Othello Key Quotes A1 Flashcards
(57 cards)
Iago: ‘I follow him…
… to serve my turn upon him.’ A1:1
- Introduction of revenge, duplicity and deceit.
Iago: ‘I am not…
… what I am’ A1:1
- Perversion of Exodus 3:14. Comparison to God (heretical).
- Duplicity.
Iago: ‘We cannot all…
…be masters, nor all masters/ Cannot truly be follow’d.’ A1:1
- ## At this stage his machinations are merely to defy Othello and attain the position he believes is owed to him.
Roderigo: ‘What a full…
…fortune does the thicklips owe’ A1:1
- Use of racial epithets.
- Iago has radicalised Roderigo, incensed him to hate Othello for the malfeasance he deems himself to have been subject to.
- Idea of debt, to Iago?
Iago: ‘Rouse him, make after him, …
… poison his delight, /Proclaim him in the street, incense her kinsmen.’ A1:1
- Iago seems to have some anarchistic tendencies, he seems eager to cause city-wide havoc to harm Othello.
- Incite fear of miscegenation.
Iago: ‘Plague him…
…with flies’ A1:1
- More biblical imagery.
- Iago believes he is performing some deed of absolution?
Iago (to Bra.): ‘Your heart is…
…burst; you have lost half your soul’ A1:1
- Objectification of Desdemona.
- Iago tries to dictate Brabantio’s emotional response, to evoke some form of anger/outrage.
Iago: ‘an old…
…black ram is tupping your white ewe’ A1:1
- Overt sexual imagery.
- Suggestion that Othello is polluting/exploiting D’s white chastity.
- Racial tropes: hypersexuality/lasciviousness/voracity, immorality and animalistic traits.
Iago: ‘your daughter and the Moor, …
… are now making the beast with two backs.’ A1:1
- Suggestion of pollution of B’s white blood line.
- He implies their progeny will be misshapen/mutant.
- Overt sexual imagery.
Roderigo: ‘To the gross…
…clasps of a lascivious Moor’ A1:1
- Iago has inspired some of this hatred in him, however Roderigo is also evidently obsessed with Desdemona which Iago takes advantage of.
- Idea of possession and lack of female agency.
Brabantio: ‘O treason…
…of the blood!’ A1:1
- Fear of miscegenation.
- Iago’s plan has been effective, he is riled.
Oth: ‘I love…
…the gentle Desdemona’ A1:2
- He is calm and composed, very diplomatic considering the risk that has presented itself to his marriage and his livelihood.
- He knows his worth to the state.
Oth: ‘My parts, my title, …
…and my perfect soul, /Shall manifest me rightly’ A1:2
- Self-assured.
- Morally astute and secure in his goodness.
Iago: ‘By Janus…
…I think no.’ A1:2
- Swears by the Roman God with two faces.
- Duplicity.
Iago: ‘he to-night hath…
…boarded a land carrack.’ A1:2
- Monetised and degraded.
- Treasure ship.
Iago: ‘preferment goes by…
…letter and affection, not by the old gradation’ A1:1
- Implies Othello is nepotistic/forming a kakistocracy.
- Professional jealousy.
Iago: ‘In following him I follow…
… but myself; / Heaven is my judge, not I for love and duty, / But seeming so for my particular end’ A1:1
- Machiavellian, will do anything to achieve his own ends.
- Cares only for his own ambition, self seeking and conceited.
- Manipulative and conniving.
Othello: ‘Keep up your…
…bright swords, for the dew will rust ‘em’ A1:2
- Othello is calm, composed and diplomatic.
- Statesman like and the opposite of how Iago and Brabantio would have him portrayed.
- He is control, unfazed and unflappable.
- Dignified and courageous.
Iago: ‘I know…
…my price, I am worth no worse a place’
- Resentful and bitter malcontent..
- Envious of the accomplishments and possessions of others, is his jealousy proportional to his hatred?
Iago: ‘I will wear…
…my heart upon my sleeve / For daws to peck at’ A1:1
- He is false, everything is a facade except in his soliloquies to the audience.
- His outward behaviour rarely reflects the true nature of his feelings.
- Honesty is presented as a weakness and a flaw, he will go on to instil this belief in Othello.
- Boasts about his ability to conceal his true nature.
- Despite this admission, Roderigo continues to trust him - ignorant and weak-minded.
Brabantio: ‘Damn’d as thou art…
…thou hast enchanted her…in chains of magic’ A1:2
- Racial element to his speech, use of epithet and stereotype.
- Othello is made to seem devilish.
- He cannot ascertain how Desdemona would have wilfully married Othello without some coercion.
Brabantio: ‘she shunn’d…
… / the wealth curled darlings of our nation’ A1:2
-Suggestion that Desdemona has rejected all previous suitors, rejected those of her ‘own kind’
- Brabantio cannot comprehend why she would choose him.
- ‘Our nation’ implies Othello is ‘other’, he is not part of their collective.
Brabantio: ‘Run from her…
…guardage to the sooty bosom of such a thing as thou’ A1:2
- Incomprehensible to him.
- Fixation on his race, he ostracises him with his language.
- He is not presented as a person, but a ‘thing’ with which Brabantio cannot identify.
- he views their marriage is a complete transgression of all social norms, a violation of the natural order.
Brabantio: ‘Thou hast practiced on her with…
…foul charms, abused her delicate youth with drugs or minerals’ A1:2
- Another implication that he has used magic, for how else could he have secured Desdemona’s love.
- Sees their interracial marriage as an abomination and a social and ethical violation, which he believes Desdemona would only have agreed to under duress.