exam 2 (lecture) Flashcards

(309 cards)

1
Q

Which genetic difference in color vision would cause someone to see the most color metamers when doing a color-matching experiment

A

rod monochromatism

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

(Brightness). At any extreme levels, you are going to have ______.

A

achromatic vision. If it is too bright, you lose colors.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

(Brightness). If it is too dim, the visual system _____

A

shifts to rods, which do not detect color (grayscale vision)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

_____ plays a crucial role in color constancy. Helps the brain have a ____ ______.

A

v4; stable perception

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

example of color constancy

A

Ensures the red apple looks red whether it is sunlight, in the shade, inside.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What does “relative metrical” mean?

A

Allows for comparisons of depth magnitude but does not give absolute measurements.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

What is binocular disparity?

A

The difference in retinal images between the two eyes that the brain uses for depth perception.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

3 primary psychological dimensions for color perception

A

Hue
Saturation
Brightness (luminance)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Explain how a
classic stereogram
works and
connect it to
binocular vision

A

A classic stereogram works by displaying two slightly different 2D images, one to each eye, which creates binocular disparity.
Each image is projected onto corresponding & non-corresponding points on the retinas.
The brain merges these images, using the disparities at non-corresponding points to perceive depth, creating a vivid 3D illusion
from flat images.
This process mirrors how our eyes naturally perceive depth in the
world, with each eye receiving a slightly offset view due to the distance between them. Binocular vision allows us to experience stereopsis, the perception of depth from these retinal disparities

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

3 STEPS to color perception

A
  1. Detection: Visible light (380–750 nm)
  2. Discrimination: Differentiating
    wavelengths & mixtures
  3. Appearance: maintain color constancy
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Color is a _____, not a _____

A

brain-generated perception; property
of objects

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

3 cone types

A

S-cones, short wavelengths (blue range)
M-cones, medium wavelengths (green range)
L-cones, long wavelengths (red range)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

cones respond to …

A

a whole range of colors, not just one specific color

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Spectral

A

related to light wavelength

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

illuminant

A

light source

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Spectral Density (Spectral Power Distribution

A
  • Describes how light energy is distributed
    across wavelengths
  • Determines light color and quality
  • The level of detail in measurement depends on how we are dividing or “binning” the spectrum
  • Human vision only uses a few bins, we divide it into red green and blue
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

illuminant power spectrum

A

Energy distribution across wavelengths

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

does Spectral Density use Fourier Analysis?

A

no - light wavelengths do not combine like sound waves

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Monochromatic Light

A

pure Wavelengths, Single wavelength, appears as a distinct hue (e.g.,
lasers)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Hyperspectral cameras use _______ for precise measurements

A

hundreds or thousands of bins

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

Sunglasses absorb ____ ,while allowing
____-

A

harmful UV light; visible light through

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

Broad Spectrum Light

A

(Smooth Curves), Emits many wavelengths across a range (e.g., sunlight, incandescent bulbs

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Complex Mixtures

A

(Uneven Spikes) Multiple intensity peaks, creating mixed color output, Common in fluorescent lights, LEDs, and sodium
lamps

