music of early baroque & invention of opera Flashcards

1
Q

italian musicians

A

devised new idioms: bass continue, monody, recitative

new genre: opera,

greater focus on solo instruments or voice

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2
Q

Character of Baroque Music

A

> express and represent a wide range of feelings,

> tool of expression was dissonance,

> either free or very metric

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3
Q

Monteverdi 1567-1643

A

> Italian madrigals

> Free use of dissonance and chromaticism,

> motives are recitative rather than melodic

> He says that expressing emotions are better than following the rules in music

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4
Q

NAWM 71 cruel amarilli

A

> A lovers complaint based on a different poem,

> Written for 5 voices,

> Dramatizes the harsh sounds and meanings of the opening word cruel

> Introduces and solves dissonances incorrectly

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5
Q

the arutsi-monteverty conterovesy

A

Artusi criticized monteverdi for grating dissonances and contrapuntal liberties in his madrigals

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6
Q

Rhythm and Texture in Baroque music

A

> Either free or very metric unlike the flow of renaissance,

> Composers used flexible and speech like rhythms for vocal recitative and solo instruments,

> Texture is homophonic, firm bass and florid treble held together by harmonies,

> System of notation is through bass

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7
Q

Guilio caccini 1551-1618

A

> In demand as a teacher of the new style of solo singing,

> Wrote the first collection of solo songs with bass continuo

> Songs divided in two types: madrigal and air,

> Rejected counterpoint all together,

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8
Q

describe air and madrigal

A

Air:
strophic txt, several stanzas to one melody

Madrigal:
through-composed like the polyphonic madrigals,

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9
Q

NAWM 72 Ill see my sun

A

each line of poetry as a separate phrase ending in a cadence,

not comping any parts except treble and bass so that the text is more in focus,

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10
Q

the concerto medium

A
  • Voices with instruments, assigning different roles to each.
  • Contrasting forces are brought together in a harmonious ensemble.
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11
Q

Cantus Mollis and Durus and Tonal

A

Mollis: key signature of one flat and used chords of the flatter regions of spectrum, subdued and pleasant.

Durus: no sharps or flats, harmonies explored the sharper regions of the sharper and more intense emotions.

Tonal; music operating in the system of major and minor keys, 1722 it was introduced by treatise on harmony.

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12
Q

Early signs of opera

A

> Emerged in the effort to recreate ancient greek ideas of drama

> Drama sung to continuous music,
sung with costumes and scenery

> Another source for early opera was the pastoral drama: a play in verse with music,

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13
Q

Girolamo mei

A

> The prime mover behind the idea that the entire greek tragedy was performed in songs,

> Florentine scholar who edited several dramas,

> Research on greek music and its role in the theater,

> Created a club in which scholars, musicians, artists and scientists would gather

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14
Q

Vincento galilei (father of Galileo)

A

> Lute player, composer, singer,

> Used Mei’s idea to criticize the theory and practice of vocal counterpoint

> Proposed a revial of the greek ideal of the union of music and poetry through monody

> Equated ancient and modern music, in favor of ancient style

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15
Q

jacopo corsi

A

> Him and his group, set out to recreate ancient genre in modern form

> Experimented with rinuccinis pastoral poem DAFNE, performed privately for guests

> FIRST opera, staged drama set entirely to music, new kind of singing designed specifically for theater,

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16
Q

L’Euridice

A

> rinuccinis drama, set to music. by peri and caccini

> based on a myth of orpheus and eurydice,

> caccini’s. settings is more lyrical and melodious,

> peris setting is suited for the drama because he found a new way to immitate speech to suits the meaning of the texts,

17
Q

jacopo peri

A

new style of singing known as recitative, which is an extreme form of monody seekins to eradicate the difference between speaking and singing

18
Q

Orfeo by monteverdi 1607

A

Consisted of prolongs that linked the play to a heroic figure

singers could not be too impressive and good to not take the spotlight from the heroic figure,

it is continuo, 5 keyboard instruments, 7 plucked, wind and brass instrument,

based on a love story, reserves the modern style for dramatic dialogue and impassioned speeches,

19
Q

francessca caccini 1587-1645

A

staged a cominaton of ballets and musical scenes in 1625

visited florence during his time, he was polish

his balets has trappings of operas:
opening sinfonia, a prologue, recitative, arias, choruses, instrumental ritornellos and elaborated staging,

20
Q

opera in rome and venice

A

> center of new developments shifted to rome during 1620s

> wealthy people and lavish entertainments,

> solo singing divided into two parts: recitative and arias,

recitative: speechlike
arias: melodious and strophic

21
Q

castrati

A

the srugery boys did to preserve their voice in puberty so they sing the women parts,

women were not allwed to sing at church

22
Q

venation opera 1637

A

opening of the first opera house TEATRO SAN CASSIANO

freedom from religious and social constraints, therefore best spot for opera

23
Q

Poppea by monteverdi

A

> the bad guys win,
love triangle,
kill his own wife,
reality tv vibes, overly dramatic,

> lacks varied instruments and stage efects of orfeo because it is written for commercial theater

24
Q

Arioso

A

> The passage that often lies between recitative and aria style

> serves as a transition between the two

25
Q

Francesso cavalli (1602-76)

A

monteverdi’s student,

Established essential structural, poetic and musical conventions of venetian opera

26
Q

Mid 17th italian opera

A

> concentration on solo singing rather ensembles and instrumental music

> separation of recitative and aria

> intro of distinctive styles and forms for the aria