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methods of presenting art Flashcards

1
Q

characteristic ways in which artists express themselves.

A

style

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2
Q

METHODS OF ART PRODUCTION AND PRESENTATION

A 
RASSFFD
REALISM
ABSTRACTION
SYMBOLISM
SURREALISM
FAUVISM
FUTURISM
DADAISM
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3
Q

The attempt to portray the subject as it is.

A

REALISM

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4
Q

describes as accurately and honestly as possible what is observed through the senses

A

REALISM

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5
Q

intended to stress the daily life of the common man

A

REALISM

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6
Q

“to move away or separate”

A

ABSTRACTIONISM

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7
Q

does not show the subject at all as an objective reality, but only his idea or his feeling

A

ABSTRACTIONISM

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8
Q

You cannot figure out the subject/object.

A

AbstractionIsm

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9
Q

Abstract subjects can also be presented in many ways:

A

a. DISTORTION
b. ELONGATION
c. MANGLING
d. CUBISM
e. ABSTRACT EXPRESSIONISM

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10
Q

misshapen condition

A

distortion

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11
Q

done to dramatize the shape of a figure or to create an emotional effect.

A

distortion

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12
Q

caricature and egyptian paintings are examples of

A

distortion

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13
Q

Lengthened

A

elongation

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14
Q

objects which are cut, lacerated, mutilated or hacked with repeated blows

A

mangling

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15
Q

use of a cone, cylinder, or sphere at the expense of other pictorial elements

A

cubism

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16
Q

he invented cubism

A

Pablo Picasso

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17
Q

Characterized by great verve, the use of large canvasses and a deliberate lack of refinement in the application of the paint

A

abstract expressionism

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18
Q

Strong color, heavy impasto, uneven brush strokes, and rough textures

A

abstract expressionism

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19
Q

visible sign of something invisible

A

symbolism

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20
Q

Tried to paint pictures of comfort, joy and pleasure

A

fauvism

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21
Q

Used extremely bright colors

A

fauvism

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22
Q

dadaism comes from the word

A

“dada” – French word meaning “hobby horse”

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23
Q

shows a movement that shock and provokes the viewers.

