Peaky Blinders representation Flashcards

(48 cards)

1
Q

What does Steven Knight say about the type of history Peaky Blinders explores?

A

Knight describes it as the “secret history of England” — focusing on the darker, more violent, and hidden aspects of working-class life, rather than the polished portrayals of British history in traditional costume dramas.

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2
Q

How does Peaky Blinders subvert typical costume drama conventions?

A

The show omits aristocrats, businessmen, and factory owners in Season 1, focusing entirely on working-class life in Birmingham, particularly the Shelby family’s criminal world.

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3
Q

How does Knight’s mythologising of industrial communities affect Birmingham’s cultural identity?

A

It has sparked civic pride in Birmingham, leading to themed tours, pubs, and dance performances — showing how the show helped reframe the city’s industrial past as something heroic and iconic, despite its criminal associations.

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4
Q

How are the Shelby brothers’ violent behaviours contextualised in the narrative?

A

Their violence is linked to WWI trauma. Knight describes them as “men who have forgotten about physical consequences,” suggesting their post-war PTSD masks vulnerability behind a facade of fearlessness.

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5
Q

How are male characters represented in terms of masculinity?

A

They embody traditional gangster machismo (toughness, dominance), but this is complicated by emotional damage and trauma, offering a nuanced portrayal of masculinity.

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6
Q

How are female characters presented in Episode 1?

A

They are strong and narratively central. Polly is a controlling matriarch, Ada defies traditional roles, and Grace uses her femininity as a disguise to infiltrate a male world — reflecting the post-WWI rise in female independence.

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7
Q

How does the historical context of WWI influence gender representation in the show?

A

With men at war, women had to “take over” running the country, leading to increased autonomy. The show reflects this shift by giving female characters agency, complexity, and power in a male-dominated society.

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8
Q

How is class represented in Peaky Blinders?

A

The show offers a gritty, realistic view of post-WWI Birmingham — a city of poverty, violence, and ambition, contrasting with idealised representations of upper-class British life.

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9
Q

What is historical revisionism, and how does the show demonstrate it?

A

Historical revisionism involves re-examining the past to focus on overlooked groups (e.g. working class, women, LGBTQ). Peaky Blinders challenges elite-centred narratives by focusing on local, marginalised voices.

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10
Q

What visual contrast is used to show Birmingham’s dual identity?

A

The opening of Tommy’s stylised ride through the streets contrasts sharply with Campbell’s stiff, moralistic entrance from the train station — juxtaposing mythic gangster glamour with external law and order.

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11
Q

How does the show depict Birmingham in 1919?

A

As “the workshop of the world” — a grimy but industrious city that reflects both imperial power and working-class struggle, offering characters like Tommy both poverty and opportunity.

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12
Q

How does Tommy Shelby embody the gangster anti-hero trope?

A

He is a “tough guy with a heart of gold” — emotionally closed off, capable of violence, but also loyal, protective, and rooted in community responsibility.

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13
Q

How does trauma challenge traditional masculinity in the show?

A

Post-war trauma gives depth to male characters, revealing that their violence and stoicism are often masks for vulnerability, breaking down typical hard-man archetypes.

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14
Q

In what ways are female characters more complex than usual gangster genre tropes?

A

Women like Polly and Grace are not just “molls” or sex objects — they are narratively important, emotionally layered, and central to the unfolding power dynamics.

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15
Q

How does Grace represent ‘performed’ femininity?

A

Initially appearing “too pretty” and delicate, Grace’s gentle appearance and singing are revealed as a strategic act — she is in fact a ruthless, competent undercover agent.

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16
Q

How does Judith Butler’s theory of gender performativity apply to the show?

A

Characters “perform” gender through clothing, posture, voice, and behaviour. Masculinity (e.g., sharp suits, flat caps, violence) and femininity (e.g., Grace’s innocence) are both constructed roles, not natural states.

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17
Q

How is costume used to express class and gender?

A

The Peaky Blinders wear tailored suits (upper class) and flat caps (working class), combining sophistication with street toughness. Grace’s attire evolves as her identity is revealed, showing how clothes signify social role and power.

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18
Q

What is David Gauntlett’s identity theory and how does it apply?

A

Gauntlett argues media helps audiences construct their identity from a mix of role models. In Peaky Blinders, viewers may identify with different characters, creating a fluid, personal narrative of the self.

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19
Q

How does Peaky Blinders promote a diversity of identities?

A

By rejecting elite narratives and focusing on working-class, female, and traumatised characters, the show offers more authentic representations for audiences of varied backgrounds.

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20
Q

Why are long-form dramas like Peaky Blinders effective for representing identity?

A

They offer multiple protagonists and evolving storylines, allowing audiences to shift allegiances and explore identity across complex arcs — especially when characters are morally ambiguous.

21
Q

How is Tommy represented as influential?

A

“Leader of many of the local men in France”

His wartime leadership grants him control and power.

22
Q

In terms of camera shots, how is Tommys power/control represented?

A

Establishing low angle, tracking shot of him on a horse.

Here, we see people making way for him.

NEALE: INTERTEXT REF TO WESTERN FILM, TOMMY=SHERIFF (REINFORCED BY SLO-MO BAR TRACKING SHOT) MARKS DIFFERENCE.

23
Q

In terms of clothing codes, how is Tommys power/control/masculinity represented?

A

1950s three-piece suit, epitomises masculinity - reinforced by blade in cap.

24
Q

How does Tommy somewhat subvert the leader position?

A

He is the middle brother, yet the leader of PBs/bookmaking business.

Respect gained due to strategic and level-headed nature.

