11 Flashcards
(67 cards)
1
Q
- describes a true-to-life style which involves the representation or depiction of nature (including people) with the least possible distortion or interpretation.
- _____________ began in the early Renaissance, and develop itself further throughout the Renaissance, such as with the Florentine school.
- It is a type of art that pays attention to very accurate and precise details, and portrays things as they are.
A
NATURALISM
2
Q
TWO FAMOUS ARTISTS IN NATIONALISM
A
William Bliss Baker
Albert Charpin
3
Q
- was an American artist who became widely hailed landscape painter early in his career.
- Began exhibiting yearly at the National Academy in 1881
- Some landscape paintings of Baker’s are considered to be the best example of the naturalist movement.
- Fallen Monarchs is considered to be Baker’s masterpiece.
A
William Bliss Baker
4
Q
EXAMPLES PAINTINGS OF William Bliss Baker
A
- SUMMER PASTURE
- SHADOWS IN A POOL
- EARLY SUMMER
5
Q
- He was a naturalist painter associated with Barbizon school
- He painted real objects in a natural setting.
- His paintings can be found in museums and private collections in Europe and America
A
ALBERT CHARPIN
5
Q
- incorporated scientific principles to achieve a more distinct representation of color
- The distinctive characteristics of this style is that it allows the artist to emphasize is communicated by the artist through his work and can be seen through the brushstrokes, distinction of colors, and the lights and shadows used by the artist.
A
Impressionist Artists
5
Q
THREE FAMOUS ARTISTS IN IMPRESSIONISM
A
- OSCAR-CLAUDE MONET
- PAUL CEZANNE
- EDOUARD MANET
6
Q
EXAMPLES PAINTINGS OF ALBERT CHARPIN
A
- Troupeau à Barbizon
- Bergère et ses moutons
- Strickende Schafhirtin mit ihrem Hund in weiter Landschaft
6
Q
- a style of painting that emerged in the mid-to late 1800s
- FRANCE which led to a break from the tradition in European painting
A
IMPRESSIONISM
6
Q
- The Water Lily Pond BY
A
CLAUDE MONET
6
Q
- describes a style of painting developed in France during the mid-to-late 19th century
- Characterizations of the style include small, visible brushstrokes that offer the bare impression of form, unblended color and an emphasis on the accurate depiction of natural light.
A
IMPRESSIONISM
7
Q
- French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it.
- “SAULES AU SOLEIL COUCHANT”
A
Oscar-Claude Monet
7
Q
- was a French modernist painter.
- He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism.
- “BOUQUET DE PIVOINES”
A
Edouard Manet
7
Q
- Most influential artist in the history of modern painting
- Said to have formed the bridge between the late 19th century Impressionism and early 20th century’s new line of artistic enquiry, Cubism.
- Known for his incredibly varied painting style
- “LES POMMES”
A
Paul Cezanne
8
Q
“Le déjeuner sur l’herbe”
A
Edouard Manet
8
Q
“In a Park”
A
Berthe Morisot
8
Q
Led to development of individual style that gave emphasis to defining from with the use of broken colors and short stroke
FRANCE a result of both the influence and rejection of impressionist but later on saw the inherent limitations and flaws of impressionism
A
POST-IMPRESSIONISM
9
Q
“Impression, Sunrise”
A
Claude Monet
9
Q
“Fog, Voisins”
A
Alfred Sisley
9
Q
- Paul Cezanne, Georges Seurat, Paul Gauguin, and Vincent van Gogh
*Most of the works of the said painters became the framework of the contemporary techniques and trends during the twentieth century
A
Post-Impressionism Artists
9
Q
“L’Absinthe”
A
Edgar Degas
9
Q
Starry Night
A
Van-Gogh Self Portrait
9
Q
- It is an art movement that emerged in France, which is a result of both the influence and rejection of impressionist but later on saw the inherent limitations and flaws of impressionism. This eventually led to the development of individual style that gave emphasis to defining from with the use of broken colors and short brush stroke.
A
POST-IMPRESSIONISM
10
Q
FOUR FAMOUS ARTISTS I POST-IMPRESSIONISM
A
- PAUL CEZANNE
- GEORGES SEURAT
- PAUL GAUGUIN
- VINCENT VAN GOGH
10
Post-Impressionism: Concepts, Styles, and Trends
1.) Seurat and Pointillism
Paul Signac's The Port of Saint Tropez(1906)
1.) Van Gogh and Japonisme
The Great Wave Off the Coast of Kanagawa(1906)
1.) Gauguin and Synthetism
Paul Gauguin's Mountains In Tahiti(1897)
1.) Cézanne and the Structure of Pictorial Form
Cézanne's series Montagne Sainte-Victoire
1.) Rousseau and Primitivism
Hungry Lion
1.) Les Nabis
Les muses au bois sacré(1893)
10
As an Art Movement
PAINTERS
POINTILLISM
Georges Seurat
NEO-IMPRESSIONISM
10
* considered as a response to empirical realism of impressionism
As an Art Movement
10
* recorded optical sensation on a more scientific manner
* technique called pointillism
Georges Seurat
11
* rely on a systematic and scientific techniques that have a predetermined visual effects not only on the art work itself but also how the audience perceive the art
PAINTERS
11
* utilizes discrete dots and ashes of pure color
* believed to blend with viewer’s perspective
POINTILLISM
12
- As an art movement, neo-impressionism is considered as a response to empirical realism of impressionism.
