TEOSA analysis Flashcards

(8 cards)

1
Q

The statues and carvings in “The Eve of St. Agnes” symbolize two things: ….

A

… the chilly inevitability of death, and the immortalizing power of art.

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2
Q

What can be inferred from the description of Porphyro as “pale as smooth-sculptured stone”?

A
  • He will not fade; he is an immortal lover perhaps.
  • Madeline mistakenly thinks he has died when she sees him
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3
Q

What can be inferred from the feast P prepares?

A
  • All of the foods that Porphyro lays out are sweet, rich, scented, and exotic. Everything is “sooth[]” (or smooth) and “creamy,” “candied” and “spiced.” This banquet appeals to every sense including hearing: “From silken Samarcand to cedar’d Lebanon.”
  • He provides only “dainties”, delectable luxuries. Porphyro is inviting Madeline to revel in pleasure with him, immersing herself in the world of the senses. Could also be a symbol of his own insubstantiality.
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4
Q

What is significant about the juxtaposition of hot and cold?

A

There is a “bitter chill” that surrounds Madeline and Porphyro’s “heart[s] on fire.” That chill is often associated with the elderly and the dead: the “icy hoods and mails” of the people carved on the stone tombs, the “ashes cold” in which the Beadsman dies.
- They are ‘flushed’ and Madeline wears jewels ‘warmed’ by her skin.
- The passions of youth are inevitably extinguished.

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5
Q

Whose form/style influenced the poem?

A
  • Spenser, it is written in Spenserian stanzas
  • A nine-line stanza that uses eight lines of iambic pentameter and one line of iambic hexameter.
  • ABABBCBCC
  • medieval romance
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6
Q

How is the stained-glass window described?

A

“the arras, rich with horseman, haw, and hound, / Flutter’d in the besieging wind’s uproar; / And the long carpets rose along the gusty floor,”
- Another testament to art’s longevityH

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7
Q

How have some critics interpreted the poem?

A

A confession of his love for Fanny Brawne. Written shortly after they fell in love. He maybe felt their love was a bright spark against a dull world, and had maybe felt like a voyeur for so long: aware of her presence, but never interacting with her tangibly.

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8
Q
A
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