25
How might Tommy subvert male stereotypes?
Due to psychological and violence-based power. He is rational and strategic, as opposed to violent and confrontational. This is seen through him rigging the horse.
26
How does Tommys stoicism represent fragile masculinity?
It depicts suppressed deep psychological war trauma. This can be seen through long close up shots of Tommy (eg in bed), with his face in shadow. This represents inner-turmoil.
27
How does DCI Campbell represent fragile masculinity?
Grace's rejection damages his masculine pride, fuelling his hatred of Tommy (he took what he wants)
28
How does Arthur represent fragile masculinity?
His physical aggression and loud-nature shows emotional instability/insecurity. When he attempts to assert authority, but is undermined by Tommy, he overcompensates through shouting - his masculinity has been threatened.
29
How does hooks' theory link to masculinity being proven through past-times?
Past-times such as boxing and fighting are attempts to prove masculinity. Here, hooks would argue that the men are asserting power through dominance when they feel powerless elsewhere (post-war). FOR EXAMPLE, TRACKING SHOT OF ARTHUR ATTEMPTING TO RESIST POLICE GRABBING HIM.
30
How is Tommys PTSD represented?
Tommy only shows weakness/vulnerability when alone. FOR EXAMPLE, IN BED - DIM LIGHT, SLOW EDITING AND TENSE MUSIC. This shows stigmatised mental health issues at the time.
31
How is Dannys PTSD represented?
Through his pub flashback. EG FRANTIC CAMERA MOVEMENT AND DIEGETIC SOUNDS OF CRASHING/SHOUTING. This shows his post-war disorientation.
32
How is PTSD represented through coping mechanisms?
The use of drugs/alcohol as a coping mechanism for trauma. Tommy drinking in non-social situations/taking drugs alone represents alcohol as self-medication. These hyper-masculine activities are a performance (BUTLER) of male toughness.
33
How does the mis-en-scene of 1950s Birmingham represent post-war Britain?
Dark, smokey narrow streets show the social wreckage of war. Also, overcrowded factories. This is represented through low-key lighting, and a dark colour palette.
34
How might Polly be represented as stereotypically maternal?
Through her advice and concern around Tommy (Church scene). Despite her androcentric behaviours in this scene - hitting Tommy - she initially shows her concern for him "I can tell you are hiding something", links to her stepping up to be a maternal figure.
35
How does Polly's representation link to the social context of post-WW1 Britain?
She reflects the autonomy given to women during the war. "This whole bloody enterprise was a women's business while you boys were away"
36
How might Polly hold an androcentric representation?
Through her use of discriminatory language and violent behaviours. "Nearly blew Adas's tits off!" Holding gun to John/hitting Tommy.
37
How is Polly represented as authoritative in her introductory scene?
a 2-shot, holding a gun to John's head to punish him. This then cuts to a low-angle shot of her. The choice of shots, alongside the iconography of the gun shows power and authority.
38
How does Polly's representation link to third-wave feminism?
She is often seen in 2-shots with Freddie, who's socialist ideologies oppose her families. She is also seen having autonomy over her body - having sex with Freddie. Third wave feminists called for autonomous political ideologies and independence surrounding sexuality.
39
How might Adas scenes with Freddie be interpreted?
Often in 2-shots with him, which perhaps suggests a desire for male validation - conforms to stereotypes of the time. However, due to Freddie and the PBs opposing ideologies - it might pose Ada as independent.
40
How might scenes that encode Ada's separation be interpreted?
EG ISOLATED WIDE SHOT OF HER UNDER A BRIDGE, SHOT IS FRAMED BY THE BRIDGE. Might show how she is expected to be trapped within her families ideologies and ideas as an inferior woman. However, she is not domesticated - perhaps independent and making her own decisions.
41
How does Ada subvert stereotypes of her time?
Through resisting the patriarchy. "Don't you threaten me!" to Tommy.
42
How does Adas clothing codes conform to feminine stereotypes?
Her dress code of a typical 1920s flapper (Short dress, fur coat etc) shows femininity and aligning with beauty standards.
43
How might Grace's introductory scene be adhering to the male gaze?
We see a tracking shot of her walking down the street. We are behind her - dehumanising or mysterious enigma? In conjunction, there is a non-diegetic score connoting tranquillity suggesting not only an enigma of the character but a sense of beauty too.
44
How does Grace play on hegemonic expectations and stereotypes of 1920s women?
Through her "job" as a bar maid - nobody would detect her as a spy, as stereotypical female job of the time. Through her sexuality and relationship with Tommy (CLOSE UP CROSS CUT SHOTS CREATE TENSION) She uses stereotypes in her favour.
45
How does Grace subvert female stereotypes of the time?
Through her occupation as a spy (Investigating IRA for the govt, as they killed her dad)
46
How is Polly represented as authoritative and powerful through her mis-en-scene?
She is often seen in dark, tailored dresses with accessories - showing class and authority. She is seen in male-dominated spheres, such as the office.
47
How does the stereotyping of gender in Peaky Blinders suggest inequalities of power?
Male characters dominate PB and fulfil all of the positions of power within the narrative. This is in keeping with the historical contexts of 1920s Britain where patriarchy and suppression of femininity was still apparent. This is to create a convincing and accurate picture of this era, where gender stereotypes are created via inequalities of power. STUART HALLS THEORY
48
How is Grace subject to sexism/objectification?
Sexually/ Physically objectified- Grace is regularly mistaken of being a "Whore" via the diegetic dialogue of multiple characters throughout the episode. This assumption marginalises Grace as a sexual object and results in her becoming a victim of misogyny.