- Most painters who subscribe to such movements rely on a systematic and scientific techniques that have a predetermined visual effects not only on the art work itself but also how the audience perceive the art.
NE0-IMPRESSIONISM
12
The discoveries of "optical blending and "simultaneous contrast" that Seurat read about became the theoretical foundation of Chromoluminarism, which came to be known as Neo-Impressionism.
The Theory of Neo-Impressionism
12
IMPORTANT ART IN NEO-IMPRESSIONISM
1. A Sunday Afternoon on La Grande Jatte (1884-86)
2. La Dame à la Robe Blanche (Woman in White) (1886-87)
13
__________ said he wanted "to find something new, my own way of painting." He particularly valued color intensity in painting, and took extensive notes on the use of color by the painter Eugène Delacroix. He began studying color theory and the science of optics and embarked on a path that would lead him to develop a new style he called ________________________.
Georges Seurat and Chromoluminarism
13
FOUR FAMOUS ARTISTS ON NEO-
IMPRESSIONISM
- HENRI-EDMOND CROSS
- MAXIMILIEN LUCE
- CAMILLE PISSARRO
- GEORGES SEURAT
14
Europe and the United States
Conservative historicism
Characteristics
ART NOUVEAU
15
· Between 1890 and 1910, countries from Europe and the United States witnessed the emergence and flourishing of a new art style.
· This ornamental style of art was a break from the conservative historicism, which was the prevailing and dominant theme of most Western artworks.
· This ornamental style uses long and organic lines that are concretely manifested in architecture, jewelry and glass design, among others.
· The defining characteristic of Art Nouveau is the asymmetrical line that usually is in the form of insect wings or flower stalks. The line is done in such a graceful and elegant manner that somehow evokes a certain power to it.
· Art Nouveau drew inspiration from both organic and geometric forms to create elegant flowing designs that resembled the stems, vines, tendrils, blossoms, and flowers of plants.
· Both Art Nouveau and Art Deco are early expressions of modernity. The difference between Art Nouveau and Art Deco was ART NOUVEAU features curved in lines and organic forms that celebrate nature while ART DECO is more industrial and full of straight lines, geometry, and sharp edges.
· These rebel artists driven to impart their own style in the art world were the innovators but highly influential movement known as Art Nouveau.
· Art Nouveau pieces are organic in their ornamentation featuring what many art historians call whiplash curves decorating every available surface.
ART NOUVEAU
16
THREE FAMOUS ARTISTS IN ART NOUVEAU
- LOUIS COMFORT TIFFANY
- ALPHONSE MUCH
- GUSTAV KLIMT
17
· Art Nouveau artists were also influenced by the arts and crafts movements’ emphasis on hand craftsmanship and the highly expressive paintings of post-impressionists. THE EXAMPLES ARE:
- WOODBLOCK PAINTING IN JAPAN
- JAPANESE ART NOUVEAU
18
ART NOUVEAU
Common characteristics of Art Nouveau are muted colors (all colors that have low saturation (or chrome). These are subtle colors that are not bright or have been subdued, dulled, or grayed.
THE EXAMPLES ARE:
MUTED COLORS
19
- he produced a vast amount of exquisite Favrile glass, many pieces achieving mysterious and impressionistic effects; his innovations made him a leader of the Art Nouveau movement. American painter, craftsman, philanthropist, decorator, and designer, internationally recognized as one of the greatest forces of the Art Nouveau style)
Louis Comfort Tiffany
20
- Gustav Klimt whose work is another example of Art Nouveau at its most dominant, his work is decorative, colorful, and contained gold-leaf like in the painting the kiss and the portrait of Adele Bloch-Bauer which leave no space unadorned
Gustav Klimt
21
- Examples of this Art Nouveau can be found in all art forms during this time. Art Nouveau was the first artistic movement to give serious credibility to the graphic arts especially the poster as an art form.
- Art Nouveau had a great run and even though it lasted only 20 years, the work produced during this period made a lasting expression on the art world towards the end of Art Nouveau, the prevailing aesthetic eventually gave way to the more industrial lines of modernism ad the more predictable geometric forms of Art deco still the influence and appreciation of Art Nouveau organic forms and prolific ornamentation has lasted through today.
