Chapter 6

Question 1

in four part textures, are all notes of a triad present?

Answer 1

yes, usually

Question 2

in four part texture, what note do you double? what do you never double?

Answer 2

the root. never double the leading tone

Question 3

in three part texture, what note is often left out?

Answer 3

the fifth

Question 4

whats an arpeggio?

Answer 4

the notes of a chord played one at a time

Question 5

whats option 1 with root position triads a 4th or 5th apart for four part texture?

Answer 5

keep the common tone the same, the other voices move by step in the same direction

Question 6

what is option 2 with root position triad a 4th or 5th apart in four part texture?

Answer 6

move the upper three voices in the same direction with no leaps larger than a 3rd

Question 7

what is option 3 with root position triads a 4th or 5th apart in four part texture?

Answer 7

keep the common tone the same. the voice that has the 3rd in the first chord keeps the 3rd in the second chord. the remaining voice moves by step

Question 8

what is the rule for root position triads a 3rd or 6th apart in four part texture?

Answer 8

keep the 2 common tones the same, the other voice moves by step

Question 9

what is the rule for root position triads a 2nd or 7th apart?

Answer 9

if the bass moves up, the other voices move down to the next chord tone
if the bass moves down, the other voices move up to the next chord tone

Question 10

what are the chords for deceptive progression?

Answer 10

V-vi or V-VI

Question 11

does the leading tone still resolve up with deceptive progression?

Answer 11

yes, the other 2 voices move down to the next chord tone (resulting in doubled 3rd)

Question 12

if the leading tone is in an inner voice in a major mode, what should it do?

Answer 12

move down to the 6th scale degree (the lack of resolution is not so apparent to the ear)

Question 13

can you move the leading tone to the 6th scale degree in a minor mode?

Answer 13

NO, will result in an augmented 2