Chapter 9 Flashcards

(22 cards)

1
Q

Transducer

A

changes energy from one form to another

-in a microphone, changes sound waves to electrical

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2
Q

Dynamic Mics

A
  • Moving coil microphone
    - Mylar diaphragm attached to a voice coil
    - movement within the magnetic field produces voltage in the coil which becomes the output signal
    - Electromagnetism produces the signal
    - do not require external power sources
    - generally inexpensive
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3
Q

Ribbon Mic (Velocity)

A

Ribbon like metal placed between two poles of a magnet

	- Ribbon vibrates between the magnetic poles when struck by sound waves creating a small amount of voltage in the ribbon
	- Voltage in the ribbon becomes the output signal
	- Sensitive to shock, fragile, large size
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4
Q

Condensor Mics

A
  • Capacitor-electrical component with two electrodes (+and -)
    • Variable Capacitance-diaphragm and backplate act as the electrodes of a capacitor
    • Sound waves strike the diaphragm, distance between two electrodes changes producing a charge in the capacitance
    • Requires power
    • Electret Condenser- small microphone that does not respond well to high frequencies
    • Phantom Power (+48V)-power supplied to the microphone along the same cable as the audio
    • More fragile, expensive, more sensitive, have a better frequency response, and do not respond as well to sudden higher noises when compared to Dynamic microphones
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5
Q

Polar Response Charts

A

pickup patter of a particular microphone

- head of the microphone is at the center of the chart
- sounds from top are on-axis
- sounds from side are off-axis
- Major polar patterns are
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6
Q

Frequency Response

A

omnidirectional: picks up sound equally from all directions
- More directional at higher frequencies(point at source)
- unidirectional-pickup sound from only one direction
- reduce background noise reverberation from off axis sounds and excessive reverberation
- cardioid patterns: super cardioid, hyper cardioid, cardioid
- bidirectional: picks up sound equally from two directions
- figure eight
- ribbon microphones usually have a bidirectional polar response

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7
Q

Impedance

A

amount of resistance a signal encounters in a microphone circuit

- more impedance = less signal
- overload-too much signal, sound is distorted
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8
Q

Handheld Mics

A

dynamic or condenser

-can gather sounds quickly from multiple sources

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9
Q

Mounted Mics

A

studio or shotgun mics

- Studio: large microphones that are typically not moved
- Shotgun: mounting the mic on the camera, boom stand, or fishpole
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10
Q

Lavaliere Mics

A

usually condenser

- acceptable appearance on camera
- most use AA batteries
- Omnidirectional pattern usually
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11
Q

Multiple Application Mics

A

change configuration using switches

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12
Q

Wireless Mics

A

AKA Radio frequency microphone

- prone to interference
- they have two frequency ranges
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13
Q

UHF

A

Ultra High Frequency

- radio frequency electromagnetic waves: 300 mhz – 3 ghz
- broader audio channels = higher fidelity (high quality)
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14
Q

VHF

A

very high frequency

-Radio frequency electromagnetic waves: 30 MHz – 300 MHz

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15
Q

Pop Screen

A

Helps with Plosives

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16
Q

Balanced Audio Lines

A

Mic signal is carried by two leads instead ofone

- Shield is the ground, conductor leads are isolated from other electrical component
- Less susceptible to RF interference and hum
17
Q

Unbalanced wires

A

Typically found on consumer level products

-Single conductor carrying the positive signal and a shield carrying the negative signal of the circuit

18
Q

XLR inputs

A

Cannon connectors

male and female ends

- 1/4 inch and 1/8 inch
- May lose audio frequencies on long wires
	- Amplification to the line level helps reduce the loss of signal
19
Q

Filters

A

high pass filter: reduces bass and rumble by cutting out low frequencies

- low pass filter: reduces hiss by cutting out high frequencies
- switchable attenuator pad-reduces impedance by 15, 20, 25, dB to avoid overload distortion
- Line Adapter: reduces line level to mic level
- Presence Adapter: slight boost in upper midrange frequencies to improve the intelligibility
- Response Shaper-slight dip in midrange frequencies to reduce sibilance
20
Q

NAt sound

A

background Audio natural sounds

21
Q

Room tome

A

Natural sound of room - ambience

22
Q

Mic Pre

A

amplifies low voltage, low impedance signal of mic to proper level for recording