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

color detection (step 1) Three key types of spectra

A
  1. Continuous - full visible light range (sunlight)
  2. Emission - bright lines show emitted wavelengths
  3. Absorption - dark lines across color indicate wavelengths that have been absorbed
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Absorption Spectrum
How Materials Interact with Light. Missing lines = absorbed wavelengths, creating spectral gaps. Shows which wavelengths a material absorbs vs which pass through or reflect
21
Spectral Density of Reflected Light
Determines what is reflected after light absorption.
22
2 main types of spectral reflectance
1. Unbalanced - Selectively reflects some wavelengths (color). some wavelengths reflected more than other, example carrots and tomatoes reflect longer wavelengths than cabbage 2. Flat Reflectance - Reflects all wavelengths evenly (achromatic, grayscale). evenly reflected across wavelengths, produces grayscale shades instead of color.
23
reflectance curves help predict ____
how materials appear under different lighting
23
Level of brightness determines ____
grayscale level
24
Color vision relies on signals from _____
three types of cone photoreceptors (s-cones, m-cones, l-cones)
25
Tetrachromacy
Superhuman color vision. * Women with four cone types; no males yet * Caused by mutation in one X chromosome (M & L cones are X- linked). * Can distinguish up to 100 million colors (vs. 1 million for trichromats).
26
Does Tetrachromacy Improve Vision?
- A fourth cone alone doesn’t guarantee better color vision. * The brain must process the extra input to enhance color perception
27
how to test for Tetrachromacy?
* No online tests—screens can’t display extra colors. .. RGB! * DNA tests can confirm the genetic trait.
28
example of Tetrachromacy
Concetta Antico, an artist with confirmed tetrachromacy, may see subtle shades others can’t
28
The Principle of Univariance
- A single photoreceptor cannot distinguish one color based on wavelength alone * Different combinations of wavelength (hue) and intensity (brightness) can produce the same response in a single photoreceptor. * To see color, we need multiple cone types, each sensitive to different ranges of wavelengths
29
Lights of 450 and 625 nm elicit _______.
the same response. Wouldn't be able to tell them apart, it needs to compare responses across different cones, needs at least one other one. this is why we need multiple cones .
30
Univariance: The probability of firing depends on ______
intensity and wavelength
31
M-cone fires at same rate for
bright Cyan (500nm) * Dim Green (534nm) * Bright Orange (580nm
32
Since a single cone can’t tell the difference, color perception requires _______
comparing firing rates of all three cone types.
33
Under photopic conditions (lots of light), ______
the S-, M-, and L-cones are all active.
34
Rods specialize in _____
low light vision (scotopic)
35
rods follow the _____
principle of univariance—they detect brightness, not color.
36
All rods contain _______, a single photopigment, making them ____
rhodopsin; equally sensitive to different wavelengths
36
Trichromatic Theory Of Color Vision
(aka Trichromacy - Young-Helmholtz theory) How we perceive color based on the activation of the three different cone receptors Color perception comes from comparing signals from three types of cone photoreceptors. * S-cones → Peak at blue, M-cones → Peak at green, L-cones → Peak at red
36
in scotopic conditions, only ____ are active, which is why night vision is ______
rods; colorblind
37
what cant Trichromatic Theory Of Color Vision account for?
Cannot account for afterimages, effect of surround color, or that some colors do not seem possible to mix. It has limitations.
38
(Trichromatic Theory Of Color Vision) Brain interprets color by ______—not by detecting _____
analyzing the relative activation of these cones; single wavelengths
39
example of Trichromatic Theory Of Color Vision
Yellow light doesn’t strongly activate S-cones, but it equally stimulates M- and L-cones, making us perceive yellow
40
Metamers
colors that look identical in one light but different in another
41
example of how different wavelength mixtures can trigger the same cone responses, making colors appear the same
Red + Green light = Yellow (even though no "yellow" wavelength is present)
42
example of metamer
A blue shirt may match your shorts under store lighting but be mismatched in sunlight
43
Additive Color Mixing: How Light Colors Combine
Colors combine by adding wavelengths, not blending pigments. Primary colors form basis for this.
44
(Additive Color Mixing) perception depends on ________
wavelength combos Light A + Light B = new perceived color.
45
Subtractive Color Mixing: How Pigments Combine
Happens when pigments are combined, and certain wavelengths are absorbed (subtracted), leaving only reflected colors visible. - Not thinking about light, think of paints, mixing paints - Mixing pigments removes wavelengths, - each pigment absorbs specific colors, so mixing more results in fewer reflected wavelengths - The primary colors here are cyan, magenta, and yellow (CMY), (same as printer)
46
example of subtractive color mixing
Mixing blue and yellow paint absorbs blue and red, leaving green as the only reflected color.
47
Cone-opponent cells ______ to process color
compare signals from different cones
47
Subtractive Mixing & Filters: How Wavelengths Are Removed
1. White light contains all wavelengths. 2. Yellow paint or filter absorbs short wavelengths, reflecting medium and long wavelengths, which look yellow. 3. Blue paint or filter absorbs long wavelengths, reflecting short and medium wavelengths, which look blue. 4. Mixing yellow and blue leaves only medium wavelengths, which look green.
48
where are cone-opponent cells found?
Found in retina ganglion cells, LGN, and cortex, they have a center-surround organization.
49
how do cone-opponent cells compute color contrast?
compute color contrast by exciting some cone inputs and inhibiting others. helps us see edges and color boundaries better, why we see red and green as opposing colors.
50
Opponent Cell processing enhances _____
color boundaries and differentiation
51
Single-opponent cells compare signals from
from one cone type against another cone type, distinguish broad color. (Are circular – Retina & LGN) typically have circular fields
52
Double-opponent cells
once in v1 you find these. compare contrasts across different areas of the receptive field, refining color edges and patterns. Complex color contrasting, not only just comparing, they do it across different spatial areas of the receptive field. Elongated oval field, processing color edges and patterns. Textures, fine details. Looking for two things. Color constancy.
53
Opponent Color Theory
The perception of color is based on three opponent mechanisms, each processing two opposing colors. * Red–Green: L-M or M-L L & M cones have opposing responses. * Blue–Yellow: (L+M) – S or S – (L+M) S cones compare signals against the sum of L & M * Black–White: Achromatic pathway The brain processes brightness separately from color
54
why cant you see a reddish-green?
Opponent colors. Because of color discrimination.
55
"Legal" color mixes
bluish-green (cyan), reddish-yellow (orange), and bluish-red (purple).
56
"Illegal" color mixes
reddish-green or bluish-yellow are impossible to perceive.
57
Unique hues are defined by _____
opponent processing. meaning they do not contain traces of their opposite color.
58
Hue cancellation method helps identify Unique hues by