Alphonse Mucha
22
· This is a style of painting that emerged in France around the turn of the twentieth century.
· What makes fauvists revolutionary is that they used pure and vibrant colors by applying straight from the paint tubes directly to the canvas.
· This is done to produce a sense of explosion of colors in the canvas.
· The difference lies with how the fauves have this strong and expressive reaction to how they portray their subjects.
· Most fauvist works reject the conservative and traditional renderings of three-dimensional space
· What artists did was they introduced and promoted a picture space that is defined by the movement of color.
· This goes along with the unique color schemes and color renditions of objects and people in fauvism.
· Henri Matisse said he did not choose colors based on scientific theory like post-impressionist but on feeling, observation, and the nature of each experience. Also full of artists shifted away from urban themes and return to impressionist subject.
FAUVISM
23
ONE FAMOUS ARTISTS IN FAUVISM
Henri Matisse
24
· Developed in France during the 20th century
· Started by Henri Matisse- He is a leader in the fauvist movement.
· The term FAUVISM means WILD BEASTS (known as Les Fauves in French term)
· The term Les Fauves was born when a painting by Henri Matisse was shown at an exhibition at 1906 Salon d’Automne
· There were Fauvists but Henri was one of the dominant figure
· It was not exactly an art movement
· The name, Les Fauves was actually first used as a derogatory remark about their work by French art critic Louis Vauxcelles. Les Fauves actually means “wild beasts”—it referred to Matisse and the others' choice of colors, indicating that their work was savage and primitive.
· It started with Henri Matisse experimenting with colors in painting
HISTORY OF FAUVISM
25
"Interior with a young girl reading"
Le Bonheur De Vivre or “ Joy of Life”
"Woman with a Hat"
THIS ARE ART OF?
Henri Matisse
26
“Luxe, Calme et Volupte”
Henri Matisse
27
“The River Seine at Chatou”
Maurice de Vlaminck
28
“Pinède à Cassis (Landscape)
André Derain
29
"Jeanne dans les fleurs”
Raoul Dufy
30
“At the Circus”
Georges Rouault
31
- was a revolutionary new approach to representing reality invented in around 1907–08 by artists Pablo Picasso and Georges Braque. They brought different views of subjects (usually objects or figures) together in the same picture, resulting in paintings that appear fragmented and abstracted.
- a style of art that stresses abstract structure at the expense of other pictorial elements especially by displaying several aspects of the same object simultaneously and by fragmenting the form of depicted objects.
- Cubism is an artistic movement, created by Pablo Picasso and Georges Braque, which employs geometric shapes in depictions of human and other forms. Over time, the geometric touches grew so intense that they sometimes overtook the represented forms, creating a more pure level of visual abstraction.
CUBISM
31
TWO FAMOUS ARTISTS IN CUBISM
- Pablo Picasso
- Georges Braque
32
- Proto-Cubist Les Demoiselles d’Avignon (1907)
- Guernica (1937)
- “Les Demoiselles d’Avignon”
Pablo Picasso
33
- Houses of l’Estaque (1908)
- Clarinet and Bottle of Rum on a Masterpiece (1911)
- “Violin and Palette”
Georges Braque
34
“Tea Time”
Jean Metzinger
35
“Conquest of the Air"
Robert de la Fresnaye
36
- Futurism was launched by the Italian poet Filippo Tommaso Marinetti in 1909. On 20 February he published his Manifesto of Futurism on the front page of the Paris newspaper Le Figaro.
- Among modernist movements futurism was exceptionally vehement in its denunciation of the past. This was because in Italy the weight of past culture was felt as particularly oppressive.
- Futurist painting used elements of neo-impressionism and cubism to create compositions that expressed the idea of the dynamism, the energy and movement, of modern life.
FUTURISM
37
THREE FAMOUS ARTIST IN FUTURISM
- Giacomo Balla
- Umberto Boccioni
- Gino Severini
38
Abstract Speed- The Car has Passed (1913)
Giacomo Balla
39
- Suburban Train Arriving in Paris (1915)
- “Dancer at Pigalle”
Gino Severini
39
- Unique Forms of Continuity in Space (1913, cast 1972)
- “The City Rises”
-
Umberto Boccioni
40
"Funeral of the Anrchist Galli”
Carlo Carra
41
“The Cyclist”
Natalia Goncharova
42
“Citta Nouva (New City)"
Antonio Sant’Elia
43
NEVER BACK DOWN NEVER WHAT !!!!!!!!!!!!!!!!!???????????????
NEVER GIVE UP!!!!!!!!!!!!!!!!!!!!!!!!!
