Chapter 8: Part 3 Flashcards

1
Q

auditory input pathway

A
  • projects auditory input from the ears, via the auditory nerve and the brain stem, to the cerebrum
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2
Q

posterior vocal pathway

A
  • connects various cerebral vocal control centers (HVC, RA, etc.) to the brain stem and manages the motor control of vocalization
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3
Q

anterior vocal pathway

A
  • forms a loop of nonvocal forebrain regions and includes cerebral nuclei (LMAN [the lateral magnocellular nucleus of the anterior nidopallium], Area X, etc.)
  • these are responsible for analysis of auditory input and acoustic output involved in song learning, social context, vocal syntax, and maintenance of song structure
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4
Q

How is the songbird brain lateralized?

A
  • The left hemisphere of the forebrain controls birdsong - specifically, learning and innovation in vocal repertoires
  • The right cerebral hemisphere assumes control of the functions of the left hemisphere only if the left hemisphere is damaged
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5
Q

Compare a songbird brain with a nonsongbird brain

A

Vocal production regions present
Vocal learning regions absent

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6
Q

How does testosterone influence singing behavior?

A
  • Seasonal changes in plasma testosterone concentrations in male Song Sparrows. Columns represent mean ± SEM (error bars) plasma testosterone concentrations in male Song Sparrows collected at each of the four sampling times (Smith et al. 1997).
  • http://people.eku.edu/ritchisong/birdcommunication.html
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7
Q

How do male and female songbird brains differ?

A
  • males have strong presence of posterior and anterior pathways
  • females have posterior vocal pathway present, while anterior vocal pathway is absent
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8
Q

Individual variation

A
  • example: eastern phoebe
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9
Q

Individual Recognition

A
  • Territorial males respond more aggressively (with greater song output) to playback of a stranger’s song than to playback of a neighbor’s song
  • However, the focal male responds with equal aggression to neighbor playback if the songs are played at a location other than the border
  • example: Bank Swallows, Parents use the distinctive calls of their offspring to locate them within large flocks of other young Bank Swallows
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10
Q

Example of indvidual recognition in penguins

A
  • Returning females call and await a return call from its mate, suggesting that pair members can recognize one another’s calls
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11
Q

Dialects

A
  • A consequence of vocal learning
  • example: white-crowned sparrows all display different calls, but vocal learning in environment can cause this
  • different call displays that show almost no similarity can lead to separation of population in environmental disaster, such as a fire
  • creates subsections of bird dialects
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12
Q

Geographic variation in bird songs

A
  • example: marsh wren
  • example: Blyth’s reed warbler, different song types found throughout species range
  • Blue-winged and Chestnut-sided Warblers (little to a lot of variation)
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13
Q

Cryptic Species

A
  • examples: Watkin’s Antpittas and Chestnut-crowned Antpittas
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14
Q

Vocal mimicry

A
  • in 20 percent of passerines
  • many open-ended learners: Enlarge their repertoires by learning and singing the songs and calls of other species
  • examples: Northern Mockingbird and Gray Catbird
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15
Q

Female song

A
  • Song is more common in male birds, but females of hundreds of bird species also sing as part of their normal activities

Functions (same as males):
- Defend territories against members of both sexes
- For attracting and communicating with their mates
- For advertising their availability and condition

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16
Q

Duets

A
  • The members of a mated pair of birds communicate with one another frequently - in many species the communication includes vocal signals
  • In some species: vocal exchanges are overlapping bouts of calling
  • In others: involve coordinated singing (duets)