adding an opponent color until no trace of the opponent remains.
59
Unique blue has no
red or green tint
60
Unique red has no
greenish hue
60
Unique yellow has no
blue or purple tint
61
Unique green has no
reddish hue.
61
Unique hues act as _____- in the color spectrum and support opponent-color theory
perceptual anchors
62
afterimage
A visual image that lingers after a stimulus is removed
63
Negative afterimage
Colors appear as their opponent (e.g., red → green, blue→ yellow). - Opponent colors reveal themselves—red produces green afterimages, and blue produces yellow (and vice versa). * Light stimuli create dark afterimages. * This demonstrates opponent processing in action
64
fatigue Effect
occurs when prolonged exposure to a color reduces cone responsiveness. When photoreceptors adapt, their opponent color becomes visible once the stimulus is removed.
65
M- & L-cone genes are on the ___-chromosome
X Males (XY): One X, so M & L mutations are more common →higher color blindness rates. * Females (XX): A second X can compensate, lowering risk a LOT
66
S-cone mutations happen in 2 places
Chromosome 7 (tritanopia): Equal in males & females, blue-yellow color deficiency X-linked (S-cone monochromacy): Very Male-biased true color blindness
67
A more accurate term than “color blindness.
Color-anomalous. Most color-deficient individuals can still distinguish wavelengths, just differently from the norm.
68
Trichromats
Normal Vision
69
Protanope:
L-cones absent, reduced sensitivity to red
70
Deuteranope:
M-cones absent, hard to distinguish between red and green
71
Tritanope
S-cones absent, rare deficiency
72
Cone Monochromat
Has only one functional cone type, leading to a lack of color vision. World in 1 tint Still uses cones for daylight vision Can distinguish 100 shades vs average of 1 million. S cone only, 1 in 100,000 M or l cone only, < 1 in a million
73
Rod Monochromat, aka Rod Achromatopsia
has no functional cones, relying only on rods. * Truly color-blind and severely sensitive to bright light. * Very poor visual acuity due to reliance on low-light vision
74
Cortical Achromatopsia
Aka Cortical Color Blindness individuals see in shades of gray with normal acuity and contrast sensitivity loss of color perception due to brain damage Caused by damage to V4 in the ventral pathway. can happen without damage ,disconnection syndromes.
75
Color Anomia
Specifically affects color naming—individuals can see and distinguish colors but cannot name them due to a language-processing deficit. damage to language-processing areas in the left temporal lobe or inferior parietal lobule.
76
synesthesia:
A condition where one sensation automatically triggers another sensory experience. Consistent & Involuntary – Once formed, associations remain stable 4-5% prevalence, influenced by both genetics & environment
77
example of synesthesia
Study found correlation between fisher price magnets and grapheme color synesthetic associations (letters evoke colors)
78
Color space
A three-dimensional space that describes all colors RGB: red, green, and blue light intensities HSB: Hue: chromatic (color), Saturation: chromatic strength of a hue, Brightness: overall lightness of the color, ranging from black (0%) to full brightness (100%)
79
Spectral Colors:
Hues from approximately 380 to 750 nm correspond to single wavelengths of light
80
Nonspectral Colors
Some colors, like magenta and other purples, do not exist as single wavelengths but instead arise from a mix of multiple wavelengths.
81
Perception of Magenta & Purple
These colors are perceived when S- and L-cones are strongly activated, with little to no intermediate M-cone activation, leading the brain to interpret a color that does not exist in the visible spectrum
82
Color contrast
occurs when one color induces its opponent color in a neighboring region due to opponent processing. (A red square appears brighter on a green background than on a red one)
83
Color assimilation AKA Spread Effect
illusion that occurs when colors blend together locally, making adjacent colors take on qualities of each other -causes colors to merge. * Alters perceived hue, brightness, or saturation
84
Absolute (Unrelated) Color:
color can be perceived in isolation, without contex. Best experienced against a white background. * Do not shift appearance due to color contrast effects or assimilation
85
Yellow
can be both spectral and a non spectral color. There is yellow on the rainbow. 570 nm. Yellow is perceived as yellow when we look at that. But also because opponent processing, if we have equal red and green, our system does not know what to do, so we see yellow, that is a non-spectral color.
86
Related Color:
A color perceived only in relation to others includes Brown, Grey, Yellow
87
Color constancy
Our ability to perceive an object's color as stable even when lighting conditions change. - achieved through context and prior knowledge of how light behaves
88
To maintain color constancy, the brain ______
estimates how an illuminant affects the wavelengths reaching our retina. allows us to interpret the true color of objects, even though the raw sensory input varies under different lighting.
89
ex of color constancy depending on individual perception
the dress (white/gold or black/blue). Your brain adjusts for lighting conditions, making the same colors look different. *People’s past experiences with light affect whether they see white & gold or black & blue. *Some individuals can actively switch their perception by reconsidering the light source
90
our perception obeys ______—a survival mechanism that usually helps but can lead to illusions
physical principles
91
from Retina to LGN: How Color Signals Are Processed
primate LGN organizes visual info into 6 layers, each processing different visual info Magnocellular (Layers 1-2): Primarily processes motion and brightness via rod- dominated M cells; not involved in color. Parvocellular (Layers 3-6): Receives input from P cells, processes M- & L-cone opponent signals for fine details and red- green color vision. Koniocellular (Between M & P): Role is less understood but known to process S-cone (blue/yellow) opponent signals.
92
Color perception extends beyond the retina and LGN requiring _______ to create color appearance—how we experience color in different contexts
cortical processing
93
_____ plays a crucial role in color constancy, ensuring colors ____
v4; appear stable despite changes in lighting.
94
types of Depth Cues
Nonmetrical depth cues show depth order but not exact distance Metrical depth cues provide measurable depth info - Relative: Indicate how far objects are from one another but not exact distances - Absolute: Give precise distance measurements, though human accuracy is limited compared to some animals
95
Depth cue
provide info about spatial relationships in visual perception. 2 Kinds 1. Oculomotor – use eye muscle feedback to estimate 2. Retinal Image Based – use info from 1 or both eyes - Monocular Cues - rely on 1 eye. 2 kinds: static & dynamic - Binocular Cues - rely on differences between images from both eyes
96
Oculomotor cues
rely on eye muscle feedback & can provide absolute metrical depth info for close objects – but we don’t use it that way. Is relative for most, at best.
97
for depth perception brain Relies on
2 non matching retinal images, each with their own distortion and blind spots
98
Accommodation
ciliary muscle adjust the lens to focus on near objects. Provides depth info but is limited beyond 1–2 meters.
99
Convergence
