JE - stanhope and osborne Flashcards
(5 cards)
Introduction
Journey’s End is a play that shatters stereotypical representations of life at war for soldiers during WWI. Due to R.C. Sheriff’s experience serving as a captain in the East Surrey Regiment, it uncovers the propaganda that was typical to World War 1 literature. He releases Journey’s End specifically 10 years later as audiences were ready for the reality for men in the trenches. Through his construction of the setting and characters, the three acts reveal the emotionally traumatic nature of war, giving the play verisimilitude. Sherriff presents the relationship between Stanhope and Osborne as one of mutual respect, deep camaraderie, and emotional dependence, conveying the intense personal connections formed in the trenches.
1st paragraph
From the outset, Osborne is portrayed as Stanhope’s trusted confidant, highlighting the depth of their friendship. Osborne’s respect for Stanhope is evident when he defends him to Hardy, saying, “He’s a long way the best company commander we’ve got.” This early comment is significant because it shows that Osborne is not only loyal to Stanhope but also admires his leadership, even as others question Stanhope’s drinking. Osborne understands the pressures Stanhope faces and never judges him, demonstrating the compassion that defines their relationship. This loyalty reflects the necessity of solidarity among officers, especially in an environment where emotional strain is ever-present.
2nd paragraph
Osborne often acts as a paternal figure to Stanhope, offering comfort and care in a way that highlights the depth and gentleness of their relationship. One particularly tender scene occurs when Stanhope almost reverts to a child and is “tucked” into bed by Osborne, suggesting a nurturing relationship that resembles that of a father and son. In this moment, Stanhope, usually burdened by command and responsibility, is allowed to become vulnerable and childlike, and Osborne steps in to care for him without judgement. Sherriff presents this gesture as quiet and compassionate, contrasting sharply with the brutal reality of trench life. It shows how emotional survival in war often depended on such small acts of kindness. For a post-war 1928 audience, this would have held emotional weight — many would have recognised how men who returned from war often found solace in close male friendships, forged not out of weakness but out of shared trauma and need.
3rd paragraph
Finally, Osborne’s death serves as a turning point in the play, powerfully conveying the futility of war. He faces the raid with dignity, giving his ring to Stanhope before leaving, revealing to audiences how aware he is that he will not return – yet he never questions the purpose of it. His death is not heroic or glorious; it happens offstage, without drama and so the audience is left shocked and saddened, not just by the loss itself but by how casually it was delivered. This deeply affects Stanhope as he implores Raleigh to not “sit on Osborne’s bed” as if that action would taint his precious memories of Osborne. Sherriff uses Osborne’s death to highlight how war wastes good men, successfully criticising the senselessness of war.
Conclusion
In conclusion, Sherriff presents the relationship between Stanhope and Osborne as a poignant and deeply human connection forged under extreme circumstances. Their bond is built on trust, respect, and emotional support, serving as a sanctuary from the horror of war, reminding audiences of the enduring humanity found even in the darkest times.
