french and italian in the 14th Flashcards

1
Q

14th century

A

is about the black death,
hundred years of war,
poverty,
the popes authority was questioned

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2
Q

composers of secular

A
  • Guillaume de machaut: france
  • Francesco landin: italy
  • both focused on secular music
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3
Q

Philip the Vitry

A

> A treaties called the ars nova attributed to him ,
French musician

> wrote five of the motets in the roman de fauvel (narrative poem satirrizing political corruption

> > their tenors provide the easrlierst examples of isorhythm (equal rhythm)

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4
Q

Ars nova

A

the style and technique is based on rhythm and notation

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5
Q

Roman de fauvel

A
  • narrative poem
  • 169 pieces within the poem
  • ars nova motets
  • tenors are in isorhytmic or identical rhythme and might recuure as many as ten times,
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6
Q

talea and color

A

Recurring methods in motet tenors, rhytmic and melodic

> the repeating rhytmic unit was “talea”
reccuring segment of melody “color”

> In some motets, the tale and color do not coincide so that repetittion of color begin in the middle of a talea

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7
Q

Machaut’s motets

A

traditional method:
>borrowed tenors support two other voices
>longer and more rhytimivally complex

> 19 masses are isorhythmic

> emphasized talea recurrences by a technique called hocket

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8
Q

Hocket

A

two voices alternate to rapid succession,

one resting while other sings

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9
Q

machaut

A

practitioner of the ars nova in france

great composer of monophony courtly lyrics

wrote motets, monophonic virelasi, polyphonic chansons

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10
Q

francessco landini

A

italian musician of the trecento
composed for his own pleasure

Wrote 140 ballate
Two voices singing same text like the madrigals

Solo voice with twi accompanying nontext voices

Melismatic passages

Landini cadances

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11
Q

Antonio squarcialupi

A

> florentine organist
created squarcialupi codex

The codex included three types of compositions:
>madrigal,
>caccia
>ballata: dance song

Ballata later becomes popular and it betrays the treble dominated french chansons

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12
Q

madrigals

A

italian

Love poems usually set for two voices

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13
Q

Isorhythm

A

Musically unifying device for tenors in motets

(Equal rhythm)

Tenors are laid out in segments of equal rhythm

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14
Q

Hocket

A

Two voices alternating in rapid succession, one singing, while the other rests

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15
Q

Italian trecento

A

Secular songs of italy
Madrigals

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16
Q

Madrigals

A

Love poems usually set for two voices
Idyllic, pastiral, satirical
(Jacopo)