Module 5 Flashcards
(37 cards)
Baroque period
- Predated the Classical period
- 1600-1750 AD
- Gets its name from the Portuguese word from a broken pearl
- Heavily instrumental at both the highest and lowest notes
- Regained popularity in the late 1800s and has been played ever since
- Employed freely changing styles; this also added to the emotion by making passages feel faster or slower; even if the speed of the music was unchanged
Pianoforte
-a precursor to the modern piano
Protestant Reformation
- The roman Catholic Church was split dividing music into new genera
- Which created various Protestant denominations throughout Northern Europe
The Catholic Church
-Soon was encouraging musicians and composers to write that could appeal to the masses
Gave birth to the genera of
- Opera
- Concerto
- Sonata
- Cantata
Opera
- Combined music with drama
- Began in Florence, Italy
- By combining music with theater, helped unleash dramatic flair and expressive power, and it became popular in Baroque music, historians and Baroque in 1750, with the death of Johann Sebastian Bach
Three important features
-Focus mainly on upper and lower tones (played by bass and soprano)
~Those who played in between those ranges improvised their works
- Focus of layered melodies
- Increase in orchestra size
Layered Melodies
-The same notes would often be repeated throughout a composition, albeit played by different musicians
Orchestra size
- Since various parts in a given piece of music the size grew substantially
Three popular composers
- Bach
- Handel
- Monteverdi
Johann Sebastian Bach
- The most famous composer of the Baroque period and among the most famous of all times
- During his life, he was more well regarded as an organist, but renounced since then for his work as a composer
Johann Sebastian Bach (1685-1750)
- The most famous composer of the Baroque period and among the most famous of all times
-During his life, he was more well regarded as an organist, but renounced since then for his work as a composer
-His music was considered the pinnacle of Baroque style
-Beethoven called him the immortal god of harmony
-During his lifetime, Bach was more famous as a organist than a composer - Was a music director at the St. Thomas Church in Leipzig, a job with little prestige and a huge workload
-Wrote organ music, orchestral music, vocal music, and more
-He composed in every Baroque genre except opera
-Goldberg Variation harpsichord or the Mass in B minor, a powerful sacred choral work written near the close of the Baroque era
~These pieces bring together an anthology of the greatest styles, forms, and techniques Bach had learned during his career as a Baroque composer
George Frideric Handel (1685-1759)
- Wrote his greatest work, Messiah
- Baroque cosmopolitan
- Born in Germany, studied in Italy, and made a career in England
- Was an expert organist and he began his career as a church musician in Germany
- He cheated fame when he moved to London to compose operas for the public and commissions were royalty, including his music for the royal fireworks
- Best known for his oratorios, a sacred coral genre; he perfected during the later part of his life
- The “Hallelujah Chorus’ from Handel’s oratorio Messiah is one of the Baroque greatest hits
Messiah
- Musical counterargument for the Church of England against the Catholic Church
- Remains one of the most famous works form the Baroque period and itself a great example of a Baroque work.
Claudio Monteverdi (1567-1643)
- Catholic priest
- Remembered for writing some of the first operas in history
- His operas drew on the tales of the heroes from Greek and Roman mythology, making them a safe bet in a religiously charged environment
- Was one of the hipsters who started writing baroque opera before it became universally “cool”
- His opera, L’Orfeo, retells the story of Orpheus innumeracy, its dramatic experimental work that many consider the first great opera
How to describe Baroque music
- “The End of All good music is to affect the soul.” Claudio Monteverdi
- Through ornate and complex compositions and performances
The Doctrine of Affection
- The primary focus of the arts was to awaken the feeling of the soul
Composers from this era focused on not their own emotions by instead on general emotions
- Love
- Joy
- Sorrow
- Fait
- Wonder
- Desire
Emotions
- Were evoked per movement or per short piece
Absolute Music
- Making music for music’s sake
- Not relying on words or passages to determine the rhythms and pitches used
- Without words, there wasn’t anything specific driving these new emotions
Prior to the Baroque Era
- Melodies and harmonies were based on modes
- Were different types of scales
Scale
-A set of notes
Major and Minor Tonalities
- Based on more pleasant modern sounds
- A few of the older modes have some nasty note combinations when cords are made
-Offered clear expression of the affections while allowing for embellishments to decorate the melodies without clashing with the harmonies
-Helps structure the music; without words the structure of music was shifted
~Instead of thinking of each part linearly as in a melody; a more vertical approach was taken, focusing on the chords made by combining melodies.
Basso continuo
- Bass line and harmony
- It acted like a curtail foundation, proving support for the melody and helping the music move along
- The bas line was played by a bass instrument like the bassoon, the cello, or the viola de gamba