DOAS form/staging Flashcards
(8 cards)
How can the depiction of reality in DOAS be described? What features support this conclusion?
- Expressionist
- Non-linear narrative/chronology
How does the requiem contrast a traditional tragic chorus?
The ‘Requiem’ at the end imitates the traditional tragic chorus, but instead of confirming a return to order, it leaves a sense of futility — a deliberate subversion of tragic closure
What are the non-naturalist elements of DOAS’ form?
The frequent use of flashbacks and blending of memory and present moment on stage disrupts chronological order, creating a sense of chaos within Willy’s mind. Miller’s manipulation of stage space — with voices and scenes bleeding into one another — reflects a world where the boundaries of reality and illusion have collapsed, symbolising the breakdown of personal and societal order.
How does Miller use expressionism to portray Willy’s fractured mental state?
Miller’s use of expressionist stagecraft blurs the boundaries between past and present, suggesting Willy’s fractured psychological state and inability to separate reality from illusion.
How does Willy’s fractured speech betray volatiliy?
The frequent interruptions in dialogue, such as Willy’s mid-sentence shifts (“I’m the New England man. I’m vital in New England…”) expose the volatility of his identity and the cracks in his capitalist dream.
What can be said about the staging transitions? Why is this important?
They are nearly seamless, allowing for the audience to become entirely submerged in Willy’s fractured psyche.
‘a dream…
…rising out of reality’
How does Willy juxtapose Linda and the Woman in act 1? Why is this an example of montage?
W (speaking to Linda): ‘There’s so much I want to make for –
[imperceptible transition]
The Woman: ‘Me? You didn’t make me, Willy. I picked you.’
Willy [pleased]: ‘You picked me?’
Willy’s earnest protestations of love and fidelity to Linda are staged in parallel with his delight at flattery from his lover.