Eyes rotate inward to focus on close objects. Stronger than accommodation but only effective within 2 meters
100
9 Static Monocular Cues (2D Pictorial) in 3 Categories
position based - partial Occlusion - Relative height size based - Familiar size - Relative size, -Texture gradients, - Linear perspective lighting based - shading - Cast shadows
101
Partial Occlusion
- Universally used depth cue - Nonmetrical, Ordinal - Only gives depth order, not relative or absolute distances - Most reliable depth cue – Works in nearly all visual environments with 1 eye & no movement
101
Relative Height AKA Relative Position
Objects lower in the visual field on the ground appear closer; those higher appear farther. Works with Relative Size to enhance depth perception.
102
horizon line effect
Near the horizon = farther; farther from the horizon = closer.inverted for Ceiling Objects: Higher in the visual field = closer.
103
Relative Size
compares objects without having any prior knowledge applied to it about their actual size. Smaller objects are perceived as farther away * Example: If object A appears twice as large as object B, we infer their relative distance without knowing exact measurements.
103
Familiar Size
relies on knowing the object's actual measurements. If we recognize and know its real word dimensions, we can judge its depth more accurately.
104
Motion-based depth cues arise from ___
from retinal image changes as we move; are all relative metrical
104
Texture Gradient
When surface elements maintain consistent size and spacing, their retinal image shrinks with distance, creating depth perception. The farther objects are, the smaller, less detailed, and more densely packed they appear As it recedes off into distance, we get less detail, it gets smaller. Strongly influenced by relative size and relative height Applying to a continuous surface. Important for natural environments.
105
Cast Shadows
Shadows provide depth cues by indicating an object's position relative to a light source in real world situations Effectiveness depends on the viewer's assumptions about light direction and object size Long shadow – farther from low light source Objects farther from a light source or in shadowed areas appear darker due to reduced illumination Close shadow – light directly overhead / close to light
105
linear Perspective AKA Perspective Convergence
Parallel lines appear to converge toward a vanishing point in the distance Works even though the lines remain parallel in reality Common in railways, roads, and architecture Allows us to judge some distance info. In man made areas, we combine with texture gradients.
106
Shading
Allow us to process 3d shapes quickly. Depth perception is strongly influenced by this. the brain naturally assumes light comes from above, as from the sun * Objects with light on top and shadow below appear raised, while the reverse looks indented This 2D cue is crucial in interpreting 3D shapes and navigation
106
Deletion & accretion
Occur when objects gradually disappear behind another object (deletion) and gradually reappear on the other side (accretion) Basing depth cue on speed at which it becomes covered and then uncovered Faster deletion/accretion suggests closer objects, while slower changes indicate greater distance
106
Atmospheric Perspective AKA Aerial Perspective
Relies on understanding that as the scene expands outward, we are going to get less detail and scattering. Objects that are further away, air between it will have more particles causing less contrast. Nonmetrical, Ordinal - Distant objects appear hazy due to moisture, dust, and particles in the air Blurred edges, lower contrast, less color, less sharp lines. Blurred edges and lower contrast make far objects seem farther away Large scale distances, such as separation between hills.
107
Optic Flow
Describes how objects in a scene shift on retina as we move through it Focus of expansion, point in the visual field where there is no motion. It is going to constantly shift. Occurs when going forward and backwards Objects in our view appear to expand outward as we move forward from a central point; moving backward contracts the scene Objects closer appear to move faster, while distant objects move slower
108
Motion Parallax
Uses relative movement to get distance info occurs when observer moves sideways or turns their head, away from optic flow Head movements and relative motion between objects reveal depth Makes close objects appear as if they are moving quickly compared to the distant ones
109
Binocular Vision
Static Depth Cues from two eyes
110
Binocular Vision nonmetrical
Specialized neurons in the ventral (what) pathway categorize depth by coding near vs. far relationships without precise measurements.
111
Binocular Vision Mostly Relative Metrical
Hyperacuity cells in the dorsal (where/how) pathway process disparity with precision finer than individual photoreceptor spacing, for exact depth calculations. Gives Absolute depth if paired with certain other cues
112
Binocular Disparity
The brain calculates depth based on the degree of retinal disparity between the two images from each eye. * Greater disparity = closer objects; smaller disparity = farther objects. Binocular disparity provides relative depth, but combined with vergence or familiar size, it can yield absolute depth Processing of can lead to stereopsis
112
stereopsis
The brain’s ability to vividly perceive depth using disparity, creating a strong 3D effect.
113
Horopter
an empirically measured curve that varies depending on actual biological factors. Has Corresponding & Noncorresponding Points
114
Panum’s fusional area
The region of space, in front of and behind the horopter, within which binocular single vision is possible
114
Objects ON the horopter ___
fall on corresponding points, appearing at the same depth (no disparity). Are seen as single images when viewed with both eyes
115
Stereoscope:
A device for presenting one image to one eye and a slightly different image to the other eye Creates depth illusion from two 2D photos shown into separate eyes to mimic natural binocular disparities of scene onto both retinas
115
modern stereoscope
virtual reality The Oculus Rift VR gaming headset is a modern stereoscope that renders real-time, dynamic images
116
Objects off the horopter ___
fall on noncorresponding points, creating binocular disparity (2 images), which the brain uses for stereopsis (depth perception). Greater disparity = closer objects; smaller disparity = farther objects
117
if visible in both eyes, stimuli falling outside of Panum’s fusional area will ____
appear diplopic Diplopia: Double vision.
118
3 types of Binocular Disparity
1. Zero disparity: object at horopter; no disparity 2. Crossed disparity: objects in front of the horopter. Larger disparity for closer objects Objects closer than the horopter shifted right in left eye, and left in right eye 3. Uncrossed disparity: objects behind the horopter. Larger disparity for farther objects Objects farther out than horopter shifted left in left eye, shifted right in right eye
119
Free fusion
converging (crossing) or diverging (uncrossing) the eyes to view a stereogram without a stereoscope Reveals how binocular disparity alone can drive depth perception Magic Eye” - Rely on free fusion
120
Stereoacuity
A measure of the smallest binocular disparity that can generate a perception of depth Shows up suddenly in infants 3 – 5 months Stereoacuity is often tested using dichoptic stimuli
121
How is stereopsis implemented in Brain?