A

dadaism

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24
Q

playful & highly experimental

A

dadaism

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25
capture the speed and force of modern industrial society
futurism
26
Their paintings glorified the mechanical energy of modern life
futurism
27
when and where (futurism) originated
Italy in the early 20th century.
28
main subject of futurism
Machine and motions
29
Uses art as a weapon against the evils and restrictions in society
surrealism
30
Surealism is invented from the word
super naturalism
31
Elements of Art
``` PLMFSC perspective proportion lights lines motion forms symbols color ```
32
way in which artists create an illusion of depth on a flat surface.
PERSPECTIVE
33
USED TO highlight important elements in paintings
LIGHT
34
provide emphasis, emotion, etc.
COLOR
35
gives meaning, value, intensity and saturation to an object.
COLOR
36
Properties of colors
Value | Saturation
37
lightness, brightness, darkness of color
Value
38
degree of quality, purity, and strength
Saturation
39
Classification of colors
Primary colors Secondary colors INTERMEDIATE COLORS Tertiary colors
40
colors that cannot be formed from mixtures
Primary colors
41
combination of two primary colors.
Secondary colors
42
mixing one primary and one secondary.
INTERMEDIATE COLORS
43
combination of two secondary colors.
Tertiary colors
44
These allows us to see FORM
light and shadow
45
directional and it moves in a straight path emanating away from a point of origin.
Light
46
brightest part of the surface
highlight
47
darkest part of the surface
middle tone area
48
a technique painters use to keep our attention focused on the picture.
MOTION
49
the way different elements in a painting relate to each other in terms of size.
PROPORTION
50
identifiable path of a point moving in space.
LINES
51
Characterized with efficiency, simplicity & strength; ; moves in 1 direction
STRAIGHT LINES
52
kinds of STRAIGHT LINES
HORIZONTAL LINES VERTICAL LINES DIAGONAL LINES
53
lines of repose and serenity
HORIZONTAL LINES
54
lines which express ideas of calmness and order
HORIZONTAL LINES
55
lines poised for action
VERTICAL LINES
56
Lines that tend to express as well as arouse emotions of exaltation
VERTICAL LINES
57
suggest action, life and movement
DIAGONAL LINES
58
lines which give animation to any composition in which they appear
DIAGONAL LINES
59
suggest grace, subtleness, direction, instability, movement, flexibility, joyousness and grace
curved lines
60
Express energy, violence, conflict and struggle
CROOKED OR JAGGED LINES
61
any image that consists of distinct straight and curved lines placed against a (usually plain) background, without gradations in shade (darkness) or hue (color) to represent two-dimensional or three-dimensional objects
line art
62
the path made by a moving point
line
63
quality by which we distinguish one color from another
hue
64
The quality by which we distinguish a light color from | a dark one
value
65
measurement of how pure a Hue is
chroma
66
most common color schemes are:
Monochromatic Complementary Analogous
67
use one dominant color
Monochromatic
68
use colors opposite each other on the color Wheel
Complementary
69
colors next to each other on the color Wheel
Analogous
70
arrangement of elements within the frame
Composition
71
color element that deals more directly with the sense of touch
texture
72
Characteristic of surfaces
texture
73
Refers to solidity or thickness
volume
74
Different Types of photography
``` ADVERTISING PHOTOGRAPHY EDITORIAL PHOTOGRAPHY PHOTOJOURNALISM PORTRAIT AND WEDDING PHOTOGRAPHY FINE ART PHOTOGRAPHY ```
75
illustrates a service or product
ADVERTISING PHOTOGRAPHY
76
illustrates a story or idea within the context of a magazine
EDITORIAL PHOTOGRAPHY
77
photographs accepted as a documentation of a news story
PHOTOJOURNALISM
78
made and sold directly to the end user of the images
PORTRAIT AND WEDDING PHOTOGRAPHY
79
creative production of images using the camera, special lighting and other effects used for artistic expression
FINE ART PHOTOGRAPHY
80
PHOTOGRAPHY REQUIRES:
``` THE SUBJECT BACKGROUND & FOREGROUND RULE OF THIRDS LIGHTING MOTION ```
81
– main focus of your photograph
THE SUBJECT
82
what is behind & in front of the subject
BACKGROUND & FOREGROUND
83
arrangement of elements within the frame
RULE OF THIRDS
84
elements of music
``` HRM PDT Harmony Rhythm Melody Pitch Dynamics Tempo Timbre ```
85
elements of DANCE
``` CCS DMMT Costume Choreography Scenery Design Movement Music Technique Theme ```
86
elements of LITERATURE
Emotional Appeal Intellectual Appeal Humanistic Appeal
87
elements of DRAMA
``` PLOT CHARACTER/ DRAMATICS PERSONAE CONFLICT IRONY THEME OR IDEA CLIMAX MUSIC AND SPECTACLE COSTUMES AND MAKE-UP DIALOGUE SETTING, SCENERY AND LIGHTING ```
88
elements of CINEMA
``` CAPESSS Cinematography Acting Production design Editing Staging or directing Script or narrative Sound design ```
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basic element of music
RHYTHM
90
Most fundamental component of MUSIC
BEAT
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pitches or tones sounded one after another in a logical meaningful series
melody
92
Succession of tones arranged in such a way as to give a musical sense
melody
93
Highness or lowness of sound
PITCH
94
Manner of sound combination wherein we add subordinate sounds to enhance the quality of the main sounds
HARMONY
95
speed of a certain musical piece
TEMPO
96
Measured by a device by the musical notes given half or full values
May be slow, quick or moderate
97
amount, strength, or volume of the sound
DYNAMIC
98
tone quality
TIMBRE
99
VOCAL MUSIC
``` Correct posture Correct breathing Correct placement of the voice Correct diction Correct interpretation ```
100
Conveys the message of a dance
THEME
101
pattern of movement in time and space
DESIGN
102
bodily actions of the dancer
MOVEMENT
103
skill of movement executed by the dancer
TECHNIQUE
104
auditory background
MUSIC
105
figures & steps in dancing that enable the dancers to perform in an organized manner
CHOREOGRAPHY
106
setting where the dance is performed
SCENERY

Humart (7 decks)

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