art app Flashcards

1
Q

three important factors

A

Art as ability implies the importance of human capacity to create;

(2) process as the act of doing or making an idea a reality, and

(3) product as the final output or completed work of an artist

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2
Q

(4) common essentials of art:

A
  • Art has to be man-made.
  • Art must be creative, not imitative.
  • Art must benefit and satisfy man.
  • Art is expressed through a certain medium or
    material by which a certain artist communicates himself to the audience.
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3
Q

Art history studies objects or artworks in their
historical development based on _____________________

A

style, genre, design, and format.

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4
Q

ART can be

A

visual, literary, decorative or performing.

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5
Q

There are three assumptions of art namely:

A

art is universal, which means it is everywhere regardless of country, region,
community or society and it has no limitations.

art is not nature, which means that art is man-made and a product of a man’s
talent, creativity and skill, and

art involves experience, which means art is the act of doing something
(Dudely, 1960).

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6
Q

There are five functions identified in this topic.

A

Personal function

Social function

Cultural function

Aesthetic function

Spiritual function

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7
Q

“art is an imitation of the reality that was an imitation of the ideal”

A

PLATO

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8
Q

“Art as Mimesis”.

A

PLATO

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9
Q

Art has its categories and classifications. There are four categories
namely:

A

Visual arts

Performing arts

Digital arts

Applied arts.

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10
Q

It is an attempt to portray the subject as is. The artist selects, changes, and arranges details to express the idea he wants to make clear.

A

Realism

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11
Q

The artist’s main function is to describe accurately what is observed through the senses.

A

Realism

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12
Q

It means to move away or separate.

A

Abstract

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13
Q

moves away from showing things as they are.

A

Abstract

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14
Q

The artwork is not realistic.

A

Abstract

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15
Q

The presentation of an invisible sign such as an idea or a quality into
something visible.

A

Symbolism

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16
Q

represents a synthesis of form and feeling, of
reality and the artist’s inner subjectivity.

A

Symbolism

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17
Q

is an art movement that was established towards the beginning of the 20th century. Characterized by its bold colors, textured brushwork, and non-naturalistic depictions,

A

Fauvism

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18
Q

Themes are either ethical, philosophical, or psychological.

A

Fauvism

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19
Q

Subjects express comfort, joy, or happiness.

A

Fauvism

20
Q

focus on movement, speed, technology, youth, and violence.

A

Futurism

21
Q

Its works aim to capture the speed and force of modern industrial society and to glorify the mechanical energy of modern life.

A

Futurism

22
Q

defies logic.

A

Surrealism

23
Q

Dreams and the workings of the subconscious mind inspire ____________ filled with strange images and bizarre juxtapositions.

A

surrealistic
art (slang of “super-realism”)

24
Q

It tries to reveal a new and higher reality than that of daily life.

A

Surrealism

25
Q

They claim to create a magical world more beautiful than the real one through art.

A

Surrealism

26
Q

Characterizations of the style include small, visible brushstrokes that
offer the bare impression of form, unblended color, and an emphasis on
the accurate depiction of natural light.

A

Impressionism

27
Q

A protest movement formed in 1916 by a group of artists in
Zurich, Switzerland.

A

Dadaism

28
Q

They try to provoke the public with outrageous forms of art.

A

Dadaism

29
Q

Came from the French word “dada” meaning “hobby horse”.

A

Dadaism

30
Q

three levels that can help a person to identify the content or the meaning of art.

A

factual meaning
conventional meaning
subjective meaning

31
Q

refers to techniques that attempt to return a piece of art to its original state by addressing any damage or deterioration appearing on the surface of the art.

A

Art conservation

32
Q

Key Players in the Market

A

Curator
Art Dealer
Art Buyer
Art Collector

33
Q

Creative Process

A

Conceptualizing
Knowing the existing
learning the rhythms
Developing creativity
Taking actions

34
Q

Stages of Creative Process

A

Germination
Assimilation
Completion

35
Q

Stages in Art

A

Subject Development

Medium Manipulation

Exhibition

36
Q

Here are the (5) five sources of the subject of Art

A
  1. Nature-
  2. History
  3. Greek and Roman mythology
  4. Religion
  5. Sacred Oriental texts
37
Q

There are two kinds of art as a subject.

A

Representational or Objective art
Non-representational or non-objective art

38
Q

selected subject is perceived commonly by the most audience in the same manner. There is an attempt on the part of the artist to copy the exact same form and portray it as realistically as possible.

A

Representational or Objective art

39
Q

type of art that does not portray the exact reference also known as abstract. This is an evolution of which gives artists and creators to explore by not only using objects but also the content of how the artwork is manifested.

A

Non-representational or non-objective art

40
Q

Methods of presenting art subject:

A

a. Realism
b. abstract
c. Symbolism
d. Fauvism
e. Futurism
f. Surrealism
g. Impressionism

41
Q

developedd in france

A

symbolism
impressionism

42
Q

developed in italy

A

futurism

43
Q

developed in paris

A

surrealism

44
Q

developed in Switzerland

A

dadaism

45
Q

Dada

A

Hobby horse

46
Q

the act of utilizing specified techniques to maintain or restore the original aesthetic of a work of art.

A

“conservation”