Disparity-detecting neurons found V1, V2, V3 and extends to dorsal stream (MT/V5, parietal lobe). these neurons detect differences in object position between two eyes Tuned for both amount & type of disparity (crossed vs. uncrossed) Only fire when retinal images have the right disparity, aiding depth perception
121
Random dot stereogram (RDS):
A stereogram composed of randomly placed dots Implications: Correspondence precedes object recognition in visual processing.
121
Correspondence problem
In binocular vision, the problem of figuring out which bit of the image in the left eye should be matched with which bit in the right eye - Algorithm used by brain is unknown – however: * Correspondence necessary * Don’t need actual objects to do it – Random Dot stereograms work well
122
There are several ways to solve the correspondence problem & aid smooth disparity:
Blur high-frequency details to make large structures easier to match. * Match each feature once per eye (Uniqueness Constraint). * Assume smooth depth except at object edges (Continuity Constraint)
122
Cyclopean
defined by binocular disparity alone Demonstrates stereopsis without monocular depth cues
123
Stereo blindness
An inability to make use of binocular disparity as a depth cue - 3-5% of the population * Free fusing does not give depth, although in focus * Usually from childhood visual disorder, such as strabismus (cross-eyed). * Most people who are stereo blind do not realize it. Not necessary for modern life
124
Dichoptic Stimuli
Referring to the presentation of two stimuli, one to each eye
125
Binocular cooperation
Both eyes normally work together to create a unified depth perception
125
_____ enables stereopsis, while ____ reveals competition in vision that can disrupt normal development.
Cooperation; rivalry
126
Binocular rivalry
When each eye sees different images, perception alternates rather than merging -In misaligned eyes, rivalry leads to chronic suppression, affecting stereo vision
127
Dominant eye effect:
the stronger image is prioritized while the other is temporarily suppressed
128
Strabismus
A misalignment of the two eyes such that a single object in space is imaged on the fovea of one eye, and on a non-foveal area of the other (turned) eye
129
Exotropia
Strabismus in which one eye deviates outward
129
Depth perception relies on
multiple cues working together
129
Esotropia
Strabismus in which one eye deviates inward
130
Suppression
In vision, the inhibition of an unwanted image. (stereo blindness)
131
If strabismus is present during the critical period, it can lead to
stereo blindness
132
Illusions often arise from
perceptual committees resolving ambiguity
133
Depth perception combines
sensory input with prior knowledge.
133
The visual system automatically _____ , sometimes leading to errors
integrates cues
133
Types of Attention
Exogenous (stimulus-driven): Sudden events capture attention (e.g., loud sound). Endogenous (goal-driven): We can choose where to focus (e.g., reading)
134
The Bayesian approach explains how
we estimate probability in depth perception. Our brains favor the most likely interpretation of ambiguous depth cues. Prior experience influences whether we perceive depth accurately or see illusions
135
Perceptual Committee Goals
Size Constancy: Object size remains stable, even as distance (retinal image size) varies * Perceived size & perceived distance related Shape Constancy: Object shape remains stable, even retinal image shape varies Shape-Slant Invariance: Shape perception adjusts based on slant cues. * Without these constancies, objects would seem to change size and shape as they move
136
Selective Attention
helps prioritize We cannot process everything at once → leads to sensory overload. * Selective attention filters info based on relevance We can only attend to one task at a time. * Guides eye movements toward what matters next
137
Four Selective Attention Processes
1. External: Attending to stimuli in the environment (sensations) 2. Internal: Focusing on thoughts or decisions (perceptions, planning, problem-solving) 3. Overt: Shifting gaze or body toward a stimulus (visible movement) 4. Covert: Attending without outward signs (hidden focus)
138
2 Types of Attention Management
1. Divided – splitting focus between multiple tasks. * Humans cannot divide simultaneously; we switch attention rapidly instead 2. Sustained – Maintaining focus over a prolonged period. AKA “vigilance” Humans not great at sustaining attention * Certain animals, like raptors & pigeons, excel at it
139
Cognitive Load Theory (1988):
Limited working memory reduces performance when attention is divided
140
Switching Costs
task-switching slows speed and increases errors accuracy & Speed inversely related to number of tasks. * Impinges on learning & productivity * Habitual multitasking reduces & impairs sustained focus abilities
141
Driving requires
sustained attention; divided attention increases crash risk. Generating words while driving impaired performancemore than simple word repetition (2001) * Talking to a passenger impairs driving less than talking on a cell phone (2008) * Drivers were inattentive in some way 3 seconds before 80% of crashes (100 car naturalistic study) * Drivers on the phone missed twice as many red lights as those not on the phone (lab study)
142
treisman's Attenuation Model of Attention (1964)
Suggests that instead of blocking unattended info, it’s attenuated (weakened). * All sensory input reaches further processing, but unattended info is reduced. * Explains why unattended info can still be processed. * Less clear on how the attenuation mechanism functions in the brain
143
Sustained Attention lasts between
20 and 30 minutes, but varies greatly by task
144
Attention is
highly task-dependent and cannot be accurately reduced to a single, universal measure
145
Broadbent’s Filter Model (1958)
suggests attention acts as a bottleneck, filtering info early based on physical characteristics. Only attended information reaches higher-level processing, while unattended stimuli are blocked Explains why we cannot process all incoming information at once Cannot explain how unattended stimuli can still influence behavior (e.g., Cocktail Party Effect)
146
Posner’s Spotlight Model (1980)
Attention enhances processing in a focused area, i.e., spotlight metaphor. * Selective, voluntary, and effortful: Explains attentional shifts but oversimplifies them
147
Zoom Lens Model (1985):
Attention expands/contracts from fixation
148
“Transporter” Perception (1995):
Attention jumps between locations rather than moving continuously.
149
Reaction time (RT)
Interval between stimulus and response
150
posner Cueing Paradigm
method to examine how cues affect spatial attention. Uses valid, invalid, and neutral cues to measure attention shifts Demonstrates how spatial cues impact response time and visual processing
151
Inhibition of return
Difficulty revisiting a recently attended location
151
cue:
A stimulus that hints where/what a target will be; can be valid, invalid, or neutral
152
stimulus Onset Asynchrony
Measures how quickly attention shifts.
152
Endogenous cue
voluntarily; slower than Exogenous cues * AKA Symbolic cue
153
Exogenous cue
involuntary; driven by physical salience * 100 – 150 ms for cues in Periphery to be fully effective * AKA Peripheral cue
154
Visual search:
Looking for a target in a display containing distracting elements
154
exs of visual search
Finding weeds in your lawn or the remote control on the coffee table
155
visual search elements
Target: The goal of a visual search. * Distractor: any stimulus other than the target. * Set size: The number of items in view
