Opera Flashcards

1
Q

What was opera mostly about?

A

Mythical stories

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2
Q

Why did opera flourish in Italy?

A

States ij competition

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3
Q

When did ‘public’ opera developer in Italy and where

A

Venice 1637

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4
Q

Jacopo Peri Euridice

A

1600

Libretto= Ottavio Rinuccini

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5
Q

How was Peris euridice fit for a wedding?

A

Ending changed to be happy

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6
Q

Where was Peris Euridice first performed?

A

Pilti Palas, Florence

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7
Q

Italian opera structure

A

Recitatives

Words structure the music

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8
Q

What was the focus on in Italian opera?

A

Vocal music

Not a large role for Instruments

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9
Q

Instrumentation of Italian Operas

A

Large scale

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10
Q

Intermedio

A

Italian

Musical act inbetween acts of a play

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11
Q

Castrati

A

Boys castrated in Italian opera to keeo high voices

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12
Q

What does L’Orfeo have the same story as?

A

Euridice

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13
Q

L’Orfeo

A

1607

Monteverdi

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14
Q

Why was L’Orfeo different to other Italian operas e.g Euridice

A

Instrumentals e.g ritornelli

Emotion

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15
Q

What was L’Orfeo written for and how is this shown?

A

Duke of Mantuas power display against his brother

Prologue praises the duke

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16
Q

Italian operas use of instruments

A

Used in groups e.g just ww in underworld

Renaissance style

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17
Q

L’Orfeo act 2

A

Greatest range of emotions

Rejoicing then tragedy at Euridice death

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18
Q

What did Monteverdi start to do?

A

Write small public operas

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19
Q

How did French Operas reflect the ruling style?

A

Absolute power of Louis XIV
Absolute control over opera by Jean Baptiste Lully
Palais Royale

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20
Q

Differences between French and Italian opera

A

France had more dance
France had more lavish costumes and set
No Castrato voice in France
French recitative

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21
Q

French recitative

A

Word based (like Aria)
Functional bass line
French

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22
Q

Why was Lully careful to separate French and Italian Opera

A

Lully was Italian
Prologue always in praise of Louis XIV
Louis payed him so he didn’t have to make money

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23
Q

Tragedie en musique

A

French
Love and duty
Drama in 5 acts about mythological subjects
Dance

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24
Q

French instrumentation

A

Smaller
5-part string band
Travelled
Larger role for Instruments

25
French harmonic repeating pattern
``` Chaconne = major Passacaylia = minor ```
26
Lully, Persee, Act 3
1682 The Palace gardens Dancing, fight scenes and special effects Story of Perseus, son of Zeus, ans his fight Against Medusa
27
What did Intermedio represent?
Gods/leaders
28
Who's wedding was Euridice written for?
Maria de Medici and French King Henry IV
29
The Ballet comique de la reine
French Showed the richness of King Henris reign Intrigated music, dance and drama with variety and splendour
30
What did comic mean in ballet comique de la reine?
Beautiful, calm and happy conclusion
31
How were the Intermedi virtuosic?
Solos, madrigals in elaborate counterpoint, accompanied choruses and sinfonias
32
What Intermedi was an important precursor to opera and ballet
Florentine intermedi
33
What principles of Intermedi formed the general principles for structuring theatrical dance and performance
Interlocking variations of basic material and music controlling poetry
34
L'Orfeos advanced thinking
Inventive use if music to control pace/flow | Symbolic writing
35
Dramatic centrepiece of Orfeo
Orfeos prayer to Carante Strophic variations over slow moving bass line Solemn sound of trombones mark underworld Strings represent Orpheuses lyre
36
Northern Italian festivals
Showed theatre to the public
37
Barbenni operas in Rome
1623 Started to divide into scene Travelling troupes began to present to the public
38
Which troupe spread Roman operas?
Commedia dell'arte 1645 Large opera in French Court
39
First public opera House in France
Palais Royale | 1670s
40
How did Commedia Dell'arte influence French opera
French opera turned away from heroism and increasingly towards human love, influenced by Commedia Dell'arte imagery
41
De capo aria
Aria in three parts 1) theme 2) contrasting 3) return of the theme
42
J. C bach
Blended German and Italian traditions | Attractive to Mozart
43
Haydn dates
1723-1809 | Life covered many musical changes
44
Storm and stress and Haydn
Tempesta movement | Late 1770s = half his works minor
45
Why was London important to Haydn?
Europe's largest city Received lots of praise 12 symphonies reinvented sonata form
46
How did Haydn reinvent sonata form
2nd subject almost eliminated allowing more extended works
47
Haydn and 'the creation'
Embraces his mature symphonic style hut also draws on Vuennese traditions and an English, Handelian one
48
Mozart dates
1756-1791 | 24 yesrs after Haydn
49
How did Mozart piano concertos enlarge the idea of Concertos
Added a sonata form in which solo episodes alternate with Ritornellos Dialogue between orchestra and piano Piano elaborated orchestral ideas
50
Mozart finest manifestation of counterpoint
'Jupiter' | Piano symphonies fell out of favour = mozart in trouble
51
Mozart first great opera
Idomeneo
52
How did Mozart develop comic opera
Infusing it with a new humanity and depth | Characters recognisable and defined by their music
53
Mozart and opera music
``` Music representations Defined class and situation of a character ```
54
Mozart and the freemasons
Was a freemason from 1784 | Magic flute defines the age of enlightenment
55
Opera worldwide
Each country has its own form of light opera | Italian = language of court opera so Italians held important positions
56
Boccherini
Isolation in Spain = away from mainstream | Individuality
57
Clementi
Pupil of Haydn and competed with Mozart before the Emporer | Experiments with pianoforte and developed thr nocturne style Chopin went on to use
58
Beethkven6
Climax and dissolution of classical music