from designing laminated plywood leg splints
  • experimented with a wide range of materials
20
Q

Charles and Ray Eames Lounge chair 670 product info

A
  • 1965
  • luxury version of 1945 Lounge Chair Wood
  • aimed for ‘warm look’
  • combines industrial production with hand craftmanship
  • moulded plywood shell
  • leather upholstery
  • rosewood veneer
  • comfortable
  • still on the market
21
Q

Marc Newson designer info

A
  • born 1963
  • Australian designer
  • designs ‘catwalk’ pieces
  • challenges perceptions
  • prioritises form
  • uses rounded forms
  • some designers inspired by origami
  • collaborated with Jonathan Ive on the Apple watch
22
Q

Marc Newson Lockhead Lounge product info

A
  • 1986
  • aircraft-style rivet construction
  • styled on a ‘blob’ of mercury
  • limited batch were hand made
  • statement piece rather than functional
  • needed to be ‘more comfortable than a bus stop’
  • one sold for £2.4 million in 2015
23
Q

Marianne Brandt designer info

A
  • 1893-1983
  • former Bauhaus student
  • became head of the metalwork department in 1928
  • employed simple forms that are still relevant to modern designs
  • developed a range of geometrically pure kitchenware
  • products were commercially successful
24
Q

Marianne Brandt Tea Infuser MT39 product info

A
  • 1924-designed
  • typical Bauhaus design with simple, geometrical form
  • offset lid is functional in preventing drips
  • Ebony handle positioned for ease of pouring
  • one was sold for $361,000 in 2017