155
2 kinds of visual search
Feature & Conjunction Search
156
Feature search
Finding a target with a single attribute, such as a SALIENT color or orientation
157
Parallel Feature Search:
processing multiple stimuli at the same time
158
Single features seem to be processed in parallel b/c
the number of distractors does not impact reaction time (RT)
159
(feature search) High Efficiency:
RT x Set Size Slope = 0 ms
160
Conjunction (or Serial) Search
Target lacks salience, requiring multiple attributes for identification. * Search time increases with set size; even steeper slope when target is absent
161
Ann Treisman’s Feature integration Theory (1988)
explains how we bind separate features into unified objects. object -> preattentive stage -> focused attention stage -> perception Features (color, shape, etc.) are initially processed separately, requiring attention for correct integration
161
Serial self-terminating search
Examines items one at a time, stopping when the target is found
162
Unfamiliar stimuli:
Search is much harder if characters or symbols are unknown.
163
(FIT) Preattentive Stage
Features like color, shape, and orientation are processed separately Parallel Processing: Early processing happens automatically without focused attention
164
(FIT) Focused Attention Stage
attention binds features together to form a cohesive perception. * Selective Attention: Required for feature binding and object recognition
165
(FIT) Binding Problem: How does the brain combine features into a single percept?
Selective Attention ensures features are bound correctly, preventing misperceptions. * This challenge occurs in both vision and audition—misheard words may result from incorrect binding
166
(FIT) Illusory conjunctions
occur when features from different objects are mistakenly combined. Demonstrates why focused attention is essential for perception accuracy Evidence for FIT: Illusory conjunctions show that attention is needed to correctly bind features
167
Guided Search Theory
Attention is directed to a subset of possible items based on basic features (e.g., color, shape) Rapid parallel feature processing occurs first, followed by slower serial processing using top-down cognition. Conjunction Search: A type of guided search where the target is defined by a combination of attributes rather than a single feature
168
(GST) Scene-based guidance
Prior knowledge about a scene helps locate objects efficiently
169
(gst) Whole Scene Perception
A mix of attention, eye movements, and memory shape how we process visual scenes
170
(gst) Context Matters:
Objects are expected in specific locations (e.g., books on horizontal surfaces, paintings on vertical surfaces)
171
Rapid serial visual presentation (RSVP)
an experimental procedure where stimuli appear in a rapid sequence at a single location. * Presented at ~8 items per second; no eye movements needed. * Used to study temporal attention dynamics – how attention shifts over time. * Helps investigate Attentional Blink, a lapse in detecting the second of two rapid targets
172
Attentional Blink (AB) is modulated by
emotion and salience. less blink for emotional words & own’s name analogy: cocktail party effect where we hear our name in an unattended conversation in a noisy environment Visual attention performance can be improved with practice. * Green and Bavelier (2003) reported first-person shooter video game players have reduced attentional blink
172
Attentional Blink
Difficulty perceiving a second target amid an RSVP stream Occurs if the second target appears within 200-500 ms after the first. * Reflects limits of attention shifting and consolidation.
172
ex of attentional blink
Missing a fish while catching another—attention is occupied
173
Attention enhances
neural activity in specific parts of the visual field Neurons coding attended locations show increased activation Neural response size depends on attentional focus
174
biased Competition Theory
Many neurons have large receptive fields, allowing multiple objects to compete for processing Attention resolves competition by enhancing responses to relevant objects Neurons respond more strongly to effective stimuli when attended and weakly when ignored
175
Three ways responses of a cell could be changed by attention
1. Response enhancement – Neurons fire more intensely when attention is directed at a stimulus. Example: Focusing on a bright object increases neural firing in brightness-sensitive neurons 2. sharper tuning – Neurons become more selective for a specific feature (e.g., color, orientation). Example: Attending to a red object sharpens a neuron’s response to that shade 3. Altered tuning – Attention shifts a neuron's sensitivity to prioritize certain stimuli. Example: Searching for vertical lines shifts neurons to prefer vertical orientations.
176
3 Highly Interactive Attention Networks
1. Subcortical System – Involuntary Orienting - rapid shifts to new location/object * Superior Colliculi: Shifting Attention * Pulvinar of Thalamus: Engaging Attention 2. Ventral Cortical System – Bottom-up, Stimulus- Driven for unexpected, salient stimuli * Temporal-Parietal Junction & Ventral Prefrontal Cortex 3. Dorsal Cortical System – Top-down, Goal-Directed. Voluntary, Sustained attention. * Superior Prefrontal & Posterior Parietal Cortex
177
____ Controls Covert Orienting
Parietal Lobe. moving attention without moving the eyes
178
Same-object advantage
occurs when attention spreads within an object, enhancing detection at multiple locations within that object. * Reaction times are fastest at the cued location but are also improved at the uncued end of the same object. * This suggests attention is not limited to a single point but can extend along an entire object.
179
Selective pathway
Bottlenecked—only a few objects processed at once Uses feature binding (color, depth, motion) for recognition Crucial for searching specific items in cluttered scenes. Example: Looking for a red apple in a mixed fruit basket
179
object-based attention,
perception is influenced by the structure of an object, not just spatial location
180
Two pathways process scenes
Selective: Recognizes individual objects but is limited by attention. * Nonselective: Provides a broad scene “gist” instantly
181
Nonselective pathway
processes global scene properties without identifying objects parallel processing—not limited by attentional focus. * Extracts spatial layout, texture, and color distribution instantly. * Provides rapid scene understanding (e.g., indoor vs. outdoor). * Example: Walking into a café and assessing available seats without focusing on details
182
The nonselective pathway extracts _______ across a scene.
summary statistics
183
Gist perception occurs within
milliseconds Objects recognized better in expected scene Scenes recognized better with expected object * Top-down (expectations) & bottom-up (stimulus-driven) processes interact. * Processing balance depends on object type, scene type, and time constraints
183
Spatial Layout & Gist
the nonselective pathway processes spatial layout automatically Scene structure is processed holistically (open/closed, natural/urban) Openness & closeness guide scene understanding, affecting recognition speed.
183
Ensemble statistics
Perception of global properties (e.g., average color, size, motion). * Rapid, without focusing on specific objects. * Helps detect trends in groups, like a school of fish or a forest’s color distribution.
184
When attention works well:
We can recognize differences between new and old information very well
185
Change Blindness
failure to notice a change between two scenes. Memory for scene changes is surprisingly poor. Attention is naturally limited, requiring us to focus on one area at a time. * Large changes can go unnoticed if they don’t disrupt scene meaning. * This phenomenon demonstrates how our perception prioritizes gist over details
186
Inattentional blindness
Failure to notice an unexpected stimulus in plain sight due to focused attention elsewhere Attention is limited—what we don’t focus on can go unseen
187
attention is ____ for awareness
required seeing does not equal perception
188
Visual-field defect
A portion of vision is missing due to damage in the visual system, affecting perception regardless of attention.
189
Neglect
Patients ignore one side of space despite intact vision, failing to respond to stimuli on the affected side
190
Extinction
occurs when a stimulus is ignored due to a competing stimulus in the opposite visual field The ignored stimulus is detected alone but not when paired with another
191
2 types of neglect in extinction
Spatial Neglect: Failure to perceive stimuli on one side of fixation * Object-Centered Neglect: Ignoring one side of an object, no matter its position
192
does neglect equal blindness?
no, patients unconsciously respond to stimuli they don’t report seeing
193
Contralesional field
Side opposite the lesion, where attention is impaired.
194
Ipsilesional field:
Same side as the lesion, where attention is biased
195
Damage to the right parietal lobe
often causes substantial left-side neglect.
196
left hemisphere damage results in
milder right neglect.
197
Balint’s Syndrome is caused by damage to both parietal lobes. It is characterized by 3 main symptoms
1. Simultanagnosia: Inability to perceive multiple objects at once, disrupting scene comprehension 2. Oculomotor Apraxia: Difficulty voluntarily shifting gaze between objects 3. Optic Ataxia: Difficulty reaching for objects using visual guidance
198
Patients with Balint’s Syndrome
name objects but fail to grasp the full scene
199
is one of the most common attention disorders.
Attention Deficit Hyperactivity Disorder (ADHD)
200
ADHD marked by
Impulsivity * Hyperactivity * Inattentiveness Despite attention deficits, basic visual processing remains largely intact. * Research suggests differences in attention lapses, visual search, and distractibility but no major impairments in visual perception
201
Self-motion
optic flow
202
Absolute motion
aids depth perception when no background reference exists – no depth cues Example: Detecting speed & direction of a flying bird against a blank sky
203
Visual ambiguity
Without reference points, absolute motion can be difficult to interpret, leading to perceptual illusions like the spinning dancer, where motion direction becomes ambiguous.
204
Motion Aftereffects (MAE)
After prolonged motion exposure, stationary objects appear to move in the opposite direction. due to adaptation in direction-selective neurons, reducing sensitivity to sustained motion
205
Opponent process
Like color aftereffects, adaptation shifts perception in the opposite direction
206
MAE ____ when switching eyes, indicating higher-level motion processing
persists
207
a key motion processing area.
MT/V5
208
Interocular Transfer & MAE
Occurs in neurons responding to both eyes, meaning in V1 or beyond
209
Reichardt Detectors explain how
neurons compare motion signals from two locations Uses excitatory & inhibitory interactions to compute motion * Responds to both real & apparent motion
209
Motion detection relies on
spatially separated receptive fields
209
Motion is a change in position over time. Double dissociation reveals 2 kinds
1. First-order motion: Detected by luminance changes, like objects moving against a background. * V1 → MT 2. Second-order motion: Perceived via contrast, texture, or flicker, - not defined edges. * Extrastriate cortex beyond MT
210
delay mechanism allows
signals from adjacent fields to be integrated, detecting motion over time
211
Neural adaptation leads to MAE
Fatigue in one direction causes perception of opposite motion
211
Opponent motion detectors compare
leftward vs. rightward motion signals Excitatory-inhibitory interactions suppress responses to stationary objects. * Motion opponency enhances detection of true movement
212
Apparent motion
the illusion of smooth motion from separate static images Movies, stop-motion, & illusions rely on this effect
212
Apparent motion. in 1878
1st movie made with 16 sequential horse-riding images
213
The brain treats apparent & real motion
as the same process. fMRI studies show similar V1 activation for both
214
Apparent motion quartet
Perceived motion depends on object spacing Closer vertical spacing → Perception favors vertical motion Closer horizontal spacing → Perception favors horizontal motion Related to Gestalt Proximity Principle—motion perception minimizes distance traveled
215
Beta Motion
Sequential lights create smooth motion perception - Basis of movie projection & digital animation Sensitive to timing & spacing between flashes
215
Phi Phenomenon
Alternating objects appear to "jump" between positions Creates the illusion of an object moving when none is present Relies on the same motion-detection circuits as real motion
216
Correspondence problem (motion)
The challenge the motion detection system faces in determining which feature in frame 2 corresponds to which feature in frame 1. Ambiguous motion: Are the dots moving horizontally or vertically?
217
Aliasing problem
When the visual system (or a camera) samples motion too slowly, it creates perceptual errors ex: Tire spokes or helicopter blades may appear still or move in the wrong direction due to a mismatch between motion speed & frame rate
218
Aperture Problem
When viewing motion through a small window (e.g., receptive fields in V1), the true direction of motion is ambiguous. ex. Example: The Barber Pole Illusion—motion appears to move upward even though stripes are moving diagonally.
219
Neural Solution for aperture problem
The brain integrates motion signals across larger receptive fields (MT) V1 motion components: 1 set of RFs detects horizontal stripe movement & another detects vertical Plaid Motion Perception: combining signal sets allows integrating them into a single motion perception, including Diagonal Neural Integration: V1 neurons have small RF, detecting only partial movement (horizontal or vertical). * MT neurons integrate signals from multiple V1 RFs, reconstructing the actual motion direction
219
Motion binding
integrates separate motion signals into a unified perception of an object In complex scenes, perceiving connected motion requires first binding individual object features. * The brain assumes hidden parts are continuous & fills in the missing information. * Essential for object recognition & distinguishing self-motion from object motion
220
MT (middle temporal area) integrates
local motion signals to perceive global motion.
220
Akinetopsia
rare disorder where motion perception is completely lost. * Caused by severe bilateral damage to MT (middle temporal area). * Brain fails to integrate motion signals, making life appear as a sequence of still images. * Less severe MT damage → Motion appears blurred instead of absent
220
Lesion studies reveal MST’s role in motion perception
Radial motion (expansion/contraction along a radius). * Circular motion (clockwise/counterclockwise). * MST processes optic flow, detecting self- motion in an environment
220
___ resolves motion ambiguity & the aperture problem.
MT
221
Ambient optic array:
The structure of light in the environment that changes with movement
221
_____ processes more complex motion patterns than MT.
MST (medial superior temporal area)
222
Optic flow:
The pattern of motion perceived as we move, providing direction & speed cues
223
Focus of expansion (FOE):
The point in optic flow indicating heading direction
224
Motion reshapes the ____, creating optic flow patterns that ______
optic array; guide navigation & balance
225
processes motion, spatial location, & visually guided actions
Dorsal Stream Tracks Tau & Guides motor actions to support interactions with moving object Fed by Magnocellular Pathway: prioritizes motion & contrast (Parvocellular Pathway processes color).
225
Biological motion processing occurs in the
posterior superior temporal sulcus (STSp) fMRI evidence: * STSp activation when viewing point- light walker displays. * TMS disruption: Temporary STSp inactivation impairs biological motion perception. * Lesion studies: STSp damage leads to difficulty perceiving social motion cues
225
Biological motion
Perception of movement unique to living organisms Gender cues: Subtle motion differences help identify male vs. female gait. * Body size: We detect body composition through movement patterns. * Species differences: Humans rely on biological motion cues, but some birds (e.g., pigeons) use global motion. * Point-Light-Walker Display: Minimal cues (joint lights) still reveal movement coordination.
226
How do we estimate time to collision (TTC) when depth cues fail?
Tau (τ): Retinal expansion rate signals approach speed TTC is proportional to tau—rapid image expansion means impact is imminent. * MT detects motion speed & direction; MST integrates optic flow to predict motion trajectory. * Example: A car ahead grows rapidly larger → imminent collision → brake now
227
MT tracks
object motion (speed &direction)
228
MST integrates
global motion (optic flow, large-scale movement).
229
Motion perception struggles with ___ stimuli, because M path processing relies on contrast
isoluminant
230
Motion-Induced Blindness (MIB)
Stationary objects vanish when viewed against a moving background. Brain prioritizes motion, filtering out unchanging stimuli (perceptual suppression). * Isoluminant stimuli disappear more easily due to reduced contrast in motion processing. * Fixation increases suppression, making peripheral objects vanish
231
Eye movements are essential to view a scene due to limited high-resolution vision in the fovea. 4 Types:
1. (Con/Di) Vergence – Depth Control. Aligns eyes on moving object. 2. Vestibulo-ocular Reflex (VOR)– Stabilizes gaze. Reflexively moves eyes opposite to head 3. Smooth pursuit – Tracks object. Is fluid voluntary eye movements. 4. Saccades – Reset Gaze. Rapid, most are involuntary eye shifts between fixations
232
these 3 processes ensure motion perception is stable & accurate while reducing blur caused by both eye & object movements
1. Tracking & Eye Compensation – Adjusts eye position to maintain stable vision as objects or the head move (includes VOR). 2. Object vs. Self-Motion – Distinguishes external movement (motion blur expected) & self-movement (scene stabilized). 3. Saccadic Suppression – Briefly blocks visual input during saccades to prevent motion blur.
233
___ occurs when objects move relative to the eye (or camera!)
Blur Fixating on a moving object blurs the background; fixating on a stationary object blurs motion
234
Vestibular System
Inner ear system detecting motion, aiding in vision & balance
235
Motion is detected only when the object
moves across direction-sensitive receptive fields (RFs) When the eyes are moving, the visual system compensates for this, & motion is not perceived unless there is relative motion between the object & the receptive fields
236
___ rapidly shift fixation between objects, occurring voluntarily & involuntarily.
Saccades. lasting 20–40 ms; ~3 per second
237
We perceive the world in _____, as visual input is suppressed during eye movements
snapshots
238
Intrasaccadic motion streaks
link an object’s pre- & post-saccadic positions, aiding spatiotemporal continuity
239
Fixations last
50 ms to several seconds; 200–250 ms ave
240
Time Spent in Saccades
6–12% of an hour (3.6–7.2 min/hour) is spent in saccadic suppression – meaning the brain fills in visual gaps. Similar to film frames: 24 FPS appears smooth because brief visual gaps are imperceptible
241
MOTION is generally more ____ than other features
salient
241
At least ___ needed for conscious visual awareness
~100 ms
242
Saccades and reading
Reading relies on saccades (~9 characters on average), moving the eyes across text Fixations (~200–250 ms) allow for word recognition, while saccadic suppression prevents blur English readers process more text to right of fixation due to asymmetric perceptual span Lab demonstrations (e.g., disappearing text) reveal how vision is restricted to fixation-based processing
242
Top-down attention
Actively directs gaze based on motion expectations—tracking moving objects, predicting trajectories, & prioritizing relevant motion cues
242
Attention selects where to ____ next & determines ____ duration
saccade; fixation
242
Bottom-up attention:
Driven by stimulus salience
243
Corollary Discharge Signal (CDS)
informs the brain of upcoming eye movements before they occur, preventing motion blur.
244
Saccadic Suppression & CDS process
Sent from Superior Colliculus → Medial Dorsal Nucleus (MDN) → Frontal Eye Fields (FEF)
245
Comparator:
Predicts retinal shifts & stabilizes vision. Prevents the world from appearing to 'jump' with each eye movement.
246
Superior Colliculus
Midbrain hub integrating visual, auditory, & motor signals. Initiates saccades. Sends motor command to eye muscles & CDS to the comparator (via MDN → FEF) to stabilize vision Combines inputs for rapid, reflexive orienting. * Guides attention shifts
247
CDS is linked to ____
Receptive fields. RFs in the frontal & parietal lobes adjust before a saccade
248
before Saccades. CDS & Receptive Fields.
1. Saccade Planning: Neurons shift receptive fields in preparation. 2. Saccade Execution: Incoming visual info is processed mid-saccade. 3. Frontal Eye Fields (FEF) fine-tune receptive field updates for seamless perception
249
intraparietal sulcus (IPS
Plans & guides eye movements, allocates spatial attention
250
frontal eye fields (FEF)
Initiates voluntary saccades & refines eye control
250
explaining Lilac Chaser Illusion
Phi Phenomenon: Apparent motion illusion. The brain fills in the gap left by disappearing lilac dot, creating a perceived moving object rather than empty space. * Retinal Neuronal Fatigue: Staring at the lilac dots fatigues S (blue) & L (red) cones, making them less responsive. * Negative Afterimage (Color Opponent Process): Fatigued S & L cones leave M cones (green) responsive – creating a green afterimage in open space * Motion-Induced Blindness (MIB): Stationary lilac dots in the periphery fade because the brain prioritizes movement. * Isoluminance: Lilac dots have similar brightness (isoluminant—low luminance contrast) & are stationary, making them prone to MIB due to the motion system’s insensitivity to color Perception emerges from interaction between motion & color, creating an illusion of fading & movement
251
FEF + IPS interact to
suppress distractions & maintain gaze stability
251
_____ plays a minor role but assists in targeting saccades
Superior Colliculus
252
____ allow you to see a three-dimensional shape while looking at a two-dimensional image